Top 10 Favorite Movies of 2012

Categorizing my favorite moves in 2012 was so much more difficult for me than it was in 2011. I had obvious, definite picks to close out 2011, and I have found myself nitpicking over which movies ought to make my top 1o favorites list this year. If you remember from last year, I picked up a movie for the tenth spot that performed horribly for critics and audiences alike, but I stuck to it, just as easily as it was for me to say that The Artist and 50/50 were the obvious stand-out movies of 2011 for me.

I haven’t finished seeing all the movies I want to see yet, including Flight and Beasts of the Southern Wild, which I can imagine will most likely alter this list. My assurance comes from being a big fan of Robert Zemeckis films, and I keep hearing great things for Beasts. So there’s a good chance a couple of these movies may be bumped off to make room! Other movies I think could possibly make it onto this list are Amour and Life of Pi, but my hopes aren’t as high for these as they are for the former two films I mentioned.

And a disclaimer before the list: I really enjoyed both The Impossible and Zero Dark Thirty, but they’re both the kind of movie that won’t get repeated viewings from me because of the subject matter. While both feats of their own, I really don’t care to watch either again with how rough and gritty it was. Another honorable mention that didn’t make my list was Lincoln. I enjoyed it immensely, but it’s running time had me looking at my watch a few times. The performances were incredible under Steven Spielberg’s direction, and I’m rooting for John Williams’s score to win the Oscar.

As of now, here are my top ten favorite films of 2012!

10) Seeking a Friend for the End of the World

As of June last year, Seeking a Friend was my favorite film I had seen so far. It was a very different film and it struck a chord with me that no other end-of-the-world flick ever had. Steve Carell shined in his performance, and Lorene Scafaria’s directorial debut was promising. More than anything, I appreciated the music and tone of this film. Scafaria stuck to her ending and I’m happy to add this movie to my top ten list of 2012.

9) Celeste and Jesse Forever

Another film I haven’t seen on anyone else’s favorites or top lists is Celeste and Jesse Forever, which made its first appearance at Sundance. Rashinda Jones both writes and stars in this film that offers an entirely different take on relationships. It’s complicated, but it’s a well-written, thoughtful screenplay that poses questions that are difficult to answer. Any Samberg shows more range than one would expect. I really enjoyed this movie and hope that it gets more exposed!

8) The Hobbit

After reading The Hobbit in January of last year, I grew more excited for the first film of three to be released in December. While there were disappointments, such as extended scenes and added parts that I believe took away from the film, I still really enjoyed it. Where The Hobbit didn’t lack was in the acting. It was great getting to see Sherlock‘s Martin Freeman star as Bilbo, and one of the strongest and best scenes of the film was the riddle scene with Bilbo and Andy Serkis’s Gollum.

7) Skyfall

For not being a huge James Bond fan, I really enjoyed Skyfall. I was hoping for something great after enjoying Casino Royale, and Skyfall does not disappoint at all. Daniel Craig does some of his best work here, and Javier Bardem makes for a great villain. The pacing and script are great and it gives a very satisfying end to the film.

6) Django Unchained

I wasn’t sure whether I’d love or hate Django going in, but it ended up being the former. For clocking in close to three hours, Django didn’t feel nearly as long as films like Lincoln or Zero Dark Thirty, for me. It’s chocked full of Quentin Tarantino humor, and both Christoph Waltz and Leonardo DiCaprio offer great supporting performances.

5) The Avengers

Earlier in 2012, I had seen The Avengers four times in theaters. If you had asked me in 2011 what movie I was planning to see the most in 2012, my answer would certainly not be The Avengers. But I’m completely won over, having seen Captain AmericaThor, and both Iron Man films multiple times before seeing The Avengers. It’s a solid film that delivers on multiple fronts, not only entertaining, but also works as an excellent inclusion of multiple characters to make one grand superhero film fit together.

4) Argo

Early in 2012 I had caught wind of a little movie called Argo to be directed by Ben Affleck. It was one of my most anticipated films of the year, and I consider it one of the best films to come out in 2012. It’s unfortunate that the Academy did not nomimate Affleck for Best Director as he brought to film one of the most interesting and thrilling political stories. I’m rooting for Argo to perform well at the awards!

