Top 10 Actors/Actresses I’d See in Just about Anything

When I saw Fernando’s posts on his top actors and actresses he’d see in just about anything over at his site Committed to Celluloid, I decided I would write a post of my own, paying homage to my favorite actors/actresses that I’d be willing to view almost anything they’re in. *Side note: Later, I learned that Fernando stole the idea from Abbi over at Where the Wild Things Are. So please check her post on her top actresses as well.

Unlike Fernando, I didn’t think I could find ten actors and ten actresses. So I narrowed my list down to five actors and five actresses. And then I realized I had more actors than actresses on this list. So technically with the extra, there are eleven (and probably more, if I thought long enough about it).

*Updated note – I talked with Fernando, and we decided to change this topic idea into a little blogathon to be passed around. So to show the string, first, we started with . . .

Abbi choosing her favorites over at Where the Wild Things Are

Fernando was inspired by Abbi, writing his posts over at Committed to Celluloid

I was inspired by Fernando to write this post

And now I’m going to pass the baton over to Jaina at Time Well Spent.

The Extra: Chris Evans

Why does he almost make the list? In a word, Cellular (2004). The concept would be considered odd today, considering the ease we have with the inception of smart phones in our culture. But only ten years ago, we lacked the technological advances and had to live with just cell phones that lacked a certain smartness. Evans sells the role, plays the hero, and gives what I would consider a remarkable performance. The behind-the-scenes features for the DVD inform viewers that no one else even tried to be as convincing as Evans was for his role in Cellular. Of course, an easy role to thank Evans for playing is Captain America (2011) too. But I (along with my hubby) think Evans was the only good part of the short-lived Fantastic Four (2007) franchise.

Favorite role: Ryan in Cellular

The movie he couldn’t convince me to see: I saw The Losers (2010), but I didn’t enjoy it . . . at all.

Favorite movie quote of his: “Oh, this is much better. Costume’s a bit much . . . so tight. But the confidence, I can feel the righteousness surging. Hey, you wanna have a rousing discussion about truth, honor, patriotism? God bless America . . . ” (As Loki in Thor 2 [2013]).

10) Emily Blunt

Why does she make the list? Until Blunt showed up in The Devil Wears Prada (2006), she was still relatively unknown. But I remember her character in that movie vividly, yet I still didn’t imagine she’d be making the splash she is today. From her little role in Dan in Real Life (2007) to her voice work in Gnomeo and Juliet (2011) to her newfound inner action star in Looper (2012) and Edge of Tomorrow (2014), I think that Blunt has a huge career ahead of her for the taking. Even though Blunt hasn’t necessarily been a part of major Academy-award winning films yet, I think she’s an actress to key an eye on. I’ve enjoyed watching her versatility getting noticed and tapped into for multiple roles, and I can’t wait to see what she’ll be up to next.

Favorite role: Emily in The Devil Wears Prada, and by extension, her small role in 2011’s The Muppets

The movie she couldn’t convince me to see: Gulliver’s Travels (2010), because I can’t think of any other movie she’s in that I would have no interest in.

Favorite movie quote of hers: “I’m on this new diet. Well, I don’t eat anything and when I feel like I’m about to faint I eat a cube of cheese. I’m just one stomach flu away from my goal weight” (Emily in The Devil Wears Prada).

9) Stanley Tucci

Why does he make the list? Oddly enough, one of the roles I think introduced me to the accomplished actor was his role as a fashion editor who worked with Miranda Priestly in The Devil Wears Prada. Soon after I saw that movie, I noticed that Tucci appeared in a number of films. While I’ve made only a dent in viewing his massive filmography, I wasn’t able to think of a single performance of his that I haven’t enjoyed, even if I didn’t necessarily care for the movie.

Favorite role: Caesar Flickerman in The Hunger Games (2012), Dill in Easy A (2010), Paul Child in Julie and Julia (2009)

The movie he couldn’t convince me to see: Muppets Most Wanted (2014), because it appeared to be a lame attempt at a sequel for the awesome Jason Segel-starring The Muppets in 2011.

Favorite movie quote of his: “I’m bald and no one in particular” (Jerry Siegel in Maid in Manhattan [2002]).

