The Best Books in 2014 + Five Books I’ll Be Reading in 2015

Although we’re a solid three weeks into January, I am still wrapping up all of my lists for last year. I have a flurry of “Best of” posts waiting to be published, with my top ten list of movies post coming out sometime near the end of this month. I’m still holding out to see Selma and Foxcatcher, although I’m unsure if I’ll be able to make both before I need to publish my list. All of that said, let’s get back to the point of this post.

Here’s my ranking of the best five books I read in 2014:

5. Son (2012)
by Lois Lowry

I really enjoyed Lowry’s YA quartet of stories that all started with The Giver, a book that has inspired countless popular dystopian stories today. While I think all four books are well-written, I enjoyed Son the most out of the three sequels because it concluded the stories and tied together all of the primary characters we got to meet in The Giver (1993), Gathering Blue (2000), and Messenger (2004). Lowry intertwines the overall themes of sacrifice and love, with good overcoming evil in the end. I’m thankful that I didn’t discover the series until last year, because I’m not sure how much I would have wanted to wait 19 years for a conclusion.

4. The Giver (1993)
by Lois Lowry

No doubt The Giver is the strongest, and perhaps most thrilling book in Lois Lowry’s quartet of stories that start with a boy named Jonas. Bestowed upon him at the transitional age of twelve, the title and job of being the Receiver of Memories casts a burden on the shoulders of a boy who starts to question the world in which he lives. An unsuccessful and inferior film based on the book was released in 2014, starring Jeff Bridges and a misplaced Meryl Streep. I’d recommend The Giver because its simple plot keeps you thinking after you’ve read the book. After reading multiple popular dystopian YA books over the past few years, I realized that The Giver stands apart from the mass not only for being published in the early ’90s, but also for its unique position in having inspired so many other stories.

3. Ready Player One (2011)
by Ernest Cline

Given the premise, I originally thought Ernest Cline’s first book would appeal more to gamers than the average person. And I imagine that in some sense, it does. But it’s a fascinating story that takes place in a virtual world, yet asks a deeper question that proves relevant for any person today. If you appreciate the pop culture of the 1980s, then I suggest you read Ready Player One immediately. If the past gets you nostalgic, if you have a soft spot in your heart for the Back to the Future films, or if you have a deep love for RPG games, then Ready Player One is the book for you. If you like adventure stories, underdog tales, superheroes, and squeal when the smart guy gets the girl, then you should probably get your hands on a copy of Ready Player One. If none of those reasons apply to you, and you enjoy a good book, then download Ready Player One on your device and start reading it. Need I give you more reasons?

2. Gone Girl (2012)
by Gillian Flynn

“Thrilling” and “dark”: those are the best two words to describe Gillian Flynn’s novel. Most people are familiar with both the title and the story by now, after the novel was adapted into a critically-acclaimed film last year. Having read the book and then seen the movie, I would no doubt admit what most people would: the book was better. The film was good, yes, but there’s something much creepier when you are alone in discovering the mystery behind Amy Elliott Dunne’s death. While I would have preferred less language, and could easily chalk up Gone Girl to a whodunnit mystery thriller starring Mr. and Mrs. Sociopath, what makes Gone Girl so engaging is the order in which Flynn makes her reveals. Not only are we terrified to find out what happens next as we see what happens through Nick’s eyes, but we also have our belief suspended on Ms. Flynn’s impeccably-written order of events. Thanks to her brilliant timing, as readers we get to experience the rush of solving a mystery, only to nervously proceed to find out what’s happening next. Suffice it to say the movie experience did not compare.