3) The Dark Knight Rises

I wasn’t expecting to place DKR so high on my list, but in conjuction with everything I’ve seen in 2012, I can’t not put it so high. Even with its many critiques by fanboys and critics alike, Christopher Nolan’s epic end to his Batman trilogy is so good that people really have to fight a bit to be critical about it. While Batman Begins is still probably my favorite of the trilogy, it’s a great problem to have to be able to pick the “worst” of the three when all were solid films. Nolan set a foundation for character films to follow by placing the bar high enough for critics to like and modest enough for audiences to really enjoy.

2) The Perks of Being a Wallflower

When I first saw the trailer for Perks, I was convinced that it would be one of my favorite movies of the year. And while I’m usually wrong and set my expectations too high going in, Stephen Chbosky’s book and now film (which he also directed and wrote the screenplay for) won me over. It’s a coming of age story, but it’s written and acted out so beautifully, that I had a difficult time pinpointing what exactly it was about Perks that made it so likeable for me. The actors actually looked more of the ages they were playing rather than mid- to late-twenties adults playing high schoolers, as they do in most teen-based movies.

1) Silver Linings Playbook

And my top favorite film of the year is Silver Linings Playbook. It’s my favorite film of 2012 because it has the two qualities that attract me most to any film: strong writing and interesting characters. Based off the novel by Matthew Quick, Silver Linings tells the story of a man who is blissfully unaware he has issues. Bradley Cooper gives a stunning and turning performance which will hopefully afford him better roles in the future. Again, Jennifer Lawrence gets nominated for an Oscar, and rightfully so. It’s an interesting and different film, directed by David O. Russell, who’s known to like telling stories of dysfunctional families, his latest film being The Fighter. Even De Niro gives an unforgettable and entertaining performance in this movie. Moving, endearing, and performance strong, Silver Linings Playbook was my favorite movie of the year.

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Week of Favorites: Composers

In the past few years, I’ve really taken to collecting film scores when I can afford it. It’s amazing to think that I had an even MORE difficult time compiling a favorites list of film composers than I did for actors or actresses. When it comes down to it–and I hope if you haven’t read anything else I’ve written, that you read this–that picking favorite film composers for the average movie lover is something that really comes down to the thought, what do you like to listen to? For someone who grew up playing many instruments and being involved in music frequently, I still lack that intuitive knowledge that would say, This is a good soundtrack because of X reason. At the end of the day, these composers are on this list because I really favor one or multiple scores of theirs.

John Williams

I’m not ranking John Williams on this (even though it is just a FAVORITES LIST) because I don’t think he ought to be ranked. He’s composed some of the greatest scores of our time and is a household name today. He’s absolutely brilliant when it comes to taking a few notes and creating a memorable melody that is remixed decades later for film remakes. On Williams’s 80th birthday, I posted about him in more detail. You can check out that post here.

6. Daft Punk

Since it’s nearly impossible to find a normal picture of Daft Punk, please enjoy this light-up dance routine to one of the tracks from TRON: Legacy.

Again, I struggled having only five composers on my list. It’s ironic that Daft Punk even makes this list considering that they have scored the soundtrack for only one film. The clincher for me is that it is one of my favorite scores I have listened to on repeat constantly, and I can’t find any other scores even comparable: TRON: Legacy. For two years, the duo that makes up Daft Punk–Frenchman Guy-Manuel de Homem-Christo and Thomas Bangalter–collaborated with Joseph Trapanese, an arranger and composer who lives in LA. The score is performed by an 85-piece orchestra that combines both electronic and orchestral sounds. Daft Punk has released other types of albums, yet I hope that more film scores are in their future.

5. Henry Jackman

Henry Jackman is really a darkhorse pick even in terms of favorite composers of mine, because I haven’t heard a whole lot by him. After learning that he’s actually partially composed several scores, such as being the music programmer for The Da Vinci Code, the music arranger for The Dark Knight, and contributing to the second and third Pirates of the Caribbean films, I consider Jackman to be more of an up and comer in the film composition industry. Jackman has worked under the strong direction of Hans Zimmer, who’s been referred to as Jackman’s mentor in the past. Jackman’s also helped write the score for Zimmer’s The Holiday, as well as the scores for the films Vantage Point and Monsters vs. Aliens. He’s recently started to head his own projects, the most memorable being his rich, intense score for last year’s X-Men: First Class. It was one of my favorite soundtrack scores of last year; you can read more about it in this previous post.