8) Shailene Woodley

Why does she make the list? Plain and simple, Woodley made this list because I loved her in The Descendants (2011). In addition, she has only added to her film credit with roles in The Spectacular Now (2013) and The Fault in Our Stars (2014) that have convinced viewers and critics that she’s not the idiot teenager from The Secret Life of the American Teenager (TV role, 2008) anymore.

Favorite role: Hazel in The Fault in Our Stars

The movie she couldn’t convince me to see: I have liked all her movies, so the only true title I could add is The Secret Life of the American Teenager, even though it’s a TV show.

Favorite movie quote of hers: “But, Gus, my love, I cannot tell you how thankful I am for our little infinity. I wouldn’t trade it for the world. You gave me a forever within the numbered days, and I’m grateful” (Hazel in The Fault in Our Stars)

7) Tom Hanks

Why does he make the list? Where to start with a classy guy like Tom Hanks? I know many millennials who don’t care for the guy, but I have to credit Hanks for last year’s impressive performance in Captain Phillips (2013). He’s still got it. It being that chill-down-your-spine, award-winning smile, likable, every-day-kinda-guy personality who still has that rare ability to win you over even after a string of unimportant roles, reminding you he’s the one and only actor who won two Best Actor Oscars back-to-back.

Favorite role: Josh in Big (1988) and Joe Fox in You’ve Got Mail (1998)

The movie he couldn’t convince me to see: Extremely Loud and Incredibly Close (2011), for the petty reason of hating the title. Truly, I’d actually view it if I had to, and I might even enjoy it.

Favorite movie quote of his: “I couldn’t even kill myself the way I wanted to. I had power over nothing. And that’s when this feeling came over me like a warm blanket. I knew, somehow, that I had to stay alive. Somehow. I had to keep breathing. Even though there was no reason to hope. And all my logic said that I would never see this place again. So that’s what I did. I stayed alive. I kept breathing. And one day my logic was proven all wrong because the tide came in, and gave me a sail. And now, here I am. I’m back. In Memphis, talking to you. I have ice in my glass . . . and I’ve lost her all over again. I’m so sad that I don’t have Kelly. But I’m so grateful that she was with me on that island. And I know what I have to do now. I gotta keep breathing. Because tomorrow the sun will rise. Who knows what the tide could bring?” (Chuck Noland in Cast Away [2000]).

6) Jennifer Lawrence

Why does she make the list? If I’m being completely honest, I didn’t want Lawrence on this list. She’s big right now, there’s a lot of hype surrounding her as she’s starring in two major franchises. However, I couldn’t not add her to this list, because out of all the actresses that are “big” right now, Lawrence is one of those whom I do look out for. She has the occasional role that I have no interest in seeing, but often, she seems to really stand out, even in just a small role, in whatever movie she finds herself in.

Favorite role: Tiffany in Silver Linings Playbook (2012) and Katniss Everdeen in The Hunger Games (2012)

The movie she couldn’t convince me to see: I thought House at the End of the Street (2012) looked positively awful.

Favorite movie quote of hers: “I was a big slut, but I’m not any more. There’s always going to be a part of me that’s sloppy and dirty, but I like that. With all the other parts of myself. Can you say the same about yourself?” (Tiffany in Silver Linings Playbook).

5) Mark Ruffalo

Why does he make the list? The year 2004 was when I discovered Mark Ruffalo in both 13 Going on 30 and Eternal Sunshine of the Spotless Mind. It’s a little hard to believe that was ten years ago, but it was. I’m not sure what it is exactly about Mark Ruffalo that I love, but perhaps it’s that he established himself as a nice, everyday kind of guy in my mind early on. Since his first recognizable movies, he’s gone on to play multiple other roles. But I’ve always thought Ruffalo was highly underrated.

Favorite role: David Toschi in Zodiac (2008) and Chuck Aule in Shutter Island (2010)

The movie he couldn’t convince me to see: I saw Ruffalo in The Brothers Bloom (2008), but I couldn’t get behind the movie. I would never re-watch it.

Favorite movie quote of his: “I was having a nervous breakdown and then I heard your song. I want to make records with you. Come on. Let’s get out of here . . . ” (Dan Mulligan in Begin Again [2014]).

