Month in Review: September 2014

September was not the biggest month at the movies for me, considering I made it to the theater only twice! (Yeah, that little.) However, I have had a lot of fun on All Eyes On Screen, so here’s the breakdown for the month:

Guest Posts

Trailer Breaks

  • Two Trailer Breaks made it into the month of September, one for upcoming movie You’re Not You (2014).
  • And the other break for the next Hunger Games installment, Mockingjay Part I (2014).

Blogathons

  • Possibly one of my favorite types of posts to participate in, I got to take part in a few blogathons this past month. I got to talk about some of my favorite guilty pleasure films in a blogathon hosted by Jenna and Allie over at their site Chick Flicks.
  • I also made my own version of a summer movie lessons that I file under blogathons, inspired by Ryan at The Matinee.
  • My most recent post, “You Call Yourself a Film Buff? Movies I Still Haven’t Seen I consider a blogathon since I was inspired by Mettel Ray’s version of the post, which you can find here. I’ve been offered several recommendations to add to the list, including Apocalypse Now (1979), The Red Shoes (1948), Solaris (1972), The 400 Blows (1959), Gone with the Wind (1939), 12 Angry Men (1957), and Amadeus (1984).

Reviews

  • I finally got around to reviewing What If (2014), a movie I caught the previous month at the theaters. I’d highly recommend it as it’s a great post-Harry Potter film for star Daniel Radcliffe, and I’d consider it the When Harry Met Sally (1989) for today’s generation.
  • This Is Where I Leave You (2014) was one of only two movies I caught at the theater in September, leaving a rather mediocre taste in my mouth despite some of the nice performances.
  • The latest From Page to Screen post also happened to be a guest post AND a review, this time on the YA adaptation The Maze Runner (2014), which while I found a little disappointing, still was fun enough I’d consider it a success.

Best Movie [I saw in theaters] This Month

The Maze Runner

It’s funny how it’s difficult to decide between only two movies I saw at the theater this month, primarily since they were both so mediocre, in my opinion. If I had to choose one, I’d go with The Maze Runner, even though I considered it only a hair better than This Is Where I Leave You.

Worst Movie [I saw in theaters] This Month

This Is Where I Leave You

Of course, This Is Where I Leave You isn’t a bad movie. It’s not a great movie, but it’s a pretty good movie with some nice moments. I’d definitely re-watch it if there was enough time between then and my latest viewing of it.

Looking Forward to October

I have to say, I’m far more excited for October movies than I was for September, since we’re starting to enter the next big movie push throughout the year. More Oscar-worthy films will probably be showing up closer to November, but it’s never to early to start with a few in October. Here’s what I’m hoping to catch in theaters, or plan to see when released on DVD, next month:

Left Behind (10/3)

I can’t help but be curious about this remake, since Tim LaHaye, author of the book series Left Behind, sued Cloud Ten Pictures since he felt like the Kirk Cameron version didn’t do his series justice. I’m just waiting for Cage to announce that he’s stealing the Declaration of Independence while Jordin Sparks breaks out into a gospel song. I’d love to take this movie seriously since I actually read and enjoyed the book, as well as the first film version, but this just looks sad to me.

The Judge (10/10)

Yes, the trailer looks convincingly good. And so does Robert Downy Jr. Can the man give a great performance outside of his Iron Man suit? I’m sure he can.

One Chance (10/10)

I noticed this movie in the winter of 2013, and I believe it got released in the UK, but I could be wrong. Anyways, this film got put on the back burner, and only until recently did I notice it’s getting a wide US release date. James Corden was in this year’s lovely Begin Again, which was also about music. I’m not sure if it’s the next Billy Elliot (2000), but I’m curious enough to go to the theater and find out.

Men, Women & Children (10/17)

I caught wind of this movie when I found out it was showing at TCFF, athough I unfortunately will not be attending this year. However, the cast looks very interesting, including both Jennifer Garner and Adam Sandler. I like the idea behind this movie, and I think it could be very good.

Laggies (10/24)

I saw a preview of Laggies before I saw Begin Again, another movie that stars Kiera Knightly. Chloe Grace Moretz also stars in this, another film after If I Stay. Both ladies seem to be making a scene in this year’s offerings, and I’m looking forward to seeing both on screen together.

Horns (10/31)

Daniel Radcliffe is 95% of the appeal of this movie. I loved him in Harry Potter and his post-HP films thus far. He was charming in What If, and I imagine he might not be quite so sweet in Horns. The movie appears to be a darker, similar film to Hellboy (2004), but I could be totally off. It’s fitting that it’s getting a Halloween release date.

Most Anticipated Film of October

I couldn’t close out this section by leaving out the movie I anticipate most not only for the month, but it also makes my top list of anticipated films for the year 2014!

Gone Girl (10/3)

Will David Fincher’s latest film live up to Gillian Flynn’s bestseller? I hope so. Ben Affleck is back on screen again, and after reading the book, I’m convinced he’s Nick Dunne in the flesh. I’ve already purchased my tickets for this coming Saturday, and I’m already prepping my next From Page to Screen review. I think Gone Girl is likely to create some Oscar buzz after this weekend.

It’s your turn now. What were the best movies you saw this month? What movies are you anticipating most next month? Please join the conversation below, because I would love to know your thoughts.

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All Eyes On Bloggers, Ed. 2 + From Page to Screen Review: The Maze Runner (2014)

Today I’m offering two posts combined into one, because today marks one month since I posted my first edition of All Eyes On Bloggers, Ed. 1a series that features some favorite posts I’ve read around the blogosphere over the month of September. Without further ado, I present . . .