4. Nancy Wilson

To many, Nancy Wilson may be considered an odd choice given that she’s known more as a rock musician. According to her IMDB profile, Wilson has performed or written tracks for over 20 films. In terms of film composing, however, her number is quite a bit smaller: four films. Previously married to filmmaker Cameron Crowe, Wilson lended her film composing skills to several of his films, including Jerry Maguire, Almost FamousVanilla Sky, and Elizabethtown. I’m still convinced that Crowe went directly with Jonsi only for the score of We Bought a Zoo because he no longer has Wilson to collaborate with, but that’s just me speculating. Despite only composing for four films (some of which have only one or two tracks), Wilson still makes my favorites list because I’m a big fan of each of her tracks on each album. She mainly works with only acoustic guitar, and there’s a very earthy, deep feel to the sound. My recommendation is to check out her Elizabethtown score. I talk about it a little more in this post. It’s my favorite!

3. Hans Zimmer

This list would be incomplete without the addition of Hans Zimmer. He reminds me of the Peter Jackson of the film composition world because he’s so open and communicative with his fans. Zimmer has collaborated with other brilliant film composers, such as Klaus Badelt on some of the Pirates of the Caribbean scores as well as James Newton Howard (one who barely missed this list!) on Christopher Nolan’s batman films. Zimmer has won multiple awards, although he’s won only one Academy Award in his time (crazy or what?!) for The Lion King in 1994. His award-winning (and nominated) film scores tend to be his most well-known, such as GladiatorThe Last Samurai, and Inception. His colleagues at DreamWorks, who Zimmer happens to be head of the music division there, include both legendary film composers John Powell and Harry Gregson-Williams, who composed the memorable, uplifting score for The Chronicles of Narnia films. Zimmer is also known for his collaboration with director Christopher Nolan, having joint-composed (if that can be a term) for Batman BeginsThe Dark Knight, and the upcoming The Dark Knight Rises with Newton Howard and composing for the critically-acclaimed film, Inception. My current favorite film scores of Zimmer’s are for Guy Ritchie’s first Sherlock Holmes (2009) and Inception.

2. Danny Elfman

Danny Elfman has a giant resume of film scores that I’ve never listened to, yet he makes it so high on this list because I’ve very much enjoyed the ones I have heard. He’s clearly at the top of his game right now composing for multiple films almost every year since 1980! Elfman is known for his collaboration with director Tim Burton, having composed for almost every one of Burton’s films. One of the most epic film score themes that earned Elfman a Grammy was the theme for Burton’s Batman in 1989. Elfman has been nominated four times for an Academy Award and has yet to win one. Because of his previous time spent in a rock band, Elfman has suffered hearing loss, which reminds me a little of Beethoven (that is, it’s interesting that great people in music needlessly work in the industry in spite of having poor hearing! crazy!). My favorite scores of his are for Sam Raimi’s Spider-Man series.

1. Alan Silvestri

The biggest reason Alan Silvestri is in my number one slot is that he composed my favorite score tracks I have heard. It seems that some of the biggest directors and film composers have tag-teamed in their collaborations to make films. Robert Zemeckis is the director who has acted as Silvestri’s main collaborater, Silvestri having scored for twelve of Zemeckis’s films. Silvestri has won two Grammys, one for the song “Believe” in The Polar Express, and one for the theme song to Cast Away in the Best Instrumental Composition category. Silvestri’s been nominated only twice for an Academy Award, once for Best Score for Forrest Gump and once for Best Original Song in The Polar Express. I think it’s a wonder that he can so strongly compose and write for two incredibly different segments of music, be it instrumental scores or writing an original song. You can look forward to hearing the score for the upcoming Avengers film coming out in May of this year. I can narrow down my favorites of Silvestri’s film scores to the Back to the Future series, Cast Away theme song, Forrest Gump, and Captain America: The First Avenger.

OK, who’s your favorite film composer(s)? What do you think of my choices? And most importantly, what tracks/albums/composer recommendations do you have for me? 🙂

Happy 80th Birthday, John Williams!

Today marks John Williams’s 80th birthday. And what better way to celebrate it, than with two Oscar nominations for War Horse and The Adventures of Tintin.

No one needs to point out that John Williams is a legend. Say his name, and everyone around you–most likely, even the younger generations–are going to have at least heard his name, much less be aware of some of the famous compositions he’s created throughout his lifetime.