1. Cuckoo’s Calling
by Robert Gailbrath

It is for books like Cuckoo’s Calling that we have a list of inspiring characters and stories to thank, and in this case, I would start with Sherlock Holmes and Sir Arthur Conan Doyle. Multiple adaptations and inspiring and visionary TV shows, films, and characters have been crafted from Conan Doyle’s best known crime solver and detective. Cormoran Strike, the protagonist of Cuckoo’s Calling, is not much like Detective Holmes, but the similarities in both what they do is apparent in reading the first of J.K. Rowling’s crime fiction novel series. As Rowling peels back the layers of the man who is Cormoran Strike, I found myself sympathizing with his personal circumstances and curious about the case surrounding Lula’s death. Rowling has a way of drawing in readers and keeping them compelled the entire time. I haven’t read The Silkworm, the first of multiple sequels in the works, but I’m planning to in 2015. Truly, the credit has to go to the creative mind of the author, because it is with explicit detail that Cuckoo’s Calling is fashioned, and it unfolds much like a TV mini-series would, where you can’t help but watch the entire series in one sitting. Whether or not one is a fan of the Harry Potter series, which made Ms. Rowling a household name not only in her home country, but also across the globe, one who enjoys an intense and thrilling crime mystery would have a hard time putting down Cuckoo’s Calling. Of course, I speak from my own experience. I found Cuckoo’s Calling to be the best book I read in 2014. It stayed with me long after I finished reading it.


A week and a half ago, I wrote a few New Year’s Resolutions posts for 2015, one of which is to read more books. I read only ten books in 2014, so I mentioned how I’d like to improve on that number by reading twenty-five this year. I picked twenty of them, and then I asked the rest of you for suggestions for my last five. Per your recommendations, these are the five I chose:

5. And Then There Were None
by Agatha Christie

4. The Night Circus
by Erin Morgenstern

3. High Fidelity
by Nick Hornby

2. The Girl with the Dragon Tattoo
by Stieg Larsson

1. The Fault in Our Stars
by John Green

To view my entire reading list for the year (twenty-five books total), or to see an update on where I am in my reading, check out my New Year’s Reading post here.

Stay tuned for the “best of” in music, TV, and movies this week and next. Thanks again to everyone who offered recommendations for my reading list this year! 🙂

What were the best (and worst) books you read in 2014? What are you planning to read this year?

What Summer at the Movies Taught AEOS

This past summer passed by so quickly, I hardly saw as many movies at the theater as I would have liked. I did, however, manage to cram a state move, job change, wedding, and bridesmaid duty into the summer, so I tried not to skimp half-heartedly.

A few weeks ago, I read a simple, yet beautiful post by Ryan at The Matinee. Now that autumn has reared its head and summer has ceased, Ryan used one line per movie he saw over the summer months to sum up lessons the movies taught him. I decided to follow suit, so here are what the movies of summer 2014 taught AEOS:

I learned that a reboot with better lead actors doesn’t make it better than the original franchise.

I learned that even Seth Rogen can get away with playing the “responsible” character.

I learned that a movie can deliver on all of its promises when Bryan Singer is at the helm.

I learned that there’s no shame in crying at the theater when I’ve witnessed an actress’s best performance yet.

I learned that while poor marketing can prevent people from attending, a great movie will still perform well from good word-of-mouth.

I learned that funny sequels do exist, but I especially appreciate that they realize it’s time to stop making sequels.

I learned that forcing robot machines to take a backseat to inconsequential and uninteresting humans in a movie about robot machines doesn’t work.

I learned that getting lost in a great movie is the best possible feeling a summer day at the movies can bring.

I learned that heart can be found in the most unlikely of movies.

I learned that a plot works well only when you have good writing to back it up.

I learned that a movie does exist where no one except Chris Pratt should play the lead role.

I learned that Harry and Sally weren’t the only ones trying to figure out this whole opposite sex friends thing, and making a charming movie about it for this generation is certainly worth it.

I learned that sometimes stupid comedies shouldn’t be anything more than stupid comedies. And that’s okay.

I learned that even the best of intentions to adapt a novel to film can leave you disappointed and wanting.

[All images were found via Google Images.]

It’s your turn now. What did summer at the movies teach you? Please join the discussion below, because I would love to know your thoughts.

