My Hometown Blogathon: Chicago

So first, I owe one huge apology to Caz over at Let’s Go to the Movies for being severely late in posting for her blogathon, since it was due right around Thanksgiving. I loved the idea that she came up with for a blogathon, and being from (the suburbs of) Chicago, I was excited to post about some of my favorite films that feature the Windy City.


Here are five of my favorite films that highlight the city of Chicago:

5. My Best Friend’s Wedding (1997)

My Best Friend’s Wedding (1997) is not only one of Julia Robert’s funniest films, in my humble opinion, but it also features multiple Chicago locations, including a very famous chase scene that ends in Union Station. The picture above cracks me up because the girl fight goes down in a bathroom at U.S. Cellular Field (Comiskey Park), home of my favorite baseball team, the Chicago White Sox. Although My Best Friend’s Wedding appears on the surface to be just another bland rom-com, there are some hysterical moments, and it sets the tone for future romance films that don’t end happily ever after. But hey, at least there will be dancing.

Below is one of the most memorable scenes from the film, where Julianne (Julia Roberts) and Michael (Dermot Mulroney) are on a boat, passing under some of the bridges in Chicago.


4. While You Were Sleeping (1995)

Another rom-com that makes my list is While You Were Sleeping (1995), because its most pivotal scenes take place at an L train station in Chicago, the most memorable scene when Peter (Peter Gallagher) falls onto the tracks with an incoming train. Bullock makes for a believable character who could live in the city, and I think she does so successfully in While You Were Sleeping.

I didn’t have the easiest time finding clips from the film, but the trailer for the film below shows that most of the background and setting for the film takes place in the Windy City.


 3. The Blues Brothers (1980)

I have Ryan at The Matinee to thank for pushing me to finally watch this beloved film that features almost more of Chicago than any other film I have seen thus far. So much Chicago scenery, roads, and famous landmarks are shown in the film. One of my favorite scenes is the opening scene in which John Belushi and Dan Aykroyd jump the 95th Street bridge over the Calumet River in a police vehicle.

 

At the time, this climactic final scene (at the “Palace Hotel Ballroom”) was performed at a country club, but later became the South Shore Cultural Center, receiving its name from the neighborhood in Chicago where it started. The Hollywood Palladium is where the indoor concert scenes were shot.


 2. Ferris Bueller’s Day Off (1986)

John Hughes, the director, writer, and producer for Ferris Bueller’s Day Off (1986), felt very strongly about the city of Chicago when penning and directing the film.

He’s quoted, saying,

“Chicago is what I am. A lot of Ferris is sort of my love letter to the city. And the more people who get upset with the fact that I film there, the more I’ll make sure that’s exactly where I film. It’s funny—nobody ever says anything to Woody Allen about always filming in New York. America has this great reverence for New York. I look at it as this decaying horror pit. So let the people in Chicago enjoy Ferris Bueller.”

I never realized that Hughes was under fire for choosing Chicago over New York. His passion to have the city play a character in the story shows, as its architecture, well-known tourist attractions, and features are grandly put on display.

I wonder what Ferris would have thought of the 360 degree TILT ride now offered at the John Hancock Building.

 

I never had an experience quite like Ferris’s and his friends at the Art Museum, but it’s still one of my favorite places to visit in the city.

 

And I couldn’t not include the video of the parade scene with Matthew Broderick on a float belting “Twist and Shout.” The scene took two Saturday to shoot in the middle of downtown Chicago. Apparently radio stations announced that people could play extras in a “John Hughes movie,” and 10,000 people showed up for it.


 1. The Dark Knight (2008)

When Caz first announced this blogathon, I immediately thought of The Dark Knight (2008). It’s one of the most well-known films to have been shot in Chicago, probably because Chicago gets to play Batman’s city, Gotham, and that is pretty awesome.