All Eyes On Bloggers, Ed. 2

I’m a new reader to Getter Trumsi’s blog, Mettel Ray, the place where she talks a lot about the small screen. I’m definitely a new fan, and one of my favorite posts of hers includes her recent Shame List, a list of movies that are considered classics or popular or must-see for any film buff, but ones she hasn’t actually watched yet. I love this idea for a post, considering that my list would likely be just as long as hers.

One movie I’m certain to see in the near future is A Walk Among the Tombstones (2014), given the positive reviews by both Tom of Digital Shortbread and Dan of Dan the Man’s Movie Reviews. Meanwhile, Chef (2014) has become an absolute must-see with great reviews by Nostra at My Film Reviews, Jaina at Time Well Spent, and Ryan at The Matinee. And if it ever shows in Milwaukee, Ruth at Flixchatter has all but convinced me that my fall will not be complete until I’ve seen The Disappearance of Eleanor Rigby: Them (2014), thanks to her review.

I have joined two blogathons after being inspired by other bloggers’ participating posts: Caroline posted about her favorite guilty pleasures films at her site Let’s Go to the Movies by participating in Jenna and Allie’s Guilty Pleasure Movie Blogathon (you can check out my guilty pleasures movies too here!). One of my absolute favorite posts I’ve gotten to read so far spawned from the The Matinee, where Ryan wrote about what the movies of the summer taught him. You can read my copycat post and feel free to write a similar post if you’d like.

I also read a couple of interesting posts about two popular animated flicks: first, this post from one of my new favorite blogs to read, Writer Loves Movies, poses the question, What do you think makes Toy Story such an enduring animation? second, Mark at The Animation Commendation continues to ask questions about the background of unknown characters in animations films, this time focusing on “The Lady with the Kids” in Pixar’s Monster’s Inc (2001).

And that wraps up edition two. Thanks everyone for all the great posts this month . . . looking forward to reading this October!

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From Page to Screen: The Maze Runner (2014)

From Page to Screen Header

Switching gears here, I’ve been very excited to see The Maze Runner (2014) ever since I read the book (okay, all three) and saw the promising trailer for this YA adaptation. While I’m growing tired of teenage protagonists leading the fight to end the government in a post-apocalyptic world, I felt like James Dashner’s idea was a bit different, and the movie was worth giving my attention to. My sister, Jennifer, has written for All Eyes On Screen before, even if it has been a couple years. She helped me with this second From Page to Screen post, writing both the book review and participating in the compare/contrast section at the end.

Book Review

By Jennifer Griffin

TMR coverReleased in 2009, James Dashner’s The Maze Runner (2009) is another novel belonging to the currently trendy, young adult post-apocalyptic sci-fi/dystopian genre, and it is often compared to The Lord of the Flies (1954), a book about a group of British boys who find themselves stranded on a deserted island. The Lord of the Flies, The Maze Runner, The Giver (1993), The Hunger Games (2008), and other young adult dystopian fiction center around the theme of welfare of the individual vs. the welfare of the community.

Instead of a teenage heroine turning into a modern Joan of Arc archetype, The Maze Runner’s plot centers around 17-year-old Thomas, who wakes up one day in a metal cage realizing that he remembers absolutely nothing about himself except for his first name. When the cage stops moving, he finds himself transported to an unnaturally isolated environment in which only boys ages 12 through 18 reside and band together to survive. Every boy he meets refuses to tell him anything about what has happened or why he remembers nothing about his past. They consistently call him “Greenie,” and have added other strange colloquialisms to their vocabulary such as “shank” for idiot or “klunk” for poop. One book reviewer, Jessica Harrison of the Deseret Morning News, states that the main drawbacks of the book The Maze Runner are that it “starts out a bit slow,” and the “fictionalized slang gets old pretty fast.”

As time goes by, Thomas learns that all of the boys have been trapped in what they call the Glade, where each boy works in his own unit for the good of the group, the Maze preventing them from finding a way out because its patterns change every night. The other problem that plagues the Gladers are the nightmarish, blubbery robot creatures they call Grievers which can either kill or sting the boys, a blow that would force them to go through “The Changing” process, which will kill its victims if they do not receive the Griever serum (supplied by the Maze creators) in time. Those who experience “The Changing” also remember fragments of their past before they were marooned in the Glade. After Thomas arrives in the Glade, Gladers who went through “The Changing” target Thomas, specifically Gally and Ben, both who claim Thomas is to blame for their predicament. Ben also tries to kill Thomas at one point. Three days after Thomas’s arrival, a girl named Teresa comes up in the cage and immediately recognizes Thomas. She’s holding a note that says she will be the last person to arrive in the box.

These events prompt the gladers to mistrust Thomas until one night Alby, their leader, and Minho, the keeper of the runners, do not come out of the Maze as the doors are about to close. The Gladers consider being left inside the Maze overnight a death sentence, left to be the victims of the Grievers and the changing Maze walls. As the Maze doors are shutting, Thomas runs into the Maze to save them, trapping himself inside. Minho has given up and run; Alby has been stung and left for dead. Not only is Thomas instrumental in saving Alby’s life by hiding him in the Maze walls from the Grievers, but he also outsmarts the Grievers into jumping off a cliff to their deaths, saving Minho and himself in the process. The Gladers gain a newfound respect for Thomas, making him their new unspoken leader. Thomas motivates the Gladers to find a way out of the Maze using the patterns that the runners have compiled with the help of Teresa, with whom he can inexplicably speak telepathically. The Gladers finally discover how to leave the Maze by going through the Grievers’s entrance into the Maze and inputing the letter codes from the Maze patterns they discovered. Thomas leads a group of Gladers to their final battle with the Grievers in front of the exit, many of whom die while fighting. Only Thomas and nineteen others survive and make it through.