Five Film Trends in the Last Five Years

While the past decade has boasted higher ticket prices at the theaters, the art of film, or plainly stated, the box office records, have show some major trends in movies over the past five years. While this list can easily exceed five trends, these are ones I have noticed and researched.

5) Dystopian book-to-film adaptations on the rise

Recently, I published a post on a comparison of The Hunger Games (2012) and Divergent (2014) films. Those two movies are part of only two of the major book-turned-film franchises to hit the box office over the past five years. Most film fans are no stranger to the dystopian film genre. The Matrix (1999) series started in the late ’90s. Tom Cruise’s film The Minority Report (2002) was based on Philip K. Dick’s short story. Blade Runner (1982), Total Recall (1990), and Twelve Monkeys (1995) are only three offerings of the genre we were offered in the 1980s and ’90s. But in the past five years (2010-2014), I have noticed many dystopian books get a movie deal.

Never-Let-Me-Go-30929_5

The first one in the past five years I thought of was Never Let Me Go (2010), a British sci-fi drama that focused on the lives of three clones who exist for the purpose of donating their organs to others. Another popular, although unsuccessful film, is Atlas Shrugged Part 1 (2010), a dystopian film based on the controversial novel by Ayn Rand. One book that, while may not be considered dystopian in nature, nevertheless has its film adaptation fit well enough into the dystopian genre is World War Z (2013), starring Brad Pitt. Two other noteworthy films to include in this category are Dredd (2012) and Oblivion (2013), each based off graphic novels, the latter inspired by Joseph Kosinski’s unpublished manuscript of the same name.

Of course, the most well-known dystopian book-to-film adaptations include the box-smashing The Hunger Games series, with the final two movies getting released this year and 2015; Divergent, the movie based on the popular YA series written by Veronica Roth; The Giver, an unsuccessful film adaptation that didn’t sit well with critics, yet was inspired by a prominent book written in the early ’90s (you can see my review of the movie here); and The Maze Runner, the the first of three popular James Dashner novels that will be released next month in theaters.

4) Female protagonist films lead the box office

In the 1950s and ’60s, there were women-centered films and female protagonists. They were marketed in a much more sexist way then, but the times have changed, and more films have starred women. But in the last five years, films with female-protagonists have led the box office. According to Time‘s article “5 Things We’ve Learned in 5 Years of Box Office Reports,” published just this past April, the year 2012 included three movies in the top eight that starred women: The Hunger Games, starring Jennifer Lawrence; Breaking Dawn Part 2, starring Kristen Stewart; and Brave, starring the talented voice work of Kelly Macdonald. The same article notes that last year, three of the top six films had female protagonists (Sandra Bullock in Gravity, Jennifer Lawrence in The Hunger Games: Catching Fire, and Indina Menzel in Frozen).

Perhaps the most notable fact that supports the idea that female protagonist films are leading the box office is that 2013’s highest-grossing film was the Jennifer Lawrence-starring film The Hunger Games: Catching Fire, the first movie since 1965’s The Sound of Music (starring Julie Andrews) to fill that top spot.

Of course, The Hunger Games franchise are not the only female-starring movies to make a splash at the box office over the past five years. Salt (2010), Hanna (2011), and Haywire (2012) were all female-led movies that obtained positive scores with both critics and viewers alike, with Angelina Jolie’s action film leading the box office with over $100 million.

3) Comic book movies no longer niche genre

When Sam Raimi’s first Spiderman (2002), I thought it was a special case. Personally, I loved that movie. My family regularly rented it from Blockbuster. It was the first superhero movie I had seen that wasn’t about Batman or Superman. The first Batman movie was released in theaters in 1966. I was amazed how odd it was that in 2002, it wasn’t considered a usual thing for a movie to be based on a comic book character, unless it was Superman or Batman. Blade 2 (2002), Daredevil (2003), Hulk (2003),  Hellboy (2004), and Catwoman (2004) were all released in the next three years following Raimi’s first Spiderman, just a few of the comic-based movies to get released in the early 2000s. It wasn’t until a few years later that I realized the first X-Men film, directed by Bryan Singer, was released in theaters in 2000.