As someone who grew up near Chicago, not in, but visited it often, there are certain areas in the city that I can pick out more easily when I’m watching a film. One of the most prominent locations was Lower Wacker Drive, as well as the Metra entrance at Millennium Park, where Batman (Christian Bale) was chasing the Joker (Heath Ledger).

 

The Gotham General Hospital, which the Joker blows up in the film, was actually the old Brach’s Candy Factory located on North Cicero Avenue. You can check out the explosion below.

 

Of course, there are so many notable films that have been filmed in Chicago, that I just chose five films that I really enjoy. Other major films that were filmed in Chicago include the following:

Sixteen Candles (1984)
The Untouchables (1987)
When Harry Met Sally (1989)
North by Northwest (1959)
Nothing in Common (1986)
Home Alone (1990)
Road to Perdition (2002)
Public Enemies (2009)
The Company (2003)
The Fugitive (1993)
Risky Business (1983)
Hoop Dreams (1994)
High Fidelity (2000)

Thanks again to Caz for hosting this blogathan, and apologies for the tardy post.

It’s your turn now. What is your favorite(s) film(s) filmed in Chicago? Are there any prominent films shot in your hometown? Please join in on the fun below!

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Five Film Trends in the Last Five Years

While the past decade has boasted higher ticket prices at the theaters, the art of film, or plainly stated, the box office records, have show some major trends in movies over the past five years. While this list can easily exceed five trends, these are ones I have noticed and researched.

5) Dystopian book-to-film adaptations on the rise

Recently, I published a post on a comparison of The Hunger Games (2012) and Divergent (2014) films. Those two movies are part of only two of the major book-turned-film franchises to hit the box office over the past five years. Most film fans are no stranger to the dystopian film genre. The Matrix (1999) series started in the late ’90s. Tom Cruise’s film The Minority Report (2002) was based on Philip K. Dick’s short story. Blade Runner (1982), Total Recall (1990), and Twelve Monkeys (1995) are only three offerings of the genre we were offered in the 1980s and ’90s. But in the past five years (2010-2014), I have noticed many dystopian books get a movie deal.

Never-Let-Me-Go-30929_5

The first one in the past five years I thought of was Never Let Me Go (2010), a British sci-fi drama that focused on the lives of three clones who exist for the purpose of donating their organs to others. Another popular, although unsuccessful film, is Atlas Shrugged Part 1 (2010), a dystopian film based on the controversial novel by Ayn Rand. One book that, while may not be considered dystopian in nature, nevertheless has its film adaptation fit well enough into the dystopian genre is World War Z (2013), starring Brad Pitt. Two other noteworthy films to include in this category are Dredd (2012) and Oblivion (2013), each based off graphic novels, the latter inspired by Joseph Kosinski’s unpublished manuscript of the same name.

Of course, the most well-known dystopian book-to-film adaptations include the box-smashing The Hunger Games series, with the final two movies getting released this year and 2015; Divergent, the movie based on the popular YA series written by Veronica Roth; The Giver, an unsuccessful film adaptation that didn’t sit well with critics, yet was inspired by a prominent book written in the early ’90s (you can see my review of the movie here); and The Maze Runner, the the first of three popular James Dashner novels that will be released next month in theaters.

4) Female protagonist films lead the box office

In the 1950s and ’60s, there were women-centered films and female protagonists. They were marketed in a much more sexist way then, but the times have changed, and more films have starred women. But in the last five years, films with female-protagonists have led the box office. According to Time‘s article “5 Things We’ve Learned in 5 Years of Box Office Reports,” published just this past April, the year 2012 included three movies in the top eight that starred women: The Hunger Games, starring Jennifer Lawrence; Breaking Dawn Part 2, starring Kristen Stewart; and Brave, starring the talented voice work of Kelly Macdonald. The same article notes that last year, three of the top six films had female protagonists (Sandra Bullock in Gravity, Jennifer Lawrence in The Hunger Games: Catching Fire, and Indina Menzel in Frozen).