At the end of the book, the head of W.I.C.K.E.D., the agency responsible for putting the boys in the maze and experimenting on their minds to interpret their reactions to the trials, reveals two key pieces of information:

1) They are experimenting on more than one group of people.

2) More trials await the Gladers.

I give The Maze Runner book

Eye Art1Eye Art1

 and 1/2 EYES ON PAGE.

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Film Review

By Kristin

So I let Jennifer handle the book review, and since this is a longer post, I’m going to keep this film review fairly short. If you’ve read the book (or the review Jennifer wrote), you’ll have a pretty good idea of The Maze Runner‘s plot. So instead of reiterating the story, I’ll separate my thoughts on the movie into two categories: negative and positive. Let’s start with negative first, and get it out of the way!

Negative
  • Tangled Plot – I supposed I mean the pun when I say “tangled,” give that this movie is about a maze. Puns aside, The Maze Runner is a bit of a mess when it comes to the plot. It’s partially understandable given that the source material was complicated. You have all of those terms down that were mentioned in the book review, right? Haha. Unlike this year’s Guardians of the Galaxy, which introduced us to a new universe, characters, and story, The Maze Runner struggled to communicate its reasoning behind why the characters did what they did. The plot moved forward so quickly at some points, that characters were making decisions where I was left scratching my head and wondering why.
  • Too much change – While I actually applaud screenwriters Noah Oppenheim, Grand Pierce Myers, and T.S. Nowlin for leaving out some unnecessary explanations and scenes from the book, I think they failed to include enough explanation, leaving the actors to try to be really, really convincing when the story didn’t support their actions.
  • Not enough characterization – This is one point my sister discussed with me at length, but like any good story, you can’t care about the characters if you don’t know enough about them. While Thomas seemed to be the most evolved on screen, prominent characters such as Chuck, Teresa, and Alby didn’t receive enough screen time or dialogue for us to care about their characters.
Positive
  • Great casting – This is such a subjective point, but I loved the cast, specifically Thomas Brodie-Sangster, who stood out as Newt. Dylan O’Brien plays a convincing enough lead who will undoubtedly be offered more opportunities after The Maze Runner. Aml Ameen (Alby) and Ki Hong Lee (Minho) were great in their roles as well, although they functioned more as needles in a haystack with the large cast of youthful boys in an unmemorable film.
  • Memorable soundtrack – While John Paesano doesn’t have the largest resume, he composed a fitting, fast-paced score to match the intensity and energy of The Maze Runner‘s action scenes. Apparently Paesano is also the composer behind this year’s When the Game Stands Tall‘s soundtrack, which I might have to check out now.
  • Ideal set – While I normally don’t comment much on a film’s set, the set for The Maze Runner was not only massive, but also as scary and intimidating as I imagined it could have been when reading the book. The maze acted as a character in this film, and I certainly wasn’t surprised to read that it was filmed in Baton Rouge, Louisiana, a fitting place for a set as large as that one must have been.

I give The Maze Runner

Eye Art1Eye Art1

 and 1/2 EYES ON SCREEN.

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Compare/Contrast THE MAZE RUNNER’s Book and Film

Answers given by Jennifer Griffin

Which did you hear of first, the book or the film? I heard about the book first. After I read The Hunger Games (2008), it was a book series recommended to me being of the same genre. Only thing is, instead of a heroine, we have a hero.

What was your favorite and least favorite parts of the book?

Favorite – My favorite part of the book was the interpersonal relationships between the characters, and how they all seemed to work together. They’ve all been marooned for almost 3 years in the maze, and they all have established this society that has helped everyone survive, and actually in some respects, prosper more than what they would in their dystopian world in which they’ve come from.

Least favorite – My least favorite part – there’s not necessarily one thing that’s horrible or great – obviously they establish their own language, which for me took a long time to get used to. Something that was an even bigger deal to me: in the book, Thomas and Teresa can communicate with telepathy backand forth, and Dashner never explains how or why they can do it, or why they’re special, or even why the characters remember certain things, but don’t remember others.

Do you think it was inspired by any other books? A lot of people compare it to The Hunger Games, but there was no way Dashner could “taken” an idea away from Suzanne Collins because of when it was published. He’s definitely inspired by Ray Bradbury, because Fahrenheit 451 (1953) is one of the first dystopian books. I also think he’s been inspired by Lord of the Flies (1954), which The Maze Runner shares a lot of the same ideas.

What was your favorite and least favorite parts of the movie?

Favorite – I would say the actual maze. It was very interesting to see how they showed how the maze change, the different noises it made, and just the terrifying concept of running into this maze in the middle of the night.

Least favorite – The explanation of things: I understand how you can’t explain all the terminology throughout; it would take forever. But I felt the like the whole explanation of “The Changing” made no sense in the movie; also, [it was never explained] why a person would go through “The Changing” and what that would explain for them. In addition, the character Teresa is made to look like an idiotic, throwaway character in the movie. (She actually fills in a lot of the blanks in the book.) One other part I really disliked is that I felt like the movie had a lot of missed opportunities in the scene with just Thomas and Minho.

Do you think the movie was inspired by any other movies? One thing that makes the movie appealing is that you don’t really see anything like this; it doesn’t really remind of anything except for maybe The Matrix (1999), but it’s so different it’s really hard to compare.

Will the book, movie, or both forms, stand the test of time? No, because I don’t feel like [the story] is original enough in a lot of ways. The whole idea of studying people for years on end and seeing how they react to things, even international crises going on, is not a new idea. The only new idea is that they’re testing it on teenagers. And both the book and movie have been released at a time when a lot of other young adult franchises that have come out that are either more well-written as a book or more effective as a film.

Thanks again to Jennifer for both her book review, as well as answering all of my questions about The Maze Runner.

