Ten Critically-Acclaimed Films I Just Don’t Like

It might sound like a bad thing, but truly, you just can’t like every movie, regardless of its popularity with critics, film buffs, or even your casual viewers. While there are positive things I could say about each of these movies (and I will!), I just didn’t care for them, and I don’t imagine I’ll revisit any of them in the future. I got this idea after reading Abbi’s post about Ten Movies People Seem to Love That [She] Just Didn’t Get, over at her site Where the Wild Things Are. She got the idea from Film Nerd Blog. I thought it was a great idea, and just turned it into a list of films most critics (and many viewers) loved (that I didn’t dig).

Here are ten critically-acclaimed films I just don’t like:

Almost Made the List . . .

The Town (2010)

Rotten Tomatoes: 94%
Metascore: 74/100

The Town nearly misses the list, even considering it’s the only movie in the list I turned off in the middle of viewing. I loved the cast, excluding Blake Lively. I think Ben Affleck has established himself as a director not to be toyed with. My issue with the film was the overabundant drug use and language. It’s not that I’m not interested in seeing a town, a group of people, realistically displayed. It just took over the film for me, overshadowing the story.


 10) Breakfast at Tiffany’s (1961)

Rotten Tomatoes: 87% RT
Metascore: 76/100

The fashion is stunning. It’s Audrey Hepburn, how could it not be stunning? I know I just reviewed Roman Holiday (1953) and loved it! There’s no doubt there are some great elements in this film that make it the memorable movie it is today. For me, however, I just didn’t feel like there was a great story there, and I couldn’t get into it. Sorry, Holly Golighty.

9) The Graduate (1967)

Rotten Tomatoes: 87%
Metascore: 77/100

The Graduate – another classic I just didn’t care for. It’s one of the first coming-of-age stories that explores a territory not yet tackled in film. Dustin Hoffman gets famous off of The Graduate. The music is great, and the end scene is emotional. But for me, watching it decades later, I just didn’t connect with the film at all.

8) 2001: A Space Odyssey (1968)

Rotten Tomatoes: 95%
Metascore: 86/100

Considered a must-see by anyone who considers him/herself a film buff, I know some heads are shaking as they see this one on my list. It’s a highly influential science fiction film crafted by Stanley Kubrick. I should like this. I should want to watch this, include it on my top ten lists, boast of its greatness. But I missed it . . . even knowing that this film is a work of art, I don’t care for it.

7) The Exorcist (1973)

Rotten Tomatoes: 88%
Metascore: 82/100

Now we enter the horror genre. A movie that I watched in high school, The Exorcist scared the crap out of me. It’s a mark on the horror film genre, and I can understand why. But I don’t feel apologetic for disliking this movie. It’s not that I think it’s bad; I just don’t like movies that deal with devil/demon possession. It’s not a fun movie for this film fan.

6) Pulp Fiction (1994)

Rotten Tomatoes: 94%
Metascore: 94/100

Perhaps one of the most controversial films on my list, Quentin Tarantino’s film Pulp Fiction wasn’t a fun ride for me. I won’t say there weren’t moments when I laughed, or thought I had witnessed something very cool in the film. It’s certainly a well-made piece of cinema; I, however, struggled to enjoy it amidst the overt sexual scenes and language, even knowing it was a Tarantino film.

5) Lost in Translation (2003)

Rotten Tomatoes: 95%
Metascore: 89/100

Yet another one of the more controversial films on this list, Lost in Translation is a deep film that does succeed to tell its story. I’m not arguing that. It’s just one of those movies I watched and was done with. It includes one of Scarlet Johansson’s best performances, and the movie shows how you can strike up a friendship with the unlikeliest of people. But this movie depressed me to the degree that I have no need to see it again.

4) Avatar (2009)

Rotten Tomatoes: 83%
Metascore: 83/100

James Cameron brought us Titanic (1997), and of course, he had to bring another enormous budget, technologically ground-breaking film called Avatar. It’s not that I don’t respect the art, the technology, the scope of the film. It’s a feat in movie history. But for all of the special effects and millions of dollars poured into the project, I felt like maybe they could have had a shake down in the writers room and come up with a more original, engaging story. According to my Intro to Film teacher, Avatar was just a rip-off of Dances with Wolves (1990). I haven’t seen it, so I couldn’t tell you. But the movie never stayed with me, no matter how many sequels Cameron’s team has promised.