Perhaps the most notable fact that supports the idea that female protagonist films are leading the box office is that 2013’s highest-grossing film was the Jennifer Lawrence-starring film The Hunger Games: Catching Fire, the first movie since 1965’s The Sound of Music (starring Julie Andrews) to fill that top spot.

Of course, The Hunger Games franchise are not the only female-starring movies to make a splash at the box office over the past five years. Salt (2010), Hanna (2011), and Haywire (2012) were all female-led movies that obtained positive scores with both critics and viewers alike, with Angelina Jolie’s action film leading the box office with over $100 million.

3) Comic book movies no longer niche genre

When Sam Raimi’s first Spiderman (2002), I thought it was a special case. Personally, I loved that movie. My family regularly rented it from Blockbuster. It was the first superhero movie I had seen that wasn’t about Batman or Superman. The first Batman movie was released in theaters in 1966. I was amazed how odd it was that in 2002, it wasn’t considered a usual thing for a movie to be based on a comic book character, unless it was Superman or Batman. Blade 2 (2002), Daredevil (2003), Hulk (2003),  Hellboy (2004), and Catwoman (2004) were all released in the next three years following Raimi’s first Spiderman, just a few of the comic-based movies to get released in the early 2000s. It wasn’t until a few years later that I realized the first X-Men film, directed by Bryan Singer, was released in theaters in 2000.

In the early 2000s, there’s a sense that many film critics didn’t take the comic book based film as seriously as other film genres, such as dramas, biopics, and comedies. But times have changed, and there has been a new acceptance of comic-based films as Marvel has mapped out its future in movies for at least the next six years. (This is a fun article worth checking out, Marvel fans.) DC seems to take note of Marvel, now working on its own agenda for a Batman vs. Superman movie along with a Justice League film franchise in the works.

While it isn’t perfect, I found a list that compiles every superhero movie released, both on TV and in theaters, including both animated and live-action films. A quick view of the list would prove that comic book movies are no longer niche, but far more commonplace as they have found a place at the movies, considerably expanding its audience. I would personally credit Christopher Nolans’s The Dark Knight trilogy for giving audiences and critics a darker, more serious adaptation of comic based films, proving that just because the movie is based off a comic book character, doesn’t mean it can’t be a stylistic, entertaining, and bold film worthy of praise.

2) Sequels and remakes lead the way

Perhaps this trend has existed more than just in the past five years, but I imagine most anyone can agree that few original screenplays make it to the big screen today, and if they do, they usually do not sell the most tickets or perform as successfully. Of course, there are exceptions to every rule, such as 2010’s Inception, the original screenplay penned by Christopher Nolan, but let’s get back to the point.

Fan art that just makes you laugh 🙂

Here is a non-exclusive, incomplete list over the past five years of major sequels, prequels, remakes, and reboots that premiered each year:

2010: Clash of the Titans (sequel), Why Did I Get Married Too? (sequel), A Nightmare on Elm Street (remake), Iron Man 2 (sequel), Shrek Forever After (sequel), Sex and the City 2 (sequel), The A-Team (remake), The Karate Kid (remake), Toy Story 3 (sequel), The Twilight Saga: Eclipse (sequel), Harry Potter and the Deathly Hallows Part 1 (sequel), True Grit (remake)

2011: Scream 4 (sequel), Paranormal Activity 3 (sequel), Fright Night (remake), The Hangover Part 2 (sequel), Rise of the Planet of the Apes (reboot), Kung Fu Panda 2 (sequel), Transformers: Dark of the Moon (sequel), Fast Five (sequel), Sherlock Holmes: A Game of Shadows (sequel), Cars 2 (sequel), Happy Feet 2 (sequel), Diary of a Wimpy Kid: Rodrick Rules (sequel)