Right around the Oscar nominations announcement, many recognized and acknowledged that Williams, now with 47 nominations, is the second most nominated person following Walt Disney. Disney had 59 nominations in the bag and would be 110 years old today. I’m not sure whether Williams is aiming to top Disney’s number, but I would agree that with two nominations this year, that he’s well on his way if he continues to compose.

To break it down, Williams has won 5 Academy awards, 4 Golden Globes, 7 BAFTAs, and 21 Grammy awards. His Wikipedia and IMDB pages are deliciously long, making mention of each score he composed and/or conducted, received nominations for, and many of which he went on to win multiple awards for.

John Williams brought Superman, Indiana Jones, Star Wars, and E.T. to life, to name a few. “John Williams” is one of those names that will go down not only in film history, but also in U.S. history as a prestigious creative mind of sorts.

Perhaps Williams’s great collaboration in the film biz is his connection and friendship with Steven Spielberg. Williams has composed for all of Spielberg’s major feature films with the exceptions of The Color Purple (1985) and Duel (1971).

Everyone has their favorite John Williams’s soundtrack(s), be it one of his well-known or more obscure ones, not that many of his scores have hit the point of obscurity. My favorites are Superman and Star Wars. They both scream epicness in their ability to communicate themes that have been used and remixed throughout the years to give us parody videos and hilarious commercials and remakes (well, for Superman . . . definitely not Star Wars!)

Also, make sure to check out Ruth from Flixchatter’s excellent post commemorating John Williams on his birthday as well, offering a brief history of Williams and then including her top 10 Williams’s film scores.

Below are some videos of my favorite themes from the celebrated composer:

John Williams conducts the Superman theme:

London Symphony Orchestra performs the Star Wars theme:

What’s your favorite John Williams score?

Backstage Spotlight: 2011 Film Scores

To my own surprise, I didn’t find Oscar winners Trent Reznor and Atticus Ross’s The Girl with the Dragon Tattoo score as interesting as their award-winning score that accompanied 2010’s The Social Network. I felt let down by the second installment of Sherlock Holmes in part due to Hans Zimmer’s lacking, all-over-the-place score. I was especially underwhelmed with Cameron Crowe’s decision to feature only Jonsi on the We Bought a Zoo soundtrack.

With those disappointments in mind, I still found three scores surprisingly well-fit for the movies they served.

  • Michael Giacchino’s score for Mission Impossible: Ghost Protocol

While director Brad Bird was a newbie to live-action film directing until the latest installment in the Mission Impossible franchise, he took with him music composer and collaborator Michael Giacchino, who is known more for his stellar work on animated films such as his Oscar-winning score Up, or Cars 2. Giacchino isn’t a stranger to composing for live-action film, however. His work extends not only to film, but also to the popular show Lost. One of my favorite Giacchino’s scores is the latest Star Trek reboot.

Giacchino did a nice job of subtly blending the well-known Mission Impossible theme while creating new themes for the locations the IMF team traveled, such as the track titled “A man, a plan, a code, Dubai.” The fast-paced, entertaining soundtrack well complemented the adrenaline-pumping film.

  • Alexandre Desplat’s score for Harry Potter and the Deathly Hallows Pt. 2

You don’t need to be a fan of Harry Potter to be a fan of this exciting, beautifully composed score. Well-set theme tracks for certain characters to a gorgeous, sweeping end theme accompanying the epilogue, The King’s Speech composer Desplat pulled out all the stops to deliver one of the better scores for the Harry Potter franchise. With the likes of John Williams (composed for the first 2 films), Patrick Doyle, and Nicholas Hooper to follow, Desplat was given probably an easier opportunity to compose when he was writing for the epic finale in the series. Nonetheless, I applaud him for making one of the more listenable soundtracks that entertains in its entirety, unlike some of its predecessors.

If you buy the soundtrack, you’ll also get a Behind the Scenes music video featurette of Desplat conducting the final song on the soundtrack, “A New Beginning.”

  • Henry Jackman’s score for X-Men: First Class

X-Men: First Class introduced me to Henry Jackman, who I had never heard of before seeing the film. While I was seeing the film, I couldn’t help but wonder who had composed it, because it was unlike anything I had ever heard before. Suitably entertaining, powerful, and emotional, Jackman’s score lends the needed feeling to both the action scenes and the more emotionally-focused moments. He retains a similar theme throughout the entire soundtrack, making it memorable in viewer’s heads. This was easily my favorite score from 2011.