4) Emma Stone

Why does she make the list? Maybe it’s because Emma Stone is so likable in real life. Or maybe it’s because she appears to make only intelligent choices when it comes to the films she’s a part of. Or, maybe she’s one of the best actresses on the rise. Stone has finally found herself in that enviable position to choose which roles she wants, and which movies to lend her skills to.

Favorite role: Natalie in The House Bunny (2008) and Skeeter Phelan in The Help (2011)

The one she couldn’t convince me to see: I would agree to see only the scene in which Stone appears in Movie 43 (2013), and then be done with it. Gangster Squad (2013) didn’t appeal to me.

Favorite movie quote of hers: “Whatever happened to chivalry? Does it only exist in 80’s movies? I want John Cusack holding a boombox outside my window. I wanna ride off on a lawnmower with Patrick Dempsey. I want Jake from Sixteen Candles waiting outside the church for me. I want Judd Nelson thrusting his fist into the air because he knows he got me. Just once I want my life to be like an 80’s movie, preferably one with a really awesome musical number for no apparent reason. But no, no, John Hughes did not direct my life” (Olive Penderghast in Easy A).

3) Joseph Gordon-Levitt

Why does he make the list? Joseph Gordon-Levitt is one-of-a-kind. He’s difficult to dislike. He’s funny, and he has played so many different type of characters. He’s shown up in thrillers, romantic comedies, big-budget action movies, indie projects, and even starred in his directorial debut. Gordon-Levitt prides himself on his company Hit Record, and he values his contacts both inside and outside of Hollywood, noting that he desires to work with name and no-name professionals. He’s cool, he’s geeky, he’s talented. He’s one of my favorites, and he happens to star in my favorite movie.

Favorite role: Tom in (500) Days of Summer (2009)

The movie he couldn’t convince me to see: Don Jon (2013), because I have no interest in seeing a movie about a guy struggling with a porn addiction.

Favorite movie quote of his: “It’s these cards, and the movies and the pop songs, they’re to blame for all the lies and the heartache, everything. We’re responsible. I’m responsible. I think we do a bad thing here. People should be able to say how they feel, how they really feel, not ya know, some words that some stranger put in their mouth. Words like love, that don’t mean anything” (Tom in (500) Days of Summer).

2) Meryl Streep

Why does she make the list? I think the better question is, How could Meryl not make the list? She’s famous for the most Academy Award nominations in history. Even Saturday Night Live did a hilarious segment on how Meryl Streep could do literally anything well. Streep’s reputation precedes her, and her humility in accepting both rewards praise seems to match the insanely talented actress.

Favorite role: Miranda Priestly in The Devil Wears Prada (2006)

The movie she couldn’t convince me to see: I think she might play her character a little too well in August: Osage County (2013), and I don’t have the heart to see it.

Favorite movie quote of hers: “Oh, don’t be ridiculous. Andrea. Everybody wants this. Everybody wants to be us” (Miranda Priestly in The Devil Wears Prada).

1) Benedict Cumberbatch

Why does he make the list? I had never heard of the name “Benedict Cumberbatch” until I got swept away with the brilliant BBC show Sherlock (2010), and ever since then, I’ve tried to watch anything and everything that has his name attached to it.

Favorite role: Sherlock Holmes in SherlockFord in 12 Years a Slave (2013), and likely to soon be added, Alan Turing in The Imitation Game (2014)

The movie he couldn’t convince me to see: As of now, I would see just about anything Benedict Cumberbatch is a part of. But I wouldn’t re-watch The Hobbit: The Desolation of Smaug (2013) just because of how much that movie destroyed the character Smaug.

Favorite movie quote of his: “You can’t go far in this world by relying on people. People are loyal until it seems opportune not to be” (Julian Assange in The Fifth Estate [2013]).

OK, it’s your turn. If you had a top (or ten) actor or actress that you’d see in just about anything, who would it be? What is your favorite role of theirs? Please join the discussion below, because I’d love to know your thoughts.

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Oscar Chatter with Kristin and Matt: Best Picture

Kristin: Out of the nine films nominated, I’ve seen all but War HorseHugo, and Extremely Loud and Incredibly Close. The good news is that I don’t believe out of those three films, that any stand a chance of winning. The most likely of them is Hugo, but even then, I see Hugo vying more for Best Director than Best Picture.