2012: The Dark Knight Rises (reboot, sequel), The Amazing Spider-Man (reboot), The Expendables 2 (sequel), The Twilight Saga: Breaking Dawn Part 2 (sequel), Men in Black 3 (sequel), Madagascar 3: Europe’s Most Wanted (sequel), Prometheus (prequel), Wrath of the Titans (sequel), Total Recall (remake), G.I. Joe: Retaliation (sequel), The Bourne Legacy (sequel)

2013: Iron Man 3 (sequel), Carrie (remake), Despicable Me 2 (sequel), The Hobbit: The Desolation of Smaug (sequel), The Hunger Games: Catching Fire (sequel), Kick-Ass 2 (sequel), Man of Steel (reboot), Monsters University (sequel), Red 2 (sequel), Evil Dead (remake), Scary Movie 5 (sequel), The Great Gatsby (remake), Star Trek Into Darkness (reboot, sequel), The Hangover 3 (sequel)

2014: Annie (remake), 300: Rise of an Empire (sequel), Captain America: The Winter Soldier (sequel), The Amazing Spider-Man 2 (reboot, sequel), Godzilla (remake), X-Men: Days of Future Past (prequel, sequel), How to Train Your Dragon 2 (sequel), Transformers: Age of Extinction (sequel), Dawn of the Planet of the Apes (reboot, sequel), Sin City: A Dame to Kill For (sequel)

What’s even funnier about it is that if you google “remakes and sequels for the year [fill in year],” every year for the past five years contains articles similarly titled to “[insert year]” is the year of remakes and sequels!

1) A billion dollars isn’t a billion dollars anymore

A quick check at recent box office records, or the same Time‘s article I’ve been citing throughout this post shows that the billion dollar list, James Cameron’s Titanic (1997) becoming its first entry, has now grown to a whopping 19 movies, including both last year’s Iron Man 3 and Frozen.

List of Highest Grossing Films

Image taken from Wikipedia’s page “List of Highest Grossing Films.” Green indicates the film is still playing in theaters around the world.

Looking at that list, you’ll notice that only three of those movies were released in the 1990s. Twelve of those films entered the list during the 2010s. But what’s most interesting about the list is that it isn’t adjusted for inflation, which changes everything, especially the list of highest-grossing films:

Highest Grossing Films Adjusted for Inflation

Image taken from Wikipedia’s page “List of Highest Grossing Films.”

Now it’s your turn, folks. What trends have you noticed in film in the past five years? Which trends do you find to be most dominant? Have some trends lasted longer than others? Please join the discussion below, because I would love to know your thoughts! 

Week of Favorites: Actresses

Thinking about who my favorite actresses are as opposed to who my favorite actors are was a very different process. Since I’m more established with which actors’ performances I value and enjoy the most, as well as the films that star said actors (more so than actresses in general), I have a VERY different list of actresses on my list. By no means am I claiming these are the best actresses, but for me personally, they happen to be favorites of mine.

6. Queen Latifah

This list was actually so hard for me to compile, that I had to include a sixth entry. It was impossible for me to leave Queen Latifah off this list. She’s put in some hilarious and enjoyable supporting performances in Stranger Than FictionWhat Happens in VegasThe Dilemma, Valentine’s Day, and Mad Money, while lending her voice to film-adapted musicals like Hairspray and Chicago, and occasionally starring in her own films, such as Just Wright and The Last Holiday. Although I don’t care for some of the films she’s been in, I typically appreciate Latifah’s role because she’s very good at playing character and supporting roles. Queen Latifah exudes confidence, and I’m always impressed with the depth and capacity she has to be either humorous, dramatic, or serious.

5. Kirsten Dunst

Kirsten Dunst was a tough one to put on the list because I’ve seen only some of her work. I’ve yet to see her talked-about performance in Melancholia, but I can say that I grew up watching her in Interview with the Vampire, JumanjiLittle WomenBring It On, The Virgin Suicides, and Tower of Terror. I think she has a very different look and air about her that seems to separate her from the masses. I didn’t much care for her portrayal of Mary-Jane Watson in the Spiderman series although I think a lot of it has to do with how her role was written. She’s played several parts that have shown off her range, from her role in Eternal Sunshine of the Spotless Mind to Marie Antoinette. My personal favorite role of hers is in Elizabethtown.

