First Thoughts on the 87th Oscar Nominations

The 87th Oscar nominations were announced this morning, and I’m excited to finally post about an awards ceremony on All Eyes On Screen. This Washington Post article showed which movies received the most nominations this year:

Birdman/The Grand Budapest Hotel – 9
The Imitation Game – 8
Boyhood – 6
American Sniper – 6
Whiplash – 5
Interstellar – 5
Foxcatcher – 5

Continue reading below to see what got nominated, along with my first thoughts on the nominees.

Best Picture

American Sniper
Birdman
Boyhood
The Grand Budapest Hotel
The Imitation Game
Selma
The Theory of Everything
Whiplash

First Thoughts: None of the entries on this list surprise me. The only movies I haven’t seen on this list are American Sniper and Selma, both of which I’m planning to see in the next couple weeks. What has me super thrilled is Whiplash making its way onto the Best Picture nominee list. It’s a great films that hasn’t gotten the mainstream attention the majority of the films on this list has.

Actor in a Leading Role

Steve Carell, Foxcatcher
Bradley Cooper, American Sniper
Benedict Cumberbatch, The Imitation Game
Michael Keaton, Birdman
Eddie Redmayne, The Theory of Everything

First Thoughts: Pleasantly surprised to see Bradley Cooper nominated once again for Best Actor in a Leading Role. I think American Sniper really picked up steam following the Golden Globes. What is surprising is that David Oyelowo’s name missing, who I’ve heard turned in an award-worthy performance in Selma. And while I can’t say I’m surprised, I am disappointed that Jake Gyllenhaal didn’t make the list for his transformative role in Nightcrawler. Also, how crazy is it that from now on, before Steve Carell’s name is mentioned in movies, it will be preceded by the words “Academy Award Nominee”?!

Actress in a Leading Role

Marion Cotillard, Two Days One Night
Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild

First Thoughts: It seems like I completely missed out on Still Alice, because Julianne Moore won the Golden Globe as Best Actress, and now she’s nominated for an Oscar. So that one has just arrived on my radar. The other movie I’m excited to check out is Two Days, One Night. If Moore doesn’t score this, I think Rosamund Pike will take it.

Actor in a Supporting Role

Robert Duvall, The Judge
Ethan Hawke, Boyhood
Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
J.K. Simmons, Whiplash

First Thoughts: I realize that now I have to check out The Judge. I don’t really want to. However, I’m happy for all the other nominations on this list. J.K. Simmons is probably the favorite to win, and I wouldn’t argue that after witnessing him in Whiplash. Although, Ethan Hawke’s performance in Boyhood makes me sentimental . . .

Actress in a Supporting Role

Patricia Arquette, Boyhood
Laura Dern, Wild
Emma Stone, Birdman
Keira Knightley, The Imitation Game
Meryl Streep, Into the Woods

First Thoughts: I think Patricia Arquette is the shoe-in for this award, but I’m happy Laura Dern is getting some credit for her work in Wild. It’s no surprise that Meryl Streep is nominated, although I think she’s far from winning this. I’m very excited to have two of my favorite young actresses get nominated, Emma Stone and Kiera Knightly, although neither will likely win.

Directing

Alejandro Gonzalez Inarritu, Birdman
Richard Linklater, Boyhood
Bennett Miller, Foxcatcher
Wes Anderson, The Grand Budapest Hotel
Morten Tyldum, The Imitation Game

First Thoughts: I actually expected Ava DuVernay for Selma to get nominated, not only because of how much Selma has been praised as a film, but also because she’s one of the few incredibly talented female directors working today. From what I’ve read, this is Wes Anderson’s first Oscar nomination, and I think it’s well-deserved. At the end of the day, I imagine the real race is between Inarritu and Linklater, the most notable directors on this list.

Animated Feature Film

Big Hero 6
The Boxtrolls
How to Train Your Dragon 2
Song of the Sea
The Tale of the Princess Kaguya

First Thoughts: I’m legitimately shocked and disappointed that The LEGO Movie wasn’t nominated. Has anyone else heard of Song of the Sea?