Even one of the trailers for Tinker Tailor Soldier Spy featured the track “Frankenstein’s Monster,” from the score:

HONORABLE MENTIONS

Patrick Doyle’s score for Rise of the Planet of the Apes

Patrick Doyle’s score for Thor

Ludovic Bource’s score for The Artist

What film scores from 2011 were you a fan of? Did you like any of the ones I didn’t?

Yes, I’m Going to Talk about the Golden Globes

And the nominees are . . .

Not going to be listed here. But if you’d like to see a list, they’re just about anywhere else. Like Fandango, or Rotten Tomatoes, where it lists the movies with their RT rating. Kinda nifty.

Unfortunately, I haven’t see all of the films/performances that are up for awards yet. It’s difficult to make it to the theater for all of them, but I can comment on what I know and hope to happen. Here are my personal thoughts on each category, and who I guess will win each.

Best Motion Picture – Drama

I’ve seen 4 out of the 6 nominations. I’m actually stunned Ides of March made this list. Really? But then again, the Golden Globes occasionally pulls an odd nom or two out of a hat, so I’m crediting Ides with being the weird pick. My greatest disappointment is that Tinker Tailor Soldier Spy is entirely void from not only this list, but from the Golden Globes as well. Come on! I’m happy, however, to see Tree of Life not present, because people were making far too big a deal out of that film (if you ask me). I would be happy, however, to see The Help or The Descendants win this category. I enjoyed Moneyball a lot, but don’t think it deserves to win over either of those. I also think Hugo is entirely overrated because it’s a Scorsese film. I can’t comment on War Horse because I haven’t seen it, but it’s difficult to put into the mix when I don’t even have a desire to see it. Perhaps when it is in full release, I will reconsider.

Best Motion Picture – Comedy Or Musical

In this section, I’ve seen half the films. My Week with Marilyn was always on my list to see, but it hasn’t worked out yet. I will personally be pulling for 50/50 to win, because it was my favorite film of the year thus far, but with The Artist having the most nominations of the season, I see it easily stealing this win. Midnight in Paris is a close personal second pick for me. It’s a Woody Allen treat and a great film, but I find it unlikely to beat out The Artist. Unlike the rest of the world (and critics alike), I was not a giant fan of Bridesmaids, although I was impressed with Wiig’s writing more than her performance with it. Surprisingly, Carnage is really pulling out a nice string of nominations, but I doubt it will fare against The Artist, much less Midnight in Paris.

Best Performance by an Actor in a Motion Picture – Drama

This is perhaps one of the easiest categories for me to comment on, because I have seen all the performances except for Michael Fassbender in Shame. However, after reading reviews, if I were to bet on who would surprisingly come up and win this category, I would bet on him. Plus, I think those awards voters smile upon nudity, but that’s those awards voters for you. Judging on all other performances, it appears to be a pretty tight race. Unfortunately for Brad Pitt, I don’t see Moneyball nominations faring well at all against it’s competition. Despite my dislike of J. Edgar, I think DiCaprio gave a fantastic performance. And despite my thoughts, I think voters will overlook him again and go with Fassbender. My personal pick would be between George Clooney in The Descendants and Brad Pitt in Moneyball. I won’t even give Gosling a fair chance in this match because I’m still one of the many stunned that his performance in Drive wasn’t considered for this category.

Best Performance by an Actress in a Motion Picture – Drama

On the complete opposite side of the spectrum, I find myself with little to say, seeing that the majority of these performances are difficult to judge since half the films haven’t been widely distributed yet. The competition appears to be even more fierce in this category when big names like Meryl Streep and Tilda Swinton are included. Although I will be biased and think that Viola Davis is more than deserving of this win, I see either of the former winning this category. I’m also left disappointed with Emma Stone not getting any credit for her work in The Help, but it doesn’t surprise me, unfortunately. I’ve heard great things about Rooney Mara’s performance in the Swedish version of The Girl with the Dragon Tattoo, but I don’t think she has a fighting chance.

Best Performance by an Actress in a Motion Picture – Comedy Or Musical

I feel like I’ve really missed out on all the nominated performances this year–I’ve seen only one in this category as well! And that, being Kristen Wiig in Bridesmaids, which I don’t think will do anything. I see Michelle Williams easily taking this win with her performance in My Week with Marilyn. I’ve heard great things about Charlize Theron‘s polarizing performance in Young Adult, but I don’t know if that will come to anything or not. Two nominations are phoned in for Carnage, but again, it’s difficult to comment having not seen it. Although Kate Winslet seems to be an awards darling more than many.