It really comes down to the main two contenders that have won most other awards this season: The Artist and The Descendants. Both are good films, yet very different from each other. The Artist seems to be the frontrunner, and having seen both films as well Tree of LifeThe HelpMidnight in Paris, and Moneyball, I will gladly confess that The Artist is my favorite of them all, and in my mind, the most deserving to win Best Picture this year.

While The Descendants was a good film that I would even watch another time or two, I don’t think it quite bears all the necessary material to win Best Picture. It stars Academy darling George Clooney, and was written and directed by Alexander Payne, an experienced writer-director who is no stranger to the Oscars, having had his writing for both Election and Sideways nominated (he won the award for Sideways). Payne’s work is story-centered, and a lot of reliance on his work being brought to life rests on the actors’ shoulders. The Descendants‘s cast gives justice to Payne’s script, and it is no surprise to see the film receiving such high accolade.

That being said, The Artist really separated itself from the mass when director Michel Hazanavicius chose to make a black and white silent film. A lot of great things have been said of The Artist in the past couple posts. But aside from its originality in this time period, The Artist also stars strangers to American film, namely Jean Dujardin and Berenice Bejo, who won over the hearts of viewers. Their acting was flawless and moving, and they paid homage to the silent film era with their performances. Ludovic Bource’s score is unforgettable, and reveals the power of how a good score can complement a film that doesn’t rely on dialogue to tell the story. Hazanavicius was able to write a story with practically no words, and yet the story was easily told and understood by those who watched it. Of the six Best Picture nominations I’ve seen, The Artist, I believe, is the overall winner because it’s not strong only in story, but also in performances; not only is it a beauty to watch in the B&W film era, but also is the music stirring, the direction clear, and the film editing, visual effects, and art direction suitable for the film, delivering on all necessary levels. The Artist is the winner in my book. 

Matt: There is little doubt in my mind who will win Best Picture tonight. Like last years winner, The Artist slowly drifted from obscurity into the hearts of the film world. It will win not only because it was a very good film, but because it is exactly the type of movie the Academy loves. I quite enjoyed the film, and found it to be an ambitious, charming homage to a forgotten time in Hollywood’s history. Will people look at this film in twenty years and mark it as a classic? While that appears to be seen, my gut instinct is that they will not. The film works wonderfully for what it is: a salute to the silent era. Does it break new ground for cinema? I cannot argue that it does.

However, do any of this years nominees break new ground? Will any of these films be regarded as classics in the coming years? Now I have not seen War Horse, Extremely Loud and Incredibly Close, or Payne’s much praised film, The Descendants. I thoroughly enjoyed Midnight In Paris. Sweet and charming, it may be my favorite film of the year; however, it is not the best film of the year. Moneyball may be the first sports movie in years that I have not gagged over. Great writing and acting made it an enjoyable film. Was it this year’s best picture? Not remotely. The Help makes you laugh and cry; it also reminds us of a very dark time in our nation’s history. And Martin Scorcese created a dream to educate us all about the origins of celluloid dreams.

All of these were good; some of them great. Among the nominees, however, there was only one film that came close to breaking new ground for cinema. With each new film, Malick continues to explore the possibilities of pure cinema. Of this year’s nominees, The Tree of Life was the only film I couldn’t get out of my head. The film’s many themes stuck with me for days after I watched it: The birth of the universe, the existence of God, the smallness of man. The joy and hardships of childhood, the death of loved ones, what happens after this life passes. It asked all the right questions without giving too many definitive answers. That is what art is supposed to do, isn’t it?

Matt brings up an interesting point–should a film win Best Picture because it breaks new ground? Or is a film that’s considered popular or “the best”  more deserving? Does it matter if a film has more influence, but isn’t considered “Best Picture” by the Academy?  Share your thoughts below.

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Matthew Roth is an aspiring filmmaker from the Madison, WI area. While his passion is narrative film, he currently shoots and edits promotional and event videos at Inframe. In his free time, Matt enjoys researching and discussing film over a cup of coffee or meeting up with fellow film junkies through Craigslist. Be sure to check out his most recent short film Memoria.