Cinematography

Emmanuel Lubezki, Birdman
Robert D. Yeoman, The Grand Budapest Hotel
Lukasz Zal and Ryszard Lynzewski, Ida
Dick Pope, Mr. Turner
Roger Deakins, Unbroken

First Thoughts: I’m now entering unchartered territory, where I have less I can say because of my limited knowledge. Considering that Interstellar does indeed get a few nominations this year, I’m a little surprised cinematographer Hoyte van Hoytema doesn’t make this list. Emmanuel Lubezki has become the “household” name of cinematographers in recent years. Now I have a legitimate excuse to check out Mr. Turner . . .

Costume Design

Milena Canonero, The Grand Budapest Hotel
Mark Bridges, Inherent Vice
Colleen Atwood, Into the Woods
Anna B. Sheppard, Maleficent
Jacqueline Durran, Mr. Turner

First Thoughts: I imagine this is the win for Into the Woods, if there is one. The Grand Budapest Hotel‘s costumes were memorable as well. I almost thought Guardians of the Galaxy would pop up in this category.

Documentary Feature

Citizenfour
Last Days in Vietnam
Virunga
The Salt of the Earth
Finding Vivian Maier

First Thoughts: Am I the only one who was hoping for Life Itself to make this list?

Documentary Short Subject

Crisis Hotline: Veterans Press 1
Joanna
Our Curse
The Reaper
White Earth

First Thoughts: N/A

Film Editing

Joel Cox and Gary Roach, American Sniper
Sandra Adair, Boyhood
Barney Pilling, The Grand Budapest Hotel
William Goldenberg, The Imitation Game
Tom Cross, Whiplash

First ThoughtsBirdman seems to be the one missing from the nominations, but perhaps it will make it up by winning Best Cinematography? I will be rooting for Tom Cross for Whiplash given that Miles Teller appears to do all the drumming in this movie, thanks to Cross’s incredible editing. I could see Sandra Adair winning for piecing together twelve years of filming for Boyhood in a fluid and coherent way.

Foreign Language Film

Ida
Leviathan
Tangerines
Wild Tales
Timbuktu

First Thoughts: Although I haven’t seen any of these, I’m surprised to not see the popular Force Majeure I have read about. Oh, and hey, there’s Ida again!

Makeup and Hairstyling

Bill Corso and Dennis Liddiard, Foxcatcher
Frances Hannon and Mark Coulier, The Grand Budapest Hotel
Elizabeth Yianni-Georgiou and David White, Guardians of the Galaxy

First Thoughts: Steve Carell’s prosthetic nose in Foxcatcher might be most memorable, but I’m rooting for Guardians of the Galaxy. Those characters really did look other-worldly.

Music – Original Score

Alexandre Desplat, The Grand Budapest Hotel
Alexandre Desplat, The Imitation Game
Hans Zimmer, Interstellar
Gary Yershon, Mr. Turner
Johann Johannsson, The Theory of Everything

First Thoughts: Double nomination for Alexandre Desplat meeans he has a 40% chance of winning in this category. Hans Zimmer’s score for Interstellar was my favorite. Go, Mr. Zimmer! I wasn’t rooting for it, but I’m shocked to not see Trent Reznor and Atticus Ross’s score for Gone Girl make this list.

Music – Original Song

“Everything Is Awesome” by Shawn Patterson, The LEGO Movie
“Glory” by Common and John Legend, Selma
“Grateful,” by Diana Warren, Beyond the Lights
“I’m Not Gonna Miss You,” by Glen Campbell and Julian Raymond, Glenn Campbell: I’ll Be Me
“Lost Stars” by Gregg Alexander and Danielle Brisebois, Begin Again

First Thoughts: “Lost Stars” in Begin Again might be my favorite original song of the year, and it’s certainly the song I’ll be rooting for. Another pleasant surprise is seeing a song from Beyond the Lights make the list. I also love “Everything is Awesome,” and I feel like it would be a step in the right direction if The LEGO Movie won after being left out of the Best Animated Film category. My only disappointment is not seeing “The Last Goodbye” in The Hobbit: The Battle of the Five Armies make the list. Question: What is Glenn Campbell: I’ll Be Me?

Production Design

The Grand Budapest Hotel, Production design: Adam Stockhausen, Set Decoration: Anna Pinnock
The Imitation Game, Production design: Maria Djurkovic, Set Decoration: Tatiana Macdonald
Interstellar, Production design: Nathan Crowley, Set Decoration: Gary Fettis
Into the Woods, Production design: Dennis Gassner, Set Decoration: Anna Pinnock
Mr. Turner, Production design: Suzie Davies, Set Decoration: Charlotte Watts

First Thoughts: Both Into the Woods and The Grand Budapest Hotel had memorable sets and design, so I could see either of these movies taking the prize. But dude, apparently I need to see Mr. Turner, which keeps showing up in the nominations . . .