4. Julia Roberts

Julia Roberts is one of those actresses who played iconic roles in her time and really established herself. My like for her really goes back to my like of almost all the actors I put on my favorites list in my previous post. I think she’s this timeless actress, almost elevated above many who have tried to do what she has. Roberts really had a way of defining a leading lady in the romcoms of the 90s. For me, she makes this list because I’ve seen several of her films, and I’ve really enjoyed watching her on screen. I think some actresses are easier to enjoy watching than others. My favorite film of hers is somewhere between My Best Friend’s Wedding and Notting Hill, although Pretty Woman comes in at a close third.

3. Reese Witherspoon

The first film I saw Reese Witherspoon in was Legally Blonde, and I knew from there on out that I was going to like her. Although she’s dabbled in some flimsier films from time to time, she’s quite strong in both comedy and drama, and I think she’s excellent at showing vulnerability on screen. Her portrayal of June Carter in Walk the Line is one of her best performances, and she has an Academy Award to show off for it. I will admit that I haven’t seen several of her films, but from the ones I have seen, I typically enjoy watching her in, although How Do You Know is a gross exception. I’m excited to see her take on some new projects and hope she continues to make smart choices.

2. Drew Barrymore

Saturday Night Live has accurately made fun of Drew Barrymore, and it’s almost understandable given Barrymore’s unusual voice or accent. One of the movies I watched over and over again as a kid was Ever After, a loose take on Cinderella. Barrymore certainly isn’t the prettiest girl who could play a Cinderella-like character, but she was every bit believable as a Danielle who fell in love with a prince. I much enjoyed her 90s through early 2000s films, especially The Wedding Singer and Never Been Kissed. What I enjoy most about her is that she’s comes across very human and relatable in her performances, at least the films in which I’ve seen her in. I definitely think she has a different look (and obviously sound) to her, but at the end of the day she’s really just this funny person who enjoys acting.

1. Emma Stone

I almost want to smack myself for choosing Emma Stone because she’s only 24 years old with what now appears to be a long career ahead of her. I’ve seen almost all of her movies and I will readily admit that if she’s in a movie, I would probably go just for the sake of seeing her. It really wasn’t Easy A that made me totally dig Emma Stone, even though I thought she was pretty awesome in that (also, that’s the kind of teen comedy I can deal with today). I think she’s absolutely hilarious and not afraid to do some silly things on screen, even if she might look stupid. Stone is easily my favorite character in The House Bunny, a rather pointless fluff movie, but entertaining nonetheless with Stone trying to “attract” guys by spraying herself with a hose. She played the “it” girl in Zombieland and the annoying, weird girl in Ghosts of Girlfriends Past (you caught her in that, right?). The year 2011 really skyrocketed Stone’s career (and name) when she starred in two big hitting films, Crazy, Stupid, Love and The Help. I can imagine Emma Stone becoming the Julia Roberts or maybe more so, the Sandra Bullock, of her time as she ages and takes on more roles.

OK, it’s your turn. Who are your favorite actresses? Does my list sound as crazy to you as it does in my head? Don’t answer that.

Don’t Mind the Age Difference

So I was watching The Proposal the other night on FX (it was airing for the umpteenth time), and I couldn’t stop thinking about the 12 year age difference between Sandra Bullock and Ryan Reynolds. Now there’s been a lot of paparazzi photos of the two of them and their “secret Texas wedding” and other crap filling the the hole of Hollywood tabloids. But my thoughts went more to the age difference we see between pairings in movies, not tabloids or “real life” or in Hollywood.