In the early 2000s, there’s a sense that many film critics didn’t take the comic book based film as seriously as other film genres, such as dramas, biopics, and comedies. But times have changed, and there has been a new acceptance of comic-based films as Marvel has mapped out its future in movies for at least the next six years. (This is a fun article worth checking out, Marvel fans.) DC seems to take note of Marvel, now working on its own agenda for a Batman vs. Superman movie along with a Justice League film franchise in the works.

While it isn’t perfect, I found a list that compiles every superhero movie released, both on TV and in theaters, including both animated and live-action films. A quick view of the list would prove that comic book movies are no longer niche, but far more commonplace as they have found a place at the movies, considerably expanding its audience. I would personally credit Christopher Nolans’s The Dark Knight trilogy for giving audiences and critics a darker, more serious adaptation of comic based films, proving that just because the movie is based off a comic book character, doesn’t mean it can’t be a stylistic, entertaining, and bold film worthy of praise.

2) Sequels and remakes lead the way

Perhaps this trend has existed more than just in the past five years, but I imagine most anyone can agree that few original screenplays make it to the big screen today, and if they do, they usually do not sell the most tickets or perform as successfully. Of course, there are exceptions to every rule, such as 2010’s Inception, the original screenplay penned by Christopher Nolan, but let’s get back to the point.

Fan art that just makes you laugh 🙂

Here is a non-exclusive, incomplete list over the past five years of major sequels, prequels, remakes, and reboots that premiered each year:

2010: Clash of the Titans (sequel), Why Did I Get Married Too? (sequel), A Nightmare on Elm Street (remake), Iron Man 2 (sequel), Shrek Forever After (sequel), Sex and the City 2 (sequel), The A-Team (remake), The Karate Kid (remake), Toy Story 3 (sequel), The Twilight Saga: Eclipse (sequel), Harry Potter and the Deathly Hallows Part 1 (sequel), True Grit (remake)

2011: Scream 4 (sequel), Paranormal Activity 3 (sequel), Fright Night (remake), The Hangover Part 2 (sequel), Rise of the Planet of the Apes (reboot), Kung Fu Panda 2 (sequel), Transformers: Dark of the Moon (sequel), Fast Five (sequel), Sherlock Holmes: A Game of Shadows (sequel), Cars 2 (sequel), Happy Feet 2 (sequel), Diary of a Wimpy Kid: Rodrick Rules (sequel)

2012: The Dark Knight Rises (reboot, sequel), The Amazing Spider-Man (reboot), The Expendables 2 (sequel), The Twilight Saga: Breaking Dawn Part 2 (sequel), Men in Black 3 (sequel), Madagascar 3: Europe’s Most Wanted (sequel), Prometheus (prequel), Wrath of the Titans (sequel), Total Recall (remake), G.I. Joe: Retaliation (sequel), The Bourne Legacy (sequel)

2013: Iron Man 3 (sequel), Carrie (remake), Despicable Me 2 (sequel), The Hobbit: The Desolation of Smaug (sequel), The Hunger Games: Catching Fire (sequel), Kick-Ass 2 (sequel), Man of Steel (reboot), Monsters University (sequel), Red 2 (sequel), Evil Dead (remake), Scary Movie 5 (sequel), The Great Gatsby (remake), Star Trek Into Darkness (reboot, sequel), The Hangover 3 (sequel)

2014: Annie (remake), 300: Rise of an Empire (sequel), Captain America: The Winter Soldier (sequel), The Amazing Spider-Man 2 (reboot, sequel), Godzilla (remake), X-Men: Days of Future Past (prequel, sequel), How to Train Your Dragon 2 (sequel), Transformers: Age of Extinction (sequel), Dawn of the Planet of the Apes (reboot, sequel), Sin City: A Dame to Kill For (sequel)

What’s even funnier about it is that if you google “remakes and sequels for the year [fill in year],” every year for the past five years contains articles similarly titled to “[insert year]” is the year of remakes and sequels!