Short Film – Animated

The Bigger Picture, Daisy Jacobs and Christopher Hees
The Dam Keeper, Robert Kondo and Dice Tsutsumi
Feast, Patrick Osbirne and Kristina Reed
Me and My Moulton, Torill Kove
A Single Life, Joris Oprins

First Thoughts: N/A

Short Film – Live Action

Aya, Oded Binnun and Mihal Brezis
Boogaloo and Graham, Michael Lennox and Ronan Blaney
Butterlamp, Hu Wei and Julien Feret
Parvenah, Talkhon Hamzavi and Stefan Eichenberger
The Phone Call, Mat Kirkby and James Lucas

First Thoughts: N/A

Sound Editing

American Sniper, Alan Robert Murray and Bub Asman
Birdman, Martin Hermandez and Aaron Glascock
The Hobbit: The Battle of the Five Armies, Brent Burge and Jason Canovas
Interstellar, Richard King
Unbroken, Becky Sullivan and Andrew Decristofaro

First Thoughts: A lot of people complained about the soundtrack drowning out the actors in Interstellar, yet it’s still getting nominated in this department. I actually had a bigger issue with Trent Reznor’s and Atticus Ross’s score drowning out the actors in Gone Girl. And hey, look, The Hobbit and Unbroken decided to show up to the Oscars.

Sound Mixing

American Sniper, John Reitz, Gregg Rudloff and Walt Martin
Birdman, Jon Taylor, Frank A Montano and Thomas Varga
Interstellar, Garry A. Rizzo, Gregg Landaker and Mark Weingarten
Unbroken, Jon Taylor, Frank A Montano and David Lee
Whiplash, Craig Mann, Ben Wilkins and Thomas Curley

First Thoughts: N/A

Visual Effects

Captain America: Winter Soldier, Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick
Dawn of the Planet of the Apes, Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist
Guardians of the Galaxy, Stephanie Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould
Interstellar, Paul Franklin, Andrew Lockley, Ian Hunter and Scott Fisher
X-Men: Days of Future Past, Richard Stammers, Lou Pecora, Tim Crosbie and Cameron Waldbauer

First Thoughts: Hello there, every superhero movie from 2014. Either Dawn of the Planet of the Apes for Andy Serkis’s work or X-Men: Days of Future Past  for that scene with Quicksilver should win this category.

Writing – Adapted Screenplay

Jason Hall, American Sniper
Graham Moore, The Imitation Game
Paul Thomas Anderson, Inherent Vice
Anthony McCarten, The Theory of Everything
Damien Chazelle, Whiplash

First Thoughts: There’s a big discussion behind why Damien Chazelle’s screenplay for Whiplash is making the Adapted list rather than the Original list, thanks to the oddball rules of the Academy. Regardless, I think it deserves to be nominated for its writing. Compared to the major change in characters and plot in The Imitation Game, I would rather root for Anthony McCarten’s writing for The Theory of Everything for honoring the people he portrayed. I’ve also heard Paul Thomas Anderson’s work in adapting the novel for Inherent Vice was quite good.

Writing – Original Screenplay

Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris and Armando Bo, Birdman
Richard Linklater, Boyhood
E. Max Frye and Dan Futterman, Foxcatcher
Wes Anderson and Hugo Guinness, The Grand Budapest Hotel
Dan Gilroy, Nightcrawler

First Thoughts: Well, it’s about time to see Nightcrawler show up. I’m a big fan of Dan Gilroy’s script for the creepy thriller, but it’s likely to lose to literally any of the other nominees. I couldn’t argue with any of the nominations in this category: I like them all.

What are your first thoughts on this year’s Oscar nominations? Which ones are you most excited for? Which snubs are you most disappointed about?

From Page to Screen: Gone Girl (2014)

Because of how closely tied both the book and movie are, and because I just found it easier to combine my reviews of both formats, I decided to make this From Page to Screen post different from previous ones by having only two sections: a single review, and then a comparison/contrast section.

One thing I want to note: there will be SPOILERS throughout for both the book and film. You have been warned! 🙂


From Page to Screen Header

Book/Movie Reviews

You lose some of the suspense, however well created or intentioned to be, when you know the ending of a story.