Here are some that I thought of:

Pairing: Tom Cruise and Cameron Diaz

Movie(s): Vanilla Sky and Knight and Day

Age Difference: 10 years

While Mr. Cruise is 16 years senior to his wife Katie Holmes, he is a surprising 10 years older than Ms. Diaz. I actually saw Knight and Day before Vanilla Sky, and I assumed there was maybe a 5 year difference between the two. After all, both have been acting for a long time. What I didn’t realize is that they’re actually 10 years a part. Even funnier, Penelope Cruz, a past girlfriend of Cruise’s and also a Vanilla Sky star who played opposite him in that movie, is 12 years his junior.

 

Pairing: Bradley Cooper and Julia Roberts

Movie: Valentine’s Day

Age Difference: 8 years

Playing two characters who sit next to each other on a plane, Cooper looks far younger than Roberts, even in Valentine’s Day. She being 8 years his senior, perhaps people were glad to find out that his character was gay, particularly for Eric Dane (understanding, ha). Cooper isn’t a stranger playing against older woman, however–he also plays against Sandra Bullock in All About Steve (age difference: 11 years).

 

Pairing: Colin Firth and Lúcia Moniz

Movie: Love Actually

Age Difference: 16 years

Although Moniz is relatively unknown in the U.S., she plays a small role in the film, with much of her dialogue in it being Portuguese. This surprising and odd pairing made it all the weirder to see the two end up together because the age difference wasn’t only significant, it was also very visible, even in spite of the roles they played.

 

Pairing: Gerard Butler and Katherine Heigl

Movie: The Ugly Truth

Age Difference: 9 years

In the movie The Bounty Hunter, Butler plays opposite Jenn Anniston, who is the same age as he is. In The Ugly Truth, he and Heigl end up together, despite their 9 year age difference. The almost decade isn’t as apparent as some couples since Heigl is taller, making her appear older. On Grey’s Anatomy, she’s nearly a decade younger than all of her costars.

 

Pairing: Johnny Depp and Angelina Jolie

Movie: The Tourist

Age Difference: 12 years

This was one of the most surprising age differences for me. Her romantic link (not marriage) to Brad Pitt (who’s soon to be 48 this month) as well as her overall, general look, make her appear older. I was surprised to learn she is still well in her 30s. Both she and Cameron Diaz appear older than what they are, perhaps partly because they have been acting for a long time.

 

Pairing: Shia Labeouf and Michelle Monaghan

Movie: Eagle Eye

Age Difference: 10 years

Although there might have been only a slight hint of a romantic possibility at the very end of the movie, both Labeouf and Monaghan starred in this unsuccessful (while still enjoyable) thriller. Monaghan has one of the most interesting histories of movie pairing from Shia Labeouf in Eagle Eye to Tom Cruise in Mission Impossible 3 to Patrick Dempsey in Made of Honor.

 

Pairing: Viggo Mortenson and Liv Tyler

Movie: Lord of the Rings trilogy

Age Difference: 19 years

Perhaps it works well that in the story: Mortenson’s character Aragorn is really an 87 year old ranger who is the last left of a dying breed of people who live exceptionally long, yet do not look as old as they are. This huge age difference actually works very well with Tyler, who is also a model, playing a pure and delicate looking elf in the films.

 

Pairing: Steve Carell and Anne Hathaway

Movie: Get Smart

Age Difference: 20 years

Similarly to LOTR, Hathaway plays a character that is actually older than she appears, but had plastic surgery that now makes her appear younger than what she actually is. One of the strangest pairings, both in personality and age difference, Hathaway and Carell sorta worked well together in this film.

Have you ever noticed any strange pairings and just wondered what the heck the director was thinking? Were you ever stunned after seeing a movie only to realize the leads were more than a decade a part?

December ’11: Entertainment vs. Oscar Hopefuls

While 2011 hasn’t been an altogether disappointing year for film, it hasn’t entirely sparked a whole new generation of moviegoers to enter the film arena, or blown away even the most dedicated cinefile. Now, that isn’t to say there haven’t been some gems found amidst the crap, or some really decent, fun movies that critics have torn apart for this reason or that, but put it on the month of December to impress viewers the most. The November/December season usually holds the majority of the Best Picture noms as well as many of the other nominations for the upcoming Oscars in February.