Oscar Chatter with Matt and Kristin: Best in the Acting Categories

Kristin: I’ve seen all the nominees except for Demian Bichir in A Better Life. I was surprised Michael Fassbender from Shame didn’t get nominated, and I was disappointed to see JGL miss a nod for his great work in 50/50. I’m rooting for Jean Dujardin from The Artist to pick up this award, especially since he’s already picked up the Golden Globe and the SAG among others. I prefer Dujardin to Clooney, who may be his only serious competition, although I still see Dujardin winning. I’m also happy for Gary Oldman to get a nomination, even though I think he has better work that was previously ignored.

Matt: In the first twenty minutes of The Artist, Jean Dujardin painted a grin on my face that would last nearly the rest of the film–he was charming in every way. It is a unique performance, if not just because Dujardin must convey his character’s thoughts and emotions without the luxury of ever speaking. In short, I would be very surprised if the Academy does not pick Dujardin. Unfortunately, I have yet to see The Descendants, but as Kristin has said, it seems that Clooney would be the only other close competitor to Dujardin. That being said, I found Brad Pitt completely deserving of his nomination for Moneyball. Of the nominations I’ve seen, Pitt was the only one whose role truly carried the entire movie. In my opinion, without Pitt playing Billy Beane, Moneyball simply doesn’t work. I actually forgot I was watching a Brad Pitt movie.

Kristin: I completely agree that Dujardin was utterly charming in The Artist, and you couldn’t help but smile throughout that film. The thing with Clooney is that he’s an Academy darling, even more so than Pitt. I know Clooney didn’t win much of anything for Up in the Air a couple years back (which I actually enjoyed more than The Descendants), but sometimes I think he’s receiving nominations just because he’s Clooney. He was good in The Descendants, but maybe I missed the “greatness” aspect. Glad you enjoyed Moneyball so much. I appreciated the film because I read most of the book it was based off, and I would agree Pitt embodied the Billy Beane. I’ve heard some complaints that Pitt should have been nominated for Tree of Life instead of Moneyball, but I agree with the nomination.

Matt: For me, what made Pitt’s performance golden were subtle things; for example, him constantly grabbing candy from the candy dish in the scene where he first notices Peter Brand. I think Pitt could have been nominated for either role, though a nomination for The Tree of Life would have had to be for Best Supporting Actor. Has an actor ever been nominated for Best Actor/Actress and Supporting Actor/Actress? A quick Wikipedia search yielded this answer: “Thanks to a voting quirk, in 1944 Barry Fitzgerald in Going My Way became the only actor nominated in both the Best Actor and Best Supporting Actor categories for the same performance, winning the latter.” Today’s Academy bylaws disallow this, of course. I was unable to find an actor or actress that has been nominated twice the same year for two different roles. That probably won’t ever happen either.

To sum up, while I enjoyed Pitt and Dujardin’s roles immensely, I think it has been a rather weak year for Best Actor. None of the roles nominated hold a candle to other recent years, say Colin Firth’s role in The King’s Speech or Daniel Day Lewis in There Will Be Blood. Such performances are ones that I will remember for quite a long time.

Kristin: I saw Glenn Close only in an extended preview for Albert Nobbs, and it certainly looks interesting enough, despite many believing that last spot belongs to Tilda Swinton in We Need to Talk about Kevin or Elizabeth Olson in Martha Marcy May Marlene (or others I’m sure!). Previously, I had complaints over Emma Stone’s performance in The Help being completely overlooked, despite my loyalty to Viola Davis. This category is said to be the only real competition this year–between Meryl Streep and Viola Davis. I saw both films and much preferred The Help over TIL, but I think both performances are on equal ground. Honestly, it’s been YEARS since Streep actually won an Oscar, and she keeps getting told “you’ll get one next year.” So I’m rooting for Streep, although I’d be happy if Davis walked away with it too.

Matt: While I did think Emma Stone’s performance in The Help was good, I felt it was one of the easier roles in the film, and hardly on par with Viola Davis’ role. Her performance in the final scene of the film is one of the best (and most heartrending) I have seen this year. As for Streep, while I look forward to seeing her performance on DVD, poor reviews for The Iron Lady stopped me from dropping $8.25 to see the film in theaters. But what are the Oscars without a Streep nomination? After all, with The Iron Lady, Streep receives her 17th Oscar nomination. It would be interesting to see Glenn Close win the award; however, I would be surprised if it is given to anyone other than Davis.