I went into Gone Girl (2014) having already read the book, yet still highly anticipating watching what I had read unravel on screen. I held onto the promise that director David Fincher, actor Ben Affleck, and book author and screenwriter Gillian Flynn lead us all to believe: the movie’s ending would be different than the book’s.

And here’s the biggest spoiler I can write in this post: the difference was so little, the plot still kept all the same major points, that the simple “adjustments” made to the film were overshadowed by the blatant reminder that readers of Flynn’s thriller were watching exactly what we were suspecting to not witness: the same horrible ending that, while it works as a surprise factor, did not benefit the film, or work as well as Fincher or Flynn probably intended.

For those still interested in why I think this, let me break it down for you:

Those who didn’t read the book are going to be asking varying renditions of this question after they watch the ending: Why would Nick stay with this crazy psychopath even if she’s pregnant? 

That question leads to more questions: How do we know she isn’t just making up her pregnancy? Why does Nick not try harder with Boney to prove Amy’s guilt?

No, Nick pastes on his fakest smile, nods, and later proclaims to his twin that he’s going along with it to save the child from his horrible mother. Honorable? Yes. Enough reason to not fight it, research it, try desperately to get out of it, yet somehow help the child in the process? No, and not even close.

This is where the book and movie separates, and while we realize that we aren’t interested in seeing a replica of the book on screen (This is a movie, after all; Entertain us, Mr. Fincher!), that if they’re going to keep a strikingly similar ending to a book, then they needed solid material throughout the film to support that ending, even if they wanted to change parts or leave out characters here and there.

Here are the two major reasons that the ending works well in the book, but not in the film:

  1. The book presents a detailed enough background on Nick, his past home life, and his drunk, cheating father who is known to regularly debase women (especially Nick’s mom) that Nick is faced with an enigma as he grows up: he doesn’t want to become his father, even though he occasionally recognizes little parts of his father in himself. This is critical to the plot because Nick doesn’t want to be his father; he wants to be a good husband (well, so we think?), but even more importantly, he wants to be a good father who wouldn’t abandon his child. This reason significantly alters Nick’s reasoning for staying with a psychopath: his fear of becoming his father outweighs his fear of his murderous, psychotic wife carrying his child.
  2. While it is complicated and somewhat understandably left out of the movie version, the second reason has more to do with why Nick didn’t question the pregnancy. Fincher dropped only one hint in the entire 2 1/2 hour film’s runtime as to why Nick didn’t question Amy when she presented him with the positive pregnancy test. It happened in the middle of the film when Nick and Margo were fighting, and out of the blue, Nick declares that he was the one who wanted children, and that he wanted them so much, he even went to a fertility clinic. What Fincher and Flynn leave out in the film version is that Amy was so meticulous in her scheming, that she stopped by the clinic, picked up Nick’s sperm, and kept it frozen in case she ever needed it to blackmail him. Of course, she does blackmail him at the end of both the book and film to stay with her because she is pregnant – and the child is most definitely his – and he’s fully aware that she had taken his frozen sperm and impregnated herself. But leaving this vital detail out of the film, yet expecting viewers not to wonder why Nick hasn’t questioned Amy more than “there needs to be a paternity test!” is just odd.

Alas, I’ll end my rant with this: I consider this is a major boo-boo in the film, despite how much I enjoyed it and thought it honored the source material while still making it it’s own. But let me get on with what I did enjoy now.

The casting, from what I’ve mentioned in multiple lead-up posts, was not only a sure thing to attract fans of the book, but also a more wide stream audience. After Affleck’s multiple successful directing credits, especially the most recent Academy Award winning-film Argo (2012), Gone Girl was certainly expecting to attract an audience. Attach the incredibly talented directing name “David Fincher” to most of the ads, and you have a double whammy for getting butts into theater seats. What paid off, however, was not just attracting theater goers, but stellar casting that fit the material as well as anyone could have hoped for.

Neil Patrick Harris, however, felt underused. Despite his creepy, extreme nature that made him a convincing Desi, he just didn’t have enough scenes (which just happens when you’re adapting a book to film) to make us wonder why Amy brutally killed him the way she did. Maybe Amy is just an insane murderer? Perhaps, and no one would be crazy for thinking that. The book, however, gives us more understanding as to why she lashed out: she was feeling trapped and controlled and unable to make decisions for herself, so she took matters into her own hands.