It’s your turn now. Have you seen The Maze Runner? If not, do you plan to see it? What do you think of the film compared to the book? Please join the discussion below, because I would love to know your thoughts.

AEOS Review: This Is Where I Leave You (2014)

Hey guys! It’s been a very busy few days, so I am just now getting to posting. I got to see two movies over the past few days: The Maze Runner (2014) and This Is Where I Leave You (2014). I’ll be posting a From Page to Screen review on The Maze Runner soon, since my sister is co-authoring that post. But until then, here’s my review of This Is Where I Leave You.

I really wanted to like this movie. I purposefully went by myself to the theater to enjoy and soak in the humor and warmth I was expecting the film to emit. Unfortunately, those feelings were not what I experienced as I absorbed the material. There were bits of humor, and about two total times I actually laughed. There Is Where I Leave You is a movie that isn’t exactly sure what what tone it should take, and that’s what the viewers are left with: a confused movie.

Getting a confused audience was probably only partially purposeful when they adapted This Is Where I Leave You into a film, because after all, the story is about a messed up family trying to sort themselves out when the father passes away. It’s only natural to expect some chaos when you place complicated characters in one space. What I think director Shawn Levy failed to communicate to audiences was the actual direction and goal of the movie. What lesson can we take away from this movie? What character moved forward, changed, or accomplished a goal?

Shawn Levy actually has multiple directing credits, two of which probably most influenced him for This Is Where I Leave You: the remake Cheaper by the Dozen (2003) and Date Night (2010). Cheaper by the Dozen has one too many characters, and I think the same could be said for This Is Where I Leave You. Too often crowded movies lose their impact when there are too many characters to focus on. Date Night and This Is Where I Leave You both share Tina Fey, giving each film a similar humor every time the comedian opens her mouth in both films, even if she’s playing different parts.

Overall, This Is Where I Leave You is probably Levi’s most character-centric film. So of course, I expected the characters to progress, change, or at least do something. The movie has a large star-studded cast, its four protagonists playing the children of their just-widowed mother (Jane Fonda). The movie aims to focus on its lead character Judd (Jason Bateman), but it darts between him, his three siblings (played by Tina Fey, Adam Driver, and Corey Stoll), his sister-in-law (Kathryn Hahn), and a few other supporting cast that included Rose Byrne, Connie Britton, Timothy Olyphant, and Dax Shephard.

This Is Where I Leave You‘s plot isn’t original, as I felt like I saw bits of Elizabethtown (2005), Dan in Real Life (2007), and The Family Stone (2005) at different moments, just to name a few. The cast seemed mostly well chosen, although it seemed like Kathryn Hahn had little to do in her role. Jason Bateman played the same character he played in his Arrested Development (2003) run, being the middle sibling in a crazy family trying to make sense of everything. Dax Shephard seems to get himself typecast into douchebag/bastard roles that only further hinder him from getting offered other roles. Tina Fey’s character, Wendy, was the most believable for me, even when there wasn’t much she could do despite the script. Her chemistry with each of her brothers, especially Judd (Jason Bateman) seemed genuine, and they happened to look like they could be related, unlike Corey Stoll and Adam Driver. After What If (2014), This Is Where I Leave You is only the second movie I’ve seen Adam Driver in, and I think he’s absolutely hilarious. That being said, I wonder if he knows how to play any other character other than an immature man-child who has a few good jokes up his sleeve every now and then.

What I found most disappointing with This Is Where I Leave You is that the writing seemed to plummet, it’s lowest point when [SPOILER] Hilary Altman (Jane Fonda) starts kissing her neighbor in front of her children and half the neighborhood. It’s not so much that she’s kissing a woman as much as it’s at the mourning of her just-deceased husband that she chooses to announce she’s coming out, and that she’s been having a relationship with someone outside her marriage. It’s at this point in the movie everyone realizes why four adults have an impossible time sorting out their own relationships: not only did they lack a positive relationship model to look up to, but they’re also witnessing their only living parent promoting cheating near the deathbed of her spouse. I credit the writing behind the story if that was the goal of that scene, yet I feel like the screenwriters did the movie an injustice presenting this major turning point the way they did.

Speaking of the script, that’s what brings me back to the main problem of That’s Where I Leave You: the characters never make progress or learn. Phillip (Adam Driver) remains the hilarious, immature man-child; Paul (Corey Stoll) retains his boring persona as the mean older brother. Wendy (Tina Fey) plays the sister with all the good one-liners and advice to dole out, even though she’s incapable of taking any herself. Hillary (Jane Fonda) is the selfish mother who places her own sexual desires above her passed husband and living family. Judd (Jason Bateman) is the only character who experiences any possible change by actually dealing with his now complicated life instead of hiding under a blanket and pretending everything’s okay when it isn’t.

One of the pleasant unexpected surprises of the movie is how the soundtrack captured the essence of the movie. My favorite track, “On My Own” by Distant Cousins started when the credits rolled; however, there are multiple good songs off the record worth listening to.

While This Is Where I Leave You certainly disappointed, I give the movie props for a solid cast with good chemistry, somewhat realistic responses to a family death, and an appropriate soundtrack to match the film’s tone. I give This Is Where I Leave You 

Eye Art1Eye Art1  ON SCREEN.

Now it’s your turn. What did you think of This Is Where I Leave You? If you haven’t seen it, do you plan on seeing it? Please join the discussion below, because as always, I would love to know your thoughts.

Five Film Trends in the Last Five Years

While the past decade has boasted higher ticket prices at the theaters, the art of film, or plainly stated, the box office records, have show some major trends in movies over the past five years. While this list can easily exceed five trends, these are ones I have noticed and researched.