1) A billion dollars isn’t a billion dollars anymore

A quick check at recent box office records, or the same Time‘s article I’ve been citing throughout this post shows that the billion dollar list, James Cameron’s Titanic (1997) becoming its first entry, has now grown to a whopping 19 movies, including both last year’s Iron Man 3 and Frozen.

List of Highest Grossing Films

Image taken from Wikipedia’s page “List of Highest Grossing Films.” Green indicates the film is still playing in theaters around the world.

Looking at that list, you’ll notice that only three of those movies were released in the 1990s. Twelve of those films entered the list during the 2010s. But what’s most interesting about the list is that it isn’t adjusted for inflation, which changes everything, especially the list of highest-grossing films:

Highest Grossing Films Adjusted for Inflation

Image taken from Wikipedia’s page “List of Highest Grossing Films.”

Now it’s your turn, folks. What trends have you noticed in film in the past five years? Which trends do you find to be most dominant? Have some trends lasted longer than others? Please join the discussion below, because I would love to know your thoughts! 

From Page to Screen Review: The Giver (2014)

Book Review

In 1993, Lois Lowry wrote and published The Giver, a book that has sold over 10 million copies and received critical acclaim, winning several awards including the Newbery Medal the year following its publication. Over the next twenty years, Lowry penned three books within the same era. The Giver isn’t beloved by all its readers, and certainly not all of its critics, but regardless, it is considered successful based off its sales alone.

Most of the people I have asked about The Giver told me they read it in middle school or high school. The rock I must have been hiding under was huge, because I hadn’t heard of the The Giver until I saw the first teaser for the film adaptation. In June, I read The Giver, along with its three counterpart sequels. Personally, I would consider The Giver the strongest read out of the quartet, although I enjoyed all four books.

What I appreciated most when reading The Giver is how simple the plot is. Jonas is about to turn twelve years old, reaching the age where his childhood is complete and his life job is assigned to him. Pills are administered to each inhabitant of the area, where people speak with limited vocabulary, live in a colorless world, and are void of emotion. The Giver‘s universe strives for utopia, but the book’s setting is dystopian in nature as the plot builds and Jonas comes to terms with his assigned life position, Receiver of Memories. The Giver transmits memories of the world’s history to Jonas, who discovers color, experiences feelings, and understands that more exists beyond the borders of his small, limited world.

Comic by Brian Warmoth

Unity is what Jonas’s world consists of. Uniqueness, self-identity, and love are all new concepts he learns from the Giver’s memories. Lowry was onto something as many other future authors, including Suzanne Collins (The Hunger Games), Veronica Roth (Divergent), and James Dashner (The Maze Runner) have all been informed and inspired by her work to pen their well-received dystopian book-turned-film series.

I would give the book The Giver 

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Have you read The Giver? If so, what did you think of it? Please join the discussion below, because I would love to know your thoughts!

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Film Review

Harold Crick (Will Ferrell) brushes his teeth with a certain number of strokes. He walks a precise number of steps to the bus each morning. He combs his hair, dresses himself, and carries his life in a predictable nature not because he is a creature of habit, but because habit conclusively defines his life. His existence is based upon following his strict code of patterns that he has fully succumbed to.

 

Harold Crick would fit well within the The Giver‘s universe, but unfortunately his character exists only in the lovely 2006 film Stranger Than Fiction. It is not until Crick hears his life narrated by the author, horrified to find that she is killing him off, that Harold chooses to stray from his pattern-formed life. Unfortunately for the movie The Giver (2014), the characters stray far from their built-in nature, and not for any reason that would make sense within their universe.