Kristin: I have to agree that Davis had the most moving performance in that film. The Help really had a fantastic ensemble to carry it. I still would have liked to see Stone get some love for her work, even at just the Golden Globes, but I know her role wasn’t quite as dramatic or polarizing as the others. I wouldn’t even recommend seeing The Iron Lady with the exception of Meryl Streep. She gave an excellent performance. The direction of the film was off– it lacked an opinion, had too much focus on Thatcher’s dementia, and just felt too disjointed. That said, Streep’s performance somehow proved that you can have a crappy film and an incredible performance come out of it. I would love either Streep or Davis win, and I’m sure one will. Close and Mara definitely won’t win, and Williams’s nomination reminds me a little of Jennifer Lawrence’s last year, in that the real honor is the nomination.

Matt: I love Streep, but I really hope Davis gets the win. She would be only the second African American woman to win the Best Actress Oscar. I can’t think of a more appropriate role by which to win it.

Kristin: Nick Nolte in Warrior was the surprise addition to this category, and I was very glad to see it. I’m assuming Plummer will walk away with the trophy for his work in Beginners. He gave an exceptional performance, so that would make me happy. I thought Ewan McGregor was brilliant in Beginners and forgotten for his great work. It’s also cool to see a name like “Jonah Hill” join the ranks among the Oscar nominated, although it’s a sure thing that he won’t be winning. I’ve heard great things about Kenneth Branagh in My Week with Marilyn, but I have yet to see that film. I did finally see Drive and think Albert Brooks should have received some kind of credit, although I don’t know if I would have put him in place of Plummer, Hill, or Nolte. The interesting turn in this category is seeing Extremely Loud and Incredibly Close‘s Max von Sydow pick up a nom. I’m curious to see him in that film now.

Matt: I quite liked Jonah Hill’s work in Moneyball. It was nice to see him actually play a role other than the funny, fat kid. While I hadn’t given him much thought before Moneyball, he now is someone I will watch. I enjoyed seeing Nolte in Warrior; in fact, his role may have been the only thing about that movie I truly did enjoy. However, I didn’t think his performance was anything out of the ordinary; it was enjoyable, but not groundbreaking. I will readily admit my lack of knowledge for the other noms in this category, as sadly, I have not yet had the opportunity to view them. It is nice to see von Sydow get some recognition, albeit only his second nomination. Seems rather sad in such a great career that has spanned over six decades, but many great performances are not realized until decades after their release. So, yes, he should have been nominated Best Actor for his role in The Seventh Seal, not that anyone outside of Sweden would have even recognized his name at that time.

Missing from this section is Brad Pitt for his outstanding role as Mr. O’Brien in The Tree of Life. And the little Jack Russel Terrier from The Artist. 🙂

Kristin: I hope Jonah Hill gets offered some better roles in the future with his success from Moneyball. I know he’s in some upcoming silly movie with Channing Tatum, which probably won’t do him much good, but perhaps he’ll make it a point to be in the occasional drama. I’m happy to agree to disagree with you on Nolte. He probably had the best performance in the film, but I would consider his performance groundbreaking in Warrior.

I think it’s interesting that like many years, a lot of the actors nominated in the supporting category tend to be in films that are not widely released until later, or they never get a wide release altogether with the exception of a few big cities. I really enjoyed Beginners, and it doesn’t surprise me that its only nomination is for Christopher Plummer, given who he is and the role he played. My Week with Marilyn, Drive, Beginners–none of these movies scream Oscars at all, despite earning one or two nominations each. It’s movies like Extremely Loud and Incredibly Close that work to be an Oscar film, and turn out successful enough (nomination for Best Picture/Best Supporting Actor), and go along a point of view that you hold, Matt–actors like von Sydow missing out in the past for great work and getting nominated currently for more mediocre or just good work. I finally saw The Tree of Life and wasn’t blown away by it in any sense other than cinematography, although I would agree Pitt was the obvious stand-out performance in the film. And I would be perfectly fine with the JR terrier from The Artist making an appearance 🙂

Matt: In regards to Nolte, he’s pretty much always great; I just thought his role fairly insignificant in comparison to his previous performances, in particular Colonel Gordon Tall in The Thin Red Line. In that film Nolte plays, with conviction, a selfish, power-hungry commander willing to sacrifice whatever number of human lives necessary to move his career forward. In regards to “make-up Oscars,” it’s annoying when the Academy chooses to acknowledge an actor they missed out on the first time (or first ten times, as it may be) around. No number of “make-ups” changes that they failed to realize talent in the first place. In reality, a “make-up” nomination is nothing less than degrading.