5) Dystopian book-to-film adaptations on the rise

Recently, I published a post on a comparison of The Hunger Games (2012) and Divergent (2014) films. Those two movies are part of only two of the major book-turned-film franchises to hit the box office over the past five years. Most film fans are no stranger to the dystopian film genre. The Matrix (1999) series started in the late ’90s. Tom Cruise’s film The Minority Report (2002) was based on Philip K. Dick’s short story. Blade Runner (1982), Total Recall (1990), and Twelve Monkeys (1995) are only three offerings of the genre we were offered in the 1980s and ’90s. But in the past five years (2010-2014), I have noticed many dystopian books get a movie deal.

Never-Let-Me-Go-30929_5

The first one in the past five years I thought of was Never Let Me Go (2010), a British sci-fi drama that focused on the lives of three clones who exist for the purpose of donating their organs to others. Another popular, although unsuccessful film, is Atlas Shrugged Part 1 (2010), a dystopian film based on the controversial novel by Ayn Rand. One book that, while may not be considered dystopian in nature, nevertheless has its film adaptation fit well enough into the dystopian genre is World War Z (2013), starring Brad Pitt. Two other noteworthy films to include in this category are Dredd (2012) and Oblivion (2013), each based off graphic novels, the latter inspired by Joseph Kosinski’s unpublished manuscript of the same name.

Of course, the most well-known dystopian book-to-film adaptations include the box-smashing The Hunger Games series, with the final two movies getting released this year and 2015; Divergent, the movie based on the popular YA series written by Veronica Roth; The Giver, an unsuccessful film adaptation that didn’t sit well with critics, yet was inspired by a prominent book written in the early ’90s (you can see my review of the movie here); and The Maze Runner, the the first of three popular James Dashner novels that will be released next month in theaters.

4) Female protagonist films lead the box office

In the 1950s and ’60s, there were women-centered films and female protagonists. They were marketed in a much more sexist way then, but the times have changed, and more films have starred women. But in the last five years, films with female-protagonists have led the box office. According to Time‘s article “5 Things We’ve Learned in 5 Years of Box Office Reports,” published just this past April, the year 2012 included three movies in the top eight that starred women: The Hunger Games, starring Jennifer Lawrence; Breaking Dawn Part 2, starring Kristen Stewart; and Brave, starring the talented voice work of Kelly Macdonald. The same article notes that last year, three of the top six films had female protagonists (Sandra Bullock in Gravity, Jennifer Lawrence in The Hunger Games: Catching Fire, and Indina Menzel in Frozen).

Perhaps the most notable fact that supports the idea that female protagonist films are leading the box office is that 2013’s highest-grossing film was the Jennifer Lawrence-starring film The Hunger Games: Catching Fire, the first movie since 1965’s The Sound of Music (starring Julie Andrews) to fill that top spot.

Of course, The Hunger Games franchise are not the only female-starring movies to make a splash at the box office over the past five years. Salt (2010), Hanna (2011), and Haywire (2012) were all female-led movies that obtained positive scores with both critics and viewers alike, with Angelina Jolie’s action film leading the box office with over $100 million.

3) Comic book movies no longer niche genre

When Sam Raimi’s first Spiderman (2002), I thought it was a special case. Personally, I loved that movie. My family regularly rented it from Blockbuster. It was the first superhero movie I had seen that wasn’t about Batman or Superman. The first Batman movie was released in theaters in 1966. I was amazed how odd it was that in 2002, it wasn’t considered a usual thing for a movie to be based on a comic book character, unless it was Superman or Batman. Blade 2 (2002), Daredevil (2003), Hulk (2003),  Hellboy (2004), and Catwoman (2004) were all released in the next three years following Raimi’s first Spiderman, just a few of the comic-based movies to get released in the early 2000s. It wasn’t until a few years later that I realized the first X-Men film, directed by Bryan Singer, was released in theaters in 2000.

In the early 2000s, there’s a sense that many film critics didn’t take the comic book based film as seriously as other film genres, such as dramas, biopics, and comedies. But times have changed, and there has been a new acceptance of comic-based films as Marvel has mapped out its future in movies for at least the next six years. (This is a fun article worth checking out, Marvel fans.) DC seems to take note of Marvel, now working on its own agenda for a Batman vs. Superman movie along with a Justice League film franchise in the works.

While it isn’t perfect, I found a list that compiles every superhero movie released, both on TV and in theaters, including both animated and live-action films. A quick view of the list would prove that comic book movies are no longer niche, but far more commonplace as they have found a place at the movies, considerably expanding its audience. I would personally credit Christopher Nolans’s The Dark Knight trilogy for giving audiences and critics a darker, more serious adaptation of comic based films, proving that just because the movie is based off a comic book character, doesn’t mean it can’t be a stylistic, entertaining, and bold film worthy of praise.

2) Sequels and remakes lead the way

Perhaps this trend has existed more than just in the past five years, but I imagine most anyone can agree that few original screenplays make it to the big screen today, and if they do, they usually do not sell the most tickets or perform as successfully. Of course, there are exceptions to every rule, such as 2010’s Inception, the original screenplay penned by Christopher Nolan, but let’s get back to the point.