Best Performance by an Actor in a Motion Picture – Comedy Or Musical

Clear and simple, I would easily place my vote for Joseph Gordon-Levitt to win this category. I was blown away by his performance in 50/50. This is only the second time he has ever been nominated for a Golden Globe. But I think the obvious winner of this category will be Jean Dujardin in The Artist. Again, I’m stunned to see Gosling nominated for Crazy, Stupid, Love, of all the movies to be nominated for. And although I very much enjoyed Midnight in Paris, I doubt Owen Wilson will do anything. Either way, I’m happy to see him nominated.

Best Performance by an Actress In A Supporting Role in a Motion Picture

For this category, the stand-out performance for me was Shailene Woodley in The Descendants. The Help scored two nominations in this narrow category for Octavia Spencer and Jessica Chastain, two actresses that I would also be happy to see win–I think Jessica Chastain has a little more edge then Spencer in this category. But then again, The Artist may take this category, too, with Berenice Bejo‘s performance. More than ever, I’m wishing I had seen that movie so I wouldn’t feel so begrudged in talking about it’s likely and hypothetical victories.

Best Performance by an Actor In A Supporting Role in a Motion Picture

It’s a strange thing to see Drive finally get a nomination with Albert Brooks in this category. My pick would go to Jonah Hill in Moneyball, although I see Christopher Plummer (Beginners) or Viggo Mortenson (A Dangerous Method) walking away with the trophy before Hill does.

Best Director – Motion Picture

I will admit I’m very biased in this category. First things first: No, George Clooney, I don’t think you should win, much less be nominated in this category. Yes Ides was good, but it wasn’t Best Director nomination-worthy. Second: Despite the hype over Hugo, no, Scorsese, I don’t think just because you decided to make a family film that was largely successful, that you should win this category either. What kid wants to sit in a theater for over two hours when the film is more fitting for adults? That’s what The Muppets is for–to make children laugh and smile and sing and enjoy going to the theater. And get ready for it: No, Mr. Allen, I don’t think you should win either. Yes, you are an incredible writer, director, and storyteller, but you’re also the biggest Academy Darling of those listed, and just because those voters love you doesn’t mean you should win every year you’re nominated. Off your high horse. Which leaves Alexander Payne (The Descendants) and Michel Hazanavicius (The Artist). My gut tells me Hazanavicius is going to walk away with it, and I would be all the happier if he did.

Best Screenplay – Motion Picture

My first choice? Midnight in Paris. The writing is the strength of the film, and I think it’s spectacular. I think Ides should be thrown out the window on this one too. It is likely that The Artist could take this one, too, but then again, so could The Descendants. Moneyball was a nice adaptation, but for those who have read the book (*raises hand*), they know it wasn’t a great representation of the book. It was, however, an excellent way to translate the story for today’s viewers and make something that might not entertain most to something that could now entertain many.

Best Animated Feature Film

The question we should all be asking is, where the heck is Kung Fu Panda 2 on this list? Seriously, Cars 2  was the least successful Pixar film to date, yet it still makes it on the list of nominees. If I were to pick a favorite, it would be Puss in Boots. Then again, I remained unimpressed with this list, considering the great past couple years of animated filmmaking.

Best Foreign Language Film

I have little to nothing to say about this category as well, since I haven’t seen a single film on the list. My only thought is that it’s interesting to see Angelina Jolie’s directorial debut make the list, In the Land of Blood and Honey. But that’s all I have to say about that.

Best Original Score – Motion Picture

There’s a great many popular and suspected composers’ scores on this list, from Howard Shore to John Williams to last year’s Oscar winners, Trent Reznor and Atticus Ross for The Girl with the Dragon Tattoo this time around. I put this category entirely up for grabs.

Best Original Song – Motion Picture

I’m definitely a fan of Mary J. Blige’s The Living Proof from The Help, but I can’t help but get angry at not seeing even a showing for The Muppets on this one. Really? I’m actually stunned. This is a huge disappointment for a film with such great original songs.

And those are my thoughts! What are your biggest disappointments and surprises for this year’s Golden Globes?