3) The Tree of Life (2011)

Rotten Tomatoes: 84%
Metascore: 85/100

Jessica Chastain was in four movies in 2011, and this was the only one I really didn’t like. It wasn’t that the cinematography wasn’t gorgeous, because it was. I can’t think of a movie in this decade that is more beautiful to watch unfold on screen. But the idea of being metaphorical doesn’t hold up for me in this movie. I know The Tree of Life aimed to be deep, but Terrance Malick’s film didn’t win me over. To this day, I still don’t understand the appeal. Perhaps I just wasn’t meant to understand.

2) Melancholia (2011)

Rotten Tomatoes: 78%
Metascore: 80/100

Perhaps the must unmemorable movie on this list for me, Melancholia bored me to no end. I distinctly remember forcing myself to sit through this film just so I could watch all of the Oscar-nominated films that year. Like The Tree of Life, it offers some of the most beautiful scenes to watch. But I missed out on watching an actual story. I just remember Kirsten Dunst getting angry, and Kiefer Sutherland popping up in a movie after his 24 (2001-2010) run.

1) Prisoners (2013)

Rotten Tomatoes: 82%
Metascore: 74/100

It’s difficult for me to find words for how much I disliked Prisoners, especially considering how big a fan I was of the cast. Jake Gyllenhaal, Wolverine, and Viola Davis – it’s got to be good, right? The plot is interesting: someone’s kidnapped children. But it was painful for me to watch Hugh Jackman torture Paul Dano. From start to finish, it was disturbing for me to watch, and I have no desire to revisit it ever again, regardless of its critical success.

It’s your turn now. What critically-acclaimed movies do you not dig? Which ones on my list do you think I need to watch again to consider otherwise? Please join the discussion below, because I would love to know your thoughts.

AEOS Review: The Bourne Legacy

I haven’t reviewed a film in quite a while, but I have some free time right now, so I’m back to posting. Thanks for everyone’s patience! (I know all of you just missed me so much, ha!)

There haven’t been that many great films to review this month (see: last post), but The Bourne Legacy was one of those films I was looking forward to for one reason: Jeremy Renner. He arrives on the Hollywood scene in his early 40s, and he seems to be the “back-up plan” for all of these franchises that seem to bumble between furthering the franchise with yet another film, rebooting the franchise entirely, or recasting the series with Renner.

Renner first showed up in The Hurt Locker and did one heck of a job so I’m told, although I have yet to see that film. But I’ve witnessed him play an excellent supporting role in The TownMission Impossible: Ghost Protocol, and The Avengers. Renner knows how to own the screen whether it’s a starring or supporting role, and I look forward to seeing more and more of him in the future!

Unfortunately, I did not dig The Bourne Legacy like I hoped to. I wouldn’t call Renner and Weisz’s performances saving graces since the film wasn’t that terrible, but the truth of the matter is that the film fell flat. It didn’t live up to the previous Bourne films, it lacked a great villain, it completely wasted Edward Norton’s talents, and Aaron Cross’s motivations were consumed solely with finding the “chems.”

Aside from the film’s notable issues, however, I found it to be an enjoyable action film. The lab scene where one of the workers goes on a killing spree was especially terrifying and shot in such a serious and subtle way, that it stood out as the best scene of the film for me.

Nothing about The Bourne Legacy especially grabbed my attention aside from the lab scene–the score lacked the excitement of the previous films, although the film did end with Moby’s Extreme Ways, which I appreciated. I tend to wonder whether there will be a fifth installment with the lackluster response both critics and audiences have given the film.

If you’d like to hear more of my banter on the film, please check out my movie buddy Ryan’s podcast on his site, The Matinee. I had the privilege of getting to guest on episode 66, where we talked not only about The Bourne Legacy, but in light of this interesting recast (Matt Damon to Jeremy Renner), also listed off each of our top 5 recasts in films. And not only to put in a plug for Ryan, but also just to say from my own perspective — Ryan runs a great site and is so up to date. He puts me to shame with how on top of things he is from writing posts, to seeing films, to recording podcasts. Please take the time to check out his site and specifically listen to episode 66 if you can spare the time! You won’t regret it.

What did you think of The Bourne Legacy? Did you like it more than I did? Do you think Jeremy Renner lived up to Matt Damon in the Bourne series? Do you think there will be a fifth Bourne film?