Fan art that just makes you laugh 🙂

Here is a non-exclusive, incomplete list over the past five years of major sequels, prequels, remakes, and reboots that premiered each year:

2010: Clash of the Titans (sequel), Why Did I Get Married Too? (sequel), A Nightmare on Elm Street (remake), Iron Man 2 (sequel), Shrek Forever After (sequel), Sex and the City 2 (sequel), The A-Team (remake), The Karate Kid (remake), Toy Story 3 (sequel), The Twilight Saga: Eclipse (sequel), Harry Potter and the Deathly Hallows Part 1 (sequel), True Grit (remake)

2011: Scream 4 (sequel), Paranormal Activity 3 (sequel), Fright Night (remake), The Hangover Part 2 (sequel), Rise of the Planet of the Apes (reboot), Kung Fu Panda 2 (sequel), Transformers: Dark of the Moon (sequel), Fast Five (sequel), Sherlock Holmes: A Game of Shadows (sequel), Cars 2 (sequel), Happy Feet 2 (sequel), Diary of a Wimpy Kid: Rodrick Rules (sequel)

2012: The Dark Knight Rises (reboot, sequel), The Amazing Spider-Man (reboot), The Expendables 2 (sequel), The Twilight Saga: Breaking Dawn Part 2 (sequel), Men in Black 3 (sequel), Madagascar 3: Europe’s Most Wanted (sequel), Prometheus (prequel), Wrath of the Titans (sequel), Total Recall (remake), G.I. Joe: Retaliation (sequel), The Bourne Legacy (sequel)

2013: Iron Man 3 (sequel), Carrie (remake), Despicable Me 2 (sequel), The Hobbit: The Desolation of Smaug (sequel), The Hunger Games: Catching Fire (sequel), Kick-Ass 2 (sequel), Man of Steel (reboot), Monsters University (sequel), Red 2 (sequel), Evil Dead (remake), Scary Movie 5 (sequel), The Great Gatsby (remake), Star Trek Into Darkness (reboot, sequel), The Hangover 3 (sequel)

2014: Annie (remake), 300: Rise of an Empire (sequel), Captain America: The Winter Soldier (sequel), The Amazing Spider-Man 2 (reboot, sequel), Godzilla (remake), X-Men: Days of Future Past (prequel, sequel), How to Train Your Dragon 2 (sequel), Transformers: Age of Extinction (sequel), Dawn of the Planet of the Apes (reboot, sequel), Sin City: A Dame to Kill For (sequel)

What’s even funnier about it is that if you google “remakes and sequels for the year [fill in year],” every year for the past five years contains articles similarly titled to “[insert year]” is the year of remakes and sequels!

1) A billion dollars isn’t a billion dollars anymore

A quick check at recent box office records, or the same Time‘s article I’ve been citing throughout this post shows that the billion dollar list, James Cameron’s Titanic (1997) becoming its first entry, has now grown to a whopping 19 movies, including both last year’s Iron Man 3 and Frozen.

List of Highest Grossing Films

Image taken from Wikipedia’s page “List of Highest Grossing Films.” Green indicates the film is still playing in theaters around the world.

Looking at that list, you’ll notice that only three of those movies were released in the 1990s. Twelve of those films entered the list during the 2010s. But what’s most interesting about the list is that it isn’t adjusted for inflation, which changes everything, especially the list of highest-grossing films:

Highest Grossing Films Adjusted for Inflation

Image taken from Wikipedia’s page “List of Highest Grossing Films.”

Now it’s your turn, folks. What trends have you noticed in film in the past five years? Which trends do you find to be most dominant? Have some trends lasted longer than others? Please join the discussion below, because I would love to know your thoughts! 

From Page to Screen Review: The Giver (2014)

Book Review

In 1993, Lois Lowry wrote and published The Giver, a book that has sold over 10 million copies and received critical acclaim, winning several awards including the Newbery Medal the year following its publication. Over the next twenty years, Lowry penned three books within the same era. The Giver isn’t beloved by all its readers, and certainly not all of its critics, but regardless, it is considered successful based off its sales alone.

Most of the people I have asked about The Giver told me they read it in middle school or high school. The rock I must have been hiding under was huge, because I hadn’t heard of the The Giver until I saw the first teaser for the film adaptation. In June, I read The Giver, along with its three counterpart sequels. Personally, I would consider The Giver the strongest read out of the quartet, although I enjoyed all four books.

What I appreciated most when reading The Giver is how simple the plot is. Jonas is about to turn twelve years old, reaching the age where his childhood is complete and his life job is assigned to him. Pills are administered to each inhabitant of the area, where people speak with limited vocabulary, live in a colorless world, and are void of emotion. The Giver‘s universe strives for utopia, but the book’s setting is dystopian in nature as the plot builds and Jonas comes to terms with his assigned life position, Receiver of Memories. The Giver transmits memories of the world’s history to Jonas, who discovers color, experiences feelings, and understands that more exists beyond the borders of his small, limited world.

Comic by Brian Warmoth

Unity is what Jonas’s world consists of. Uniqueness, self-identity, and love are all new concepts he learns from the Giver’s memories. Lowry was onto something as many other future authors, including Suzanne Collins (The Hunger Games), Veronica Roth (Divergent), and James Dashner (The Maze Runner) have all been informed and inspired by her work to pen their well-received dystopian book-turned-film series.

I would give the book The Giver 

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Have you read The Giver? If so, what did you think of it? Please join the discussion below, because I would love to know your thoughts!

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Film Review

Harold Crick (Will Ferrell) brushes his teeth with a certain number of strokes. He walks a precise number of steps to the bus each morning. He combs his hair, dresses himself, and carries his life in a predictable nature not because he is a creature of habit, but because habit conclusively defines his life. His existence is based upon following his strict code of patterns that he has fully succumbed to.

 

Harold Crick would fit well within the The Giver‘s universe, but unfortunately his character exists only in the lovely 2006 film Stranger Than Fiction. It is not until Crick hears his life narrated by the author, horrified to find that she is killing him off, that Harold chooses to stray from his pattern-formed life. Unfortunately for the movie The Giver (2014), the characters stray far from their built-in nature, and not for any reason that would make sense within their universe.

I have learned that when I see a movie based off a book, I have to accept that certain licenses will be taken, whether it’s to fit into a film narrative better, or perhaps certain dialogue or actions would be communicated better on screen. In the case of The Giver, I think all of the wrong liberties were taken with the source material. Given its star-studded cast, led by Meryl Streep and Jeff Bridges, it’s certainly a disappointment that The Giver went off the rails almost immediately, failing to get back on the rest of the film’s short runtime.