Tyler Perry acted as the comic relief of the film, with some one-liners that were only too true that you knew you were laughing at his sheer honesty instead of a silly joke. The stand-out performance for me came from actress Carrie Coon, who played Nick’s twin sister, Margo. She looked enough like Affleck that someone would have believed they were twins. Her chemistry with Affleck felt genuine, and she felt like one of the few characters you wanted to root for. She acted as Nick’s conscious, yet she stayed completely dedicated to her brother, even as his hidden sins came to light.

Critic Michael Phillips for The Chicago Tribune mentions that Fincher uses a lot of mustard lighting throughout the film, creating a pallet that he didn’t care for. I thought the lighting worked well and aided the suspense of the film. My biggest complaint deals with the raved-about score by Trent Reznor and Atticus Ross. While my seating location in the theater might have had something to do with this, during the opening scene, I was fighting to hear any dialogue over the overpowering and sometimes nonessential score. There were moments when it created or built the suspense, supported the scenes, and gave us a theme when certain characters were on screen. But sometimes it felt completely excessive, taking away from a scene rather than subtly reinforcing it. I was much more impressed with their score for The Social Network (2010).

Overall, I was a big fan of both the book and the movie. Gillian Flynn was successful as both the author and screenwriter for the two formats, bringing her book to life on film in an eerily similar way. Neither are for the faint of heart, both packed with pulpy fiction, dramatic dialogue, and (just in the movie) a murder scene most would die . . . to not see ever again.

I give the book Gone Girl 

Eye Art1Eye Art1Eye Art1


ON PAGE
.

And I give the movie Gone Girl 

Eye Art1Eye Art1
and 1/2 ON SCREEN.


Compare/Contrast Gone Girl‘s Book and Film

Which did you hear of first, the book or the film? I heard about the movie first (when do I not?). I read the book right after I saw the trailer, and that prompted my excitement to see it on screen.

What was your favorite and least favorite parts of the book?

  • Favorite – My favorite part of the book was how Flynn put it together. I loved that one chapter was from Nick’s perspective, and the next was a diary entry from Amy. Getting multiple perspective made it more interesting and suspenseful. The pace was fast, but not rushed.
  • Least favorite – I just didn’t care for the ending, even given it’s surprising nature and “what the heck?” reaction. I’m a bigger fan of books where there’s justice, with evil losing and good winning. And while I appreciate flawed characters in a book, I felt like the two main characters fell short of being even a little redeemable. At times the language was over-the-top and unnecessary.

Do you think it was inspired by any other books? According to an interview Flynn had with The Guardian, she claimed the novel Mystic River to have inspired her to include a mystery in her book.

What was your favorite and least favorite parts of the movie?

  • Favorite – I couldn’t have imagined a different casting holding down this movie. Ben Affleck knows exactly how to play both the guilty and innocent sides of Nick Dunne, and you both abhor and like him. It’s a great film to showcase actors.
  • Least favorite – Without repeating myself too much, I’ll just say the score and the poor choice (in my opinion) of how they wrote the ending.

Do you think the movie was inspired by any other movies? I imagine any mysteries, especially murder mysteries, inspired the plot. David Fincher continues to grow as a director with his unique style of shooting scenes and guiding actors. I could see his latest movies such as The Social Network and his remake of The Girl with the Dragon Tattoo (2011) inspiring his work.

Will the book, movie, or both forms, stand the test of time? That’s a tricky question, because both have their setbacks. Ultimately, I think the book will just because (of course) it came first. The film is memorable, yes, particularly due to stellar performances, but I think the book has a slight edge over the film.


It’s your turn now. Have you seen Gone Girl? If not, do you plan to see it? What do you think of the film compared to the book? Please join the discussion below, because I would love to know your thoughts.

Trailer Break: You’re Not You (2014) + 5 Promising Trailers for 2014

Happy Thursday, guys! Hope you’ve been having a good week. Today, I wanted to update one of my old segments on the site, Trailer Friday (check out an older post here featuring Academy Award winner Jean Dujardin for his work in The Artist [2011]), where I would critique a trailer on any given Friday. It’s time to update, so I have renamed the past Trailer Friday segment to Trailer Break.