I have learned that when I see a movie based off a book, I have to accept that certain licenses will be taken, whether it’s to fit into a film narrative better, or perhaps certain dialogue or actions would be communicated better on screen. In the case of The Giver, I think all of the wrong liberties were taken with the source material. Given its star-studded cast, led by Meryl Streep and Jeff Bridges, it’s certainly a disappointment that The Giver went off the rails almost immediately, failing to get back on the rest of the film’s short runtime.

Other than a very short explanation opening the film, the universe of The Giver was never well-established. From the get-go, we don’t care about rooting for Jonas (Brenton Thwaites), even with all the charisma the young actor put into the role. The film pushes on, forcing viewers on a ride that fails to pause on important moments, defining dialogue, or pressing exchanges between characters. Even when the Giver (Jeff Bridges) is transmitting his memories to Jonas, the memories lack the warmth, terror, or joy in which they are described very earnestly in the book. Chicago film critic Richard Roeper described the memories as “something you’d find in an Apple commercial,” appearing to look more like stock photos or video footage you could find anywhere on the Internet.

The screenplay stumbled over itself, and no matter what came out of the Giver’s or the Chief Elder’s (Meryl Streep) mouths, the words felt forced to move along with the screenplay, because that is what they were written for. I found myself asking constant questions throughout the movie, like the following:

Why did Fiona (Odeya Rush) stop taking her pill if she was programmed never to question the idea of taking a pill?

Why did Asher (Cameron Monaghan) suddenly choose to trust Jonas and not kill him when he had never experienced an emotion?

Why would the Chief Elder select Asher to hunt down and kill Jonas if he was only a first-year recruit?

How could the Chief Elder be able to use words that didn’t exist within their world to converse with the Giver?

How did Taylor Swift weasel her way into the movie in the first place?

The answer to all of these questions deals with the poor screenplay of the film. In a fictional universe, there is an established set of rules. Once you start breaking the rules, the writing falls flat, and the story implodes. This was the fate of The Giver and the reason it performed so poorly with both critics and fans alike. The point of The Giver is lost on viewers, because the movie wanted to be something it wasn’t, losing both its focus and viewers’ attention.

I feel generous in giving The Giver 

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It’s your turn. Did you see The Giver? If not, do you plan to? If so, what did you think of it? Please join the discussion below, because I would love to know your thoughts!

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Compare/Contrast THE GIVER’s Book and Film

Which did you hear of first, the book or the film? I actually heard about the film first, but I read the book before seeing the movie.

What was your favorite and least favorite parts of the book? I loved the simple plot, and I liked how the Giver introducing Jonas to history changed Jonas – and made him want to change the way things are too. I didn’t really have a “least favorite” part. I didn’t think it was a perfect book, but I thought it was very well-written. It was definitely a page-turner.

Do you think it was inspired by any other books? Definitely – I kept thinking of Fahrenheit 451 the entire time I was reading it.

What was your favorite and least favorite parts of the movie? One thing I appreciated about the movie was the B&W in the beginning. I think they could have done more with it, like drawing out the color of the apple in the book when Asher and Jonas were tossing it. The screenplay was certainly my least favorite part. It really destroyed what could have made a great movie.

Do you think the movie was inspired by any other movies? I thought it had a similar universe to Equilibrium (2002). Very devoid of emotions.

Will the book, movie, or both forms, stand the test of time? Definitely the book. The movie fell short, and it’s sad, because Jeff Bridges had wanted to make the film for years. If he had had the chance earlier, perhaps more time could have been spent on the screenplay.

I answered fewer questions for the compare/contrast section, considering how short both the book and film were. Which form will stand the test of time to you – the book, the movie, or both? Please join the discussion below, because I would love to know your thoughts!

Introducing FROM PAGE TO SCREEN Posts to AEOS

Hey all! As many of you know, I just re-joined the movie blogosphere from an almost two-year hiatus which felt like forever. But I’m back, and as I said in my first returning post, I’m wanting to do more with AEOS.