Other than a very short explanation opening the film, the universe of The Giver was never well-established. From the get-go, we don’t care about rooting for Jonas (Brenton Thwaites), even with all the charisma the young actor put into the role. The film pushes on, forcing viewers on a ride that fails to pause on important moments, defining dialogue, or pressing exchanges between characters. Even when the Giver (Jeff Bridges) is transmitting his memories to Jonas, the memories lack the warmth, terror, or joy in which they are described very earnestly in the book. Chicago film critic Richard Roeper described the memories as “something you’d find in an Apple commercial,” appearing to look more like stock photos or video footage you could find anywhere on the Internet.

The screenplay stumbled over itself, and no matter what came out of the Giver’s or the Chief Elder’s (Meryl Streep) mouths, the words felt forced to move along with the screenplay, because that is what they were written for. I found myself asking constant questions throughout the movie, like the following:

Why did Fiona (Odeya Rush) stop taking her pill if she was programmed never to question the idea of taking a pill?

Why did Asher (Cameron Monaghan) suddenly choose to trust Jonas and not kill him when he had never experienced an emotion?

Why would the Chief Elder select Asher to hunt down and kill Jonas if he was only a first-year recruit?

How could the Chief Elder be able to use words that didn’t exist within their world to converse with the Giver?

How did Taylor Swift weasel her way into the movie in the first place?

The answer to all of these questions deals with the poor screenplay of the film. In a fictional universe, there is an established set of rules. Once you start breaking the rules, the writing falls flat, and the story implodes. This was the fate of The Giver and the reason it performed so poorly with both critics and fans alike. The point of The Giver is lost on viewers, because the movie wanted to be something it wasn’t, losing both its focus and viewers’ attention.

I feel generous in giving The Giver 

Eye Art1Eye Art2Eye Art2Eye Art2

It’s your turn. Did you see The Giver? If not, do you plan to? If so, what did you think of it? Please join the discussion below, because I would love to know your thoughts!

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Compare/Contrast THE GIVER’s Book and Film

Which did you hear of first, the book or the film? I actually heard about the film first, but I read the book before seeing the movie.

What was your favorite and least favorite parts of the book? I loved the simple plot, and I liked how the Giver introducing Jonas to history changed Jonas – and made him want to change the way things are too. I didn’t really have a “least favorite” part. I didn’t think it was a perfect book, but I thought it was very well-written. It was definitely a page-turner.

Do you think it was inspired by any other books? Definitely – I kept thinking of Fahrenheit 451 the entire time I was reading it.

What was your favorite and least favorite parts of the movie? One thing I appreciated about the movie was the B&W in the beginning. I think they could have done more with it, like drawing out the color of the apple in the book when Asher and Jonas were tossing it. The screenplay was certainly my least favorite part. It really destroyed what could have made a great movie.

Do you think the movie was inspired by any other movies? I thought it had a similar universe to Equilibrium (2002). Very devoid of emotions.

Will the book, movie, or both forms, stand the test of time? Definitely the book. The movie fell short, and it’s sad, because Jeff Bridges had wanted to make the film for years. If he had had the chance earlier, perhaps more time could have been spent on the screenplay.

I answered fewer questions for the compare/contrast section, considering how short both the book and film were. Which form will stand the test of time to you – the book, the movie, or both? Please join the discussion below, because I would love to know your thoughts!

Introducing FROM PAGE TO SCREEN Posts to AEOS

Hey all! As many of you know, I just re-joined the movie blogosphere from an almost two-year hiatus which felt like forever. But I’m back, and as I said in my first returning post, I’m wanting to do more with AEOS.

The Giver Book and Movie PostersI have four to five new post ideas in the works, and I’m excited to introduce the first of them. I got this idea when I recently joined a book club where I’ve gotten to read a few books that have film versions coming out later this year. With The Giver (2014) coming to theaters this weekend, I was excited to unveil and start my first new segment for AEOS: FROM PAGE TO SCREEN posts.

About FROM PAGE TO SCREEN posts

What can I expect to be in these posts?  Posts will feature a short book review, a film review, and a comparison/contrast section, along with an open/closed eyes rating for both the book and the film.

What is the point(s) of these posts? My goal in creating this type of post is to introduce film-goers to some great (or not so great) books, and to introduce bookworms to films. I also look forward to comparing the two art forms, and consider what works and what doesn’t work in each form.

How can I participate in the posts? I’m always looking for people who have already read the book a movie is based off, and is interested and willing to give their opinion. If there is a movie coming out that you’ve read the book, please contact me in a comment or email me at alleyesonscreen@gmail.com. If you’ve read a book and seen the movie it’s based off that has already premiered in theaters or come out on DVD, the same rule applies. I would love to gain new contributors to AEOS!

What are some upcoming posts we can expect to see in the future? Aside from The Giver, I already have both The Maze Runner (2014) and Gone Girl (2014) FROM PAGE TO SCREEN posts planned out for 2014.

Last, but certainly not least, what books/movies would you like to see featured in FROM PAGE TO SCREEN posts? I’m always open to recommendations, and of course, I would love to hear your thoughts, so please join the discussion below.

AEOS Must-See Movies for the Rest of 2014

Over at Flixchatter, Ruth recently posted what films she was most interested in seeing for the remainder of the year, which got me thinking . . . what do I really want to see this year? So I had the difficult task of selecting two films (sometimes three!) for each month that I most definitely plan on seeing.