Kristin: I think the obvious choice is The Help‘s Octavia Spencer, since she’s graciously won the award at about every award ceremony so far. I thought she was brilliant in the film and is well-deserving. Although I wouldn’t mind Berenice Bejo receiving some credit. But I think we all know that Spencer has it in the bag. Oh, and I think it’s kind of ridiculous that Melissa McCarthy got a nomination for Bridesmaids. She’s a hilarious actress, and I’m all for comedy making its mark at the Oscars, but how on earth was that role Oscar-worthy?

Matt: Spencer’s performance in The Help was thouroughly entertaining. I doubt I will ever think about chocolate pie the same ever again, nor will I think of it without seeing Spencer’s face. It is interesting that both Spencer and Chastain were chosen for their roles, as much of their time on screen is spent together. Their chemistry was great, and I loved Chastain’s performance, but I couldn’t help but think two things: 1) As long as we’re doling out nominations for The Help, what about Bryce Howard’s role as Hilly? She embodied pure evil pretty convincingly for me. 2) Hasn’t Chastain been nominated for the wrong role? What about her embodiment of grace and motherhood in The Tree of Life?

Snubbed? Marion Cotillard for her role in Midnight in Paris. Can you think of a sweeter or more charming performance that you’ve seen in recent years? I can’t.

Kristin: I really enjoyed this category because there were so many great performances nominated. Spencer and Chastain both played character roles in The Help, so it doesn’t surprise me that both were nominated. It was nice to see Chastain show yet another side of her acting ability. Bryce Dallas Howard actually received a lot of slack for her role. I’m not entirely sure why, but the common consensus is that she keeps playing the villain (both The Help and 50/50). She completely embodied the evilness needed for the role.

I’m glad that Chastain got nominated for The Help and not The Tree of Life, primarily because I enjoyed her role more in the former. I’m just not Terrance Malick’s biggest supporter in his heavy amount of editing in his films. Perhaps performances could have been stronger if he would have dropped the scissors and let actors just breathe. But that’s a whole other story. As for your snub mention–I never even considered Cotillard as an option, but I think you bring up a great point–she was graceful and lighthearted in Midnight in Paris, and it almost is surprising to see her not nominated.

Matt: Chastain’s roles in The Help and The Tree of Life show just how dynamic of an actress she is. She has had quite a year, and I look forward to catching up on some of her films that I missed. As far as Howard is concerned, I’m not sure how much the Academy likes to nominate villains. Nominations tend to fall on “hero” roles only. Even three dimensional villains rarely get a Oscar nod. I suppose everybody wants the “good guys” to win, even at the Oscars.

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Matthew Roth is an aspiring filmmaker from the Madison, WI area. While his passion is narrative film, he currently shoots and edits promotional and event videos at Inframe. In his free time, Matt enjoys researching and discussing film over a cup of coffee or meeting up with fellow film junkies through Craigslist. Be sure to check out his most recent short film Memoria.

Reaction to Oscar Nominations

Everyone’s going to have their own quips about what film was nominated, what film wasn’t nominated, who got snubbed, who got included who shouldn’t have, etc. Some will and some won’t agree with me on any or many of these.

If you read my previous post, you’ll already have a one-up on this one. In more detail, here are my reactions:

What Disappoints Me

  • Shailene Woodley not making the cut for Actress in a Supporting Role. Who got it instead? Melissa McCarthy from Bridesmaids. I can’t even comprehend how there’s a comparison here. I really don’t care to vote between comedy or drama; in terms of role performance, in my humble opinion, Woodley–not McCarthy–should have been nominated.
  • Drive‘s lack of nominations. With its overall positive reviews, ratings, and plug for Ryan Gosling, I’m stunned