The Giver Book and Movie PostersI have four to five new post ideas in the works, and I’m excited to introduce the first of them. I got this idea when I recently joined a book club where I’ve gotten to read a few books that have film versions coming out later this year. With The Giver (2014) coming to theaters this weekend, I was excited to unveil and start my first new segment for AEOS: FROM PAGE TO SCREEN posts.

About FROM PAGE TO SCREEN posts

What can I expect to be in these posts?  Posts will feature a short book review, a film review, and a comparison/contrast section, along with an open/closed eyes rating for both the book and the film.

What is the point(s) of these posts? My goal in creating this type of post is to introduce film-goers to some great (or not so great) books, and to introduce bookworms to films. I also look forward to comparing the two art forms, and consider what works and what doesn’t work in each form.

How can I participate in the posts? I’m always looking for people who have already read the book a movie is based off, and is interested and willing to give their opinion. If there is a movie coming out that you’ve read the book, please contact me in a comment or email me at alleyesonscreen@gmail.com. If you’ve read a book and seen the movie it’s based off that has already premiered in theaters or come out on DVD, the same rule applies. I would love to gain new contributors to AEOS!

What are some upcoming posts we can expect to see in the future? Aside from The Giver, I already have both The Maze Runner (2014) and Gone Girl (2014) FROM PAGE TO SCREEN posts planned out for 2014.

Last, but certainly not least, what books/movies would you like to see featured in FROM PAGE TO SCREEN posts? I’m always open to recommendations, and of course, I would love to hear your thoughts, so please join the discussion below.

AEOS Must-See Movies for the Rest of 2014

Over at Flixchatter, Ruth recently posted what films she was most interested in seeing for the remainder of the year, which got me thinking . . . what do I really want to see this year? So I had the difficult task of selecting two films (sometimes three!) for each month that I most definitely plan on seeing.

August

August is right around the corner, and there are two movies I’m really looking forward to. About a month and a half ago, I read The Giver series. Each book is a very thoughtful and easy read that I’m recommend to just about anyone. I’m looking forward to starting a new review section for book adaptations called “Pages to Screen.” But until then, enjoy the latest trailer of The Giver.

The Giver

 

Guardians of the Galaxy is the other movie I’m looking forward to in August. I don’t know much about the comics behind the characters and stories, but my husband has gotten me excited about this movie. I’m particularly looking forward to Brad Cooper voicing Rocket Raccoon, and seeing Chris Pratt as the lead character. I’m also looking forward to seeing The Walking Dead‘s Michael Rooker in full costume and blue paint.

Guardians of the Galaxy

 

September

The month of September also includes another book-to-film adaptation that I’m really looking forward to: The Maze Runner. While I didn’t find it to be the best written book, I thought the story was intriguing. And based off the trailer, I think it’s going to make a potentially great film. If you’re interested in seeing the latest trailer, go on over to Yahoo! Movies or click here.

The Maze Runner

 

I’m excited to see both Jessica Chastain and James McAvoy act against each other in The Disappearance of Eleanor Rigby. Chastain seems to know how to pick her projects. It’s one of two mystery movies that are coming out near the end of 2014 that I’m looking forward to.

The Disappearance of Eleanor Rigby

 

This Is Where I Leave You could likely be one of those large cast movies that falls flat on its face. But the trailer interested me enough that I’m putting it on this list. Plus, I have a soft spot for Jason Bateman, and I felt like the beginning of it could be similar to Elizabethtown.

This Is Where I Leave You

 

October

Gone Girl is the other mystery movie I’ve been looking forward to ever since I first saw the poster several months ago. The book the movie is based off of, written by Gillian Flynn, was published only two years ago – so it’s definitely making the jump from book to film pretty quickly. I’m interested in reading the book before this movie comes out, because like the book’s chapters are named after journal entries by Amy Elliott Dune, the murder victim of the story, the trailer reveals how much those journal entries will be featured in the film, and how they might affect the outcome of her widowed husband Nick Dunne.