August

August is right around the corner, and there are two movies I’m really looking forward to. About a month and a half ago, I read The Giver series. Each book is a very thoughtful and easy read that I’m recommend to just about anyone. I’m looking forward to starting a new review section for book adaptations called “Pages to Screen.” But until then, enjoy the latest trailer of The Giver.

The Giver

 

Guardians of the Galaxy is the other movie I’m looking forward to in August. I don’t know much about the comics behind the characters and stories, but my husband has gotten me excited about this movie. I’m particularly looking forward to Brad Cooper voicing Rocket Raccoon, and seeing Chris Pratt as the lead character. I’m also looking forward to seeing The Walking Dead‘s Michael Rooker in full costume and blue paint.

Guardians of the Galaxy

 

September

The month of September also includes another book-to-film adaptation that I’m really looking forward to: The Maze Runner. While I didn’t find it to be the best written book, I thought the story was intriguing. And based off the trailer, I think it’s going to make a potentially great film. If you’re interested in seeing the latest trailer, go on over to Yahoo! Movies or click here.

The Maze Runner

 

I’m excited to see both Jessica Chastain and James McAvoy act against each other in The Disappearance of Eleanor Rigby. Chastain seems to know how to pick her projects. It’s one of two mystery movies that are coming out near the end of 2014 that I’m looking forward to.

The Disappearance of Eleanor Rigby

 

This Is Where I Leave You could likely be one of those large cast movies that falls flat on its face. But the trailer interested me enough that I’m putting it on this list. Plus, I have a soft spot for Jason Bateman, and I felt like the beginning of it could be similar to Elizabethtown.

This Is Where I Leave You

 

October

Gone Girl is the other mystery movie I’ve been looking forward to ever since I first saw the poster several months ago. The book the movie is based off of, written by Gillian Flynn, was published only two years ago – so it’s definitely making the jump from book to film pretty quickly. I’m interested in reading the book before this movie comes out, because like the book’s chapters are named after journal entries by Amy Elliott Dune, the murder victim of the story, the trailer reveals how much those journal entries will be featured in the film, and how they might affect the outcome of her widowed husband Nick Dunne.

Gone Girl

 

We haven’t seen Robert Downy Jr. play a character aside from Iron Man for a while. Now The Judge is coming out, and I think it could be good. I’m not overly excited for this movie, but it looks like it has potential.

The Judge

 

The one and only reason I’m particularly interested in Horns is Daniel Radcliffe. He’s been in a string of films since his Harry Potter days, most of which have been well-received. Horns, while yet another mystery film, seems to remind me of Hellboy. I have no idea how this film will do, but I was really impressed with Radcliffe’s American accent.

Horns

 

November

Being the next Christopher Nolan offering alone makes Interstellar high on my list to see for 2014. Nolan has released information only in small increments since The Dark Knight Rises premiered in 2012. Now with Matthew McConaughey fresh off a Best Actor win at the Academy Awards, he, too, now might be entering into Nolan’s regulars that he features in his films. While Anne Hathaway and Michael Caine, two actors who have already joined the ranks (or been part of it for years) are in Interstellar, the film boasts a heavy cast including Jessica Chastain, Casey Affleck, John Lithgow, Topher Grace, and Wes Bentley.

Interstellar

 

The Imitation Game stars one of my favorite actors right now, Benedict Cumberbatch. But it looks like he’ll be acting alongside many of Britain’s big actors, including Mark Strong, Matthew Goode, and Kiera Knightly. I think this movie could likely get nominated for several awards at the Oscars. IMDB’s summary of the film is “English mathematician and logician, Alan Turing, helps crack the Enigma code during World War II.”

The Imitation Game

 

The newest trailer for The Hunger Games: Mockingjay (Part 1) was released only yesterday to a huge buzz. We’re finally getting to see a little more footage from the film. While I’m excited about this movie considering that I’m a fan of The Hunger Games and Catching Fire was one of my favorite movies of 2013, I’m a little wary since they divided the third book into two films, following the trend of both Harry Potter and Twilight. Part 1 usually leaves you wanting more, and having to wait another year just so the box office can make more money is disappointing. I hope this movie is better than previous Part 1’s in other movie series.

The Hunger Games: Mockingjay (Part 1)

 

December

Surprisingly, the month of December includes movies I’m not overly excited to see. I was doubly disappointed by the previous Hobbit films because of their overly long running time, and the major inclusion of material from The Silmarillion, making the films far less about the actual book The Hobbit and far more about trying to recreate the incredible Lord of the Rings trilogy. Despite my complaints, I do still have a little excitement leftover for The Hobbit: Battle of the Five Armies. Each of the previous movies had good moments and scenes, and some great acting. I’m hoping this conclusion is worth the wait.

The Hobbit: Battle of the Five Armies

 

Into the Woods makes the list for lack of other better movies to add. The trailer is only a teaser for now, but I’m curious to see how the musical will unfold on screen. Meryl Streep is no stranger to musicals, although I probably wouldn’t say she’s the best singer. There is a huge cast involved, and I’m looking forward to seeing a more involved trailer in the next few months.

Into the Woods

 

In Summary

To summarize, here are all the movies with their U.S. release dates included, in order from the movies I’m looking most forward to seeing, to least:

1) Interstellar (November 7)

2) The Maze Runner (September 19)

3) The Imitation Game (November 21)

4) Gone Girl (October 3)

5) The Giver (August 15)

6) The Hunger Games: Mockingjay Part 1 (November 21)

7) The Disappearance of Eleanor Rigby (September 26)

8) Guardians of the Galaxy (August 1)

9) The Hobbit: The Battle of the Five Armies (December 17)

10) The Judge (October 10)

11) This Is Where I Leave You (September 19)

12) Horns (October 31)

13) Into the Woods (December 25)

What movies are you most looking forward to for the remainder of 2014? Feel free to join the discussion below.