For Entertainment Purposes:

1) Sherlock Holmes: A Game of Shadows

Although the first SH in this series was pretty good, the only hit for it at the Oscars was its score by Hans Zimmer (which was very new and original). Although I’d love to see a movie like this gather some Oscar chatter, I don’t consider it a possibility given RDJ’s askew British accent and the film’s focus on more comedy/entertainment than story line (see either trailer to get a good look at RDJ dressed as a woman for one of his disguises). Unfortunately (or perhaps fortunate) for RDJ, his sarcasm and sense of humor has taken the lead in marketing for the more recent movies he has been or will be in (see both Iron Mans, trailer(s) for Game of Shadows, trailer for The Avengers). The special effects, however, do look pretty incredible, and the cinematography looks similar to the likes of 300, as well as the previous SH.

2) Mission Impossible 4: Ghost Protocol

While I’m tired of hearing the argument–how can there be one, much less MULTIPLE impossible missions–I do respect the point and have to give it a little credit. This fourth movie in the franchise, however, looks promising as well as ending for the series, at least when it comes to Tom Cruise’s role as Ethan Hunt. The story line looks promising and more complex than past movies, and the stunts look even bigger and crazier. My hope is that the series ends after this film without a new start-up starring Jeremy Renner (geez, he’s already started that with The Bourne Series, let’s not do this with MI too!).

3) The Girl With the Dragon Tattoo

From what I’ve heard, the Swedes have done this series right in every way, and now we’ll see whether America can follow suite with the fictional book series and do it justice. Although there’s possibility for this movie to touch the Academy (past series have done so before–LOTR!), the odds are not in the favor of a fictional book-to-film adaptation unless you’re Peter Jackson. Still, this movie looks entertaining and interesting and different, and it looks like there’s a great cast ready to tell the story.

Oscar Hopefuls:

1) Tinker Tailor Soldier Spy

Now when I call them “Oscar Hopefuls,” I mean that I hope that these films do something at the Oscars. And I think they have a good possibility as well. I wrote more about this movie in this post. I do think its talented British cast and interesting storyline, if well-played out, could possibly touch the Academy. The Brits have been reeling (pun intended) about this movie, and many critics have already awarded high marks to this movie since its earlier release in the UK.

2) The Iron Lady

Of all the movies I have listed, this is the film I have read or heard the least chatter about. For a political film starring Meryl Streep, I’m practically stunned that I’ve heard so little about this film. Streep has phoned in multiple Oscar-nominated (and won) performances, and it’s doubtful that this one will not join her other remarkable and stunning performances. Coupled with coming out during Oscar season and being part of a political thriller genre, it’s setting up all the right moves for gaining it’s own slot in the awards season. Stay tuned and watch out for this movie. I have a good feeling about this one.

3) We Bought a Zoo

I also wrote more about this movie in this post. Although Crowe has yet to get a film talked about at the Academy since Almost Famous, I think We Bought a Zoo has great potential. The Crowe and Damon alliance has happened for the first time, and it could reap great results. Crowe’s real-life, person-centered storytelling honed in, with the right cast, could earn him a spot.

4) Extremely Loud and Incredibly Close

This is surprisingly my first mention of this film. The trailer for this movie kind of came out of nowhere for me, and having people like Tom Hanks and Sandra Bullock head this project makes that especially shocking. A new take and perspective on 9/11, Extremely Loud and Incredibly Close is already making viewers cry during the preview. I really look forward to this movie and could see it moving critics as well.

That’s my take on December! I’ve certainly seen a share of entertaining and critical films that have already been talked about for the next Oscar season. We’ll see what December holds for moviegoers. What are looking forward to watching the most this month? And do you think any of the films listed (or others not listed) have Oscar potential?