Gone Girl

 

We haven’t seen Robert Downy Jr. play a character aside from Iron Man for a while. Now The Judge is coming out, and I think it could be good. I’m not overly excited for this movie, but it looks like it has potential.

The Judge

 

The one and only reason I’m particularly interested in Horns is Daniel Radcliffe. He’s been in a string of films since his Harry Potter days, most of which have been well-received. Horns, while yet another mystery film, seems to remind me of Hellboy. I have no idea how this film will do, but I was really impressed with Radcliffe’s American accent.

Horns

 

November

Being the next Christopher Nolan offering alone makes Interstellar high on my list to see for 2014. Nolan has released information only in small increments since The Dark Knight Rises premiered in 2012. Now with Matthew McConaughey fresh off a Best Actor win at the Academy Awards, he, too, now might be entering into Nolan’s regulars that he features in his films. While Anne Hathaway and Michael Caine, two actors who have already joined the ranks (or been part of it for years) are in Interstellar, the film boasts a heavy cast including Jessica Chastain, Casey Affleck, John Lithgow, Topher Grace, and Wes Bentley.

Interstellar

 

The Imitation Game stars one of my favorite actors right now, Benedict Cumberbatch. But it looks like he’ll be acting alongside many of Britain’s big actors, including Mark Strong, Matthew Goode, and Kiera Knightly. I think this movie could likely get nominated for several awards at the Oscars. IMDB’s summary of the film is “English mathematician and logician, Alan Turing, helps crack the Enigma code during World War II.”

The Imitation Game

 

The newest trailer for The Hunger Games: Mockingjay (Part 1) was released only yesterday to a huge buzz. We’re finally getting to see a little more footage from the film. While I’m excited about this movie considering that I’m a fan of The Hunger Games and Catching Fire was one of my favorite movies of 2013, I’m a little wary since they divided the third book into two films, following the trend of both Harry Potter and Twilight. Part 1 usually leaves you wanting more, and having to wait another year just so the box office can make more money is disappointing. I hope this movie is better than previous Part 1’s in other movie series.

The Hunger Games: Mockingjay (Part 1)

 

December

Surprisingly, the month of December includes movies I’m not overly excited to see. I was doubly disappointed by the previous Hobbit films because of their overly long running time, and the major inclusion of material from The Silmarillion, making the films far less about the actual book The Hobbit and far more about trying to recreate the incredible Lord of the Rings trilogy. Despite my complaints, I do still have a little excitement leftover for The Hobbit: Battle of the Five Armies. Each of the previous movies had good moments and scenes, and some great acting. I’m hoping this conclusion is worth the wait.

The Hobbit: Battle of the Five Armies

 

Into the Woods makes the list for lack of other better movies to add. The trailer is only a teaser for now, but I’m curious to see how the musical will unfold on screen. Meryl Streep is no stranger to musicals, although I probably wouldn’t say she’s the best singer. There is a huge cast involved, and I’m looking forward to seeing a more involved trailer in the next few months.

Into the Woods

 

In Summary

To summarize, here are all the movies with their U.S. release dates included, in order from the movies I’m looking most forward to seeing, to least:

1) Interstellar (November 7)

2) The Maze Runner (September 19)

3) The Imitation Game (November 21)

4) Gone Girl (October 3)

5) The Giver (August 15)

6) The Hunger Games: Mockingjay Part 1 (November 21)

7) The Disappearance of Eleanor Rigby (September 26)

8) Guardians of the Galaxy (August 1)

9) The Hobbit: The Battle of the Five Armies (December 17)

10) The Judge (October 10)

11) This Is Where I Leave You (September 19)

12) Horns (October 31)

13) Into the Woods (December 25)

What movies are you most looking forward to for the remainder of 2014? Feel free to join the discussion below.