AEOS Review: The Bourne Legacy

I haven’t reviewed a film in quite a while, but I have some free time right now, so I’m back to posting. Thanks for everyone’s patience! (I know all of you just missed me so much, ha!)

There haven’t been that many great films to review this month (see: last post), but The Bourne Legacy was one of those films I was looking forward to for one reason: Jeremy Renner. He arrives on the Hollywood scene in his early 40s, and he seems to be the “back-up plan” for all of these franchises that seem to bumble between furthering the franchise with yet another film, rebooting the franchise entirely, or recasting the series with Renner.

Renner first showed up in The Hurt Locker and did one heck of a job so I’m told, although I have yet to see that film. But I’ve witnessed him play an excellent supporting role in The TownMission Impossible: Ghost Protocol, and The Avengers. Renner knows how to own the screen whether it’s a starring or supporting role, and I look forward to seeing more and more of him in the future!

Unfortunately, I did not dig The Bourne Legacy like I hoped to. I wouldn’t call Renner and Weisz’s performances saving graces since the film wasn’t that terrible, but the truth of the matter is that the film fell flat. It didn’t live up to the previous Bourne films, it lacked a great villain, it completely wasted Edward Norton’s talents, and Aaron Cross’s motivations were consumed solely with finding the “chems.”

Aside from the film’s notable issues, however, I found it to be an enjoyable action film. The lab scene where one of the workers goes on a killing spree was especially terrifying and shot in such a serious and subtle way, that it stood out as the best scene of the film for me.

Nothing about The Bourne Legacy especially grabbed my attention aside from the lab scene–the score lacked the excitement of the previous films, although the film did end with Moby’s Extreme Ways, which I appreciated. I tend to wonder whether there will be a fifth installment with the lackluster response both critics and audiences have given the film.

If you’d like to hear more of my banter on the film, please check out my movie buddy Ryan’s podcast on his site, The Matinee. I had the privilege of getting to guest on episode 66, where we talked not only about The Bourne Legacy, but in light of this interesting recast (Matt Damon to Jeremy Renner), also listed off each of our top 5 recasts in films. And not only to put in a plug for Ryan, but also just to say from my own perspective — Ryan runs a great site and is so up to date. He puts me to shame with how on top of things he is from writing posts, to seeing films, to recording podcasts. Please take the time to check out his site and specifically listen to episode 66 if you can spare the time! You won’t regret it.

What did you think of The Bourne Legacy? Did you like it more than I did? Do you think Jeremy Renner lived up to Matt Damon in the Bourne series? Do you think there will be a fifth Bourne film?

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August: The Dead Month of Movies?

For a year that was highly-anticipatory for film, January through April took its sweet ‘ol time passing through, delivering only one fairly memorable film–The Hunger Games–and made all us viewers wonder if 2012 was really going to deliver, or just release a few biggies during the summer and Oscar seasons.

Finally, May rolled around and The Avengers blew everything away for the past 4 months. Then June opened up with some fun summer films, notably Prometheus and Snow White and the Huntsman (would everyone please stop talking about Kristen Stewart already?!), and The Dark Knight Rises showed up in July along with The Amazing Spider-Man. And now we’re sitting in August, dealing with 80s remakes and unsuccessful franchise continuations and not a whole lot of films to look forward to until October/November/December sweeps.

All of this begs me to ask, is August the “dead” month of movies? Both Total Recall and The Bourne Legacy came with their disappointments, though the latter succeeded the former with its storyline and acting alone (talking to you, Jeremy Renner!). Premium Rush is the only film I see with a hint of promise for the month. There’s a little hope with Lawless, watching Shia Labeouf attempt to win people over after his run through the Transformer films.

The only film I feel gipped for missing is Celeste and Jesse Forever, which opened only in very limited release, Rashinda Jones’s first writing project that performed successfully at Sundance.

We’re in that busy month of the year where everyone’s going back to school, and no one’s really focused on going to see a good film, with studios optimizing on the summer and Christmas breaks to release the films people most look forward to.

So ease my mind and tell me, have you liked any of the films August has offered so far? Or is it really the dead month of the year for film? What do you look forward to for the rest of the month?