AEOS‘s first Trailer Break features the upcoming film, You’re Not You (2014), starring Academy Award winner Hilary Swank, along with Emmy Rossum and Josh Duhamel (interesting group, eh?). The reason I wanted to draw attention to You’re Not You is that the story centers around a woman suffering with ALS.

With three nominations to take the Ice Bucket challenge for the life-threatening disease, or donate, (and one of those nominations by none other than Ruth from Flixchatter), I chose to donate, letting down everyone who excitedly awaited me pouring a bucket of ice cold water over my head. Sorry to disappoint, but I feel good about donating, and I would encourage anyone else nominated or moved to help the cause and support those diagnosed with ALS as well as family and friends of those with the disease.

And as future proof that I did donate, which Ruth so kindly asked me for, I offer Exhibit A as proof:

ALS proof

Exhibit A: Proof I donated to ALS, with dollar amount blacked out.

But back to the trailer. It’s a wonder if the timing of this film release was timed, as it fits in right with the major awareness and viral popularity of the Ice Bucket Challenge swirling around social media. Check it out below:

 

Now, the trailer boasts an inspirational story laced with tear-filled moments, possibly begging for another Oscar nomination for Hilary Swank. I haven’t seen a lot of push for this movie in theaters or ads yet. But as for now, I’m excited about this movie, and I hope it’s not aiming for trendiness by hopping on the ALS-awareness bandwagon.

It’s your turn now. What did you think of the trailer? Would you see You’re Not You in theaters? Please join the discussion below, because I would love to know your thoughts.

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Since we’re talking about trailers, I wanted to include five trailers that look promising enough to be great films for the second half of 2014. Four of these trailers are for movies that make it on my AEOS Must-See Movies for the rest of 2014, so let’s start with those.

1) Gone Girl

I recently finished the book this movie is based off, and I have to say, I’m bubbling over with excitement for this movie since the trailer seems to promisingly follow the plot. Casting for the lead roles only promotes my anticipation as Ben Affleck and Rosamund Pike seem to capture the characters’ essence in the second trailer’s two and a half minute runtime. And if anyone needs any further convincing to see this movie, the book’s author Gyllian Flynn has promised a different ending for the film.

 

2) The Disappearance of Eleanor Rigby

Another movie about a woman gone missing, The Disappearance of Eleanor Rigby stars Jessica Chastain as the missing Eleanor Rigby and James McAvoy as her husband, Connor. What really interested me about this story is that the writer-director Ned Benson released three different films, one from Eleanor’s perspective, one from Connor’s perspective, and one about both of them. All three movies share the same timeline. This particular movie is titled The Disappearance of Eleanor Rigby: Them, and will be released in US theaters in a little over a week. The previous two movies showcased at the 2013 Toronto Film Festival.

 

3) Interstellar

Interstellar is the next big-budget, mainstream film to be released by the popular Christopher Nolan, who stunned audiences with his more recent previous films, Inception (2010) and The Dark Knight Rises (2012). Below is the third trailer released for the film, which features more of Anne Hathaway, more of Matthew McConaughey’s tears, and more footage in space. Why is this trailer promising? We know McConaughey is the hero. We know there’s an interstellar mission. But most importantly, we know Christopher Nolan is the brains behind the project.

4) The Imitation Game

Benedict Cumberbatch seems to be the guy of the hour right now, having his name attached to some big upcoming films (rumored to be a villain in Batman vs. Superman [2016] anyone?) while he’s still fresh off his Emmy win for his admirable work in BBC’s Sherlock (2010). Cumberbatch has played a character based off a real-life person before. Although The Fifth Estate (2013) was hardly a perfect movie, his portrayal of Julian Assange was remarkable, and I believe promising enough to prove his dramatic acting chops to portray Alan Turing in The Imitation Game.

5) The Theory of Everything

I recently saw the trailer for The Theory of Everything in the previews before I watched What If (2014), and I wondered how it was possible that I hadn’t noticed this movie before now. Starring Eddie Redmayne (Les Miserables [2012]), The Theory of Everything focuses on the life of Stephen Hawking and his relationship with his wife, Jane (Felicity Jones). It’s another biographical movie that appears to take place in Europe, but I see a lot of promise in the trailer and what I hope to be moving performances by the leads.

 

It’s your turn now. What trailers have you excited for upcoming movies this year? Please join the discussion below, because I would love to know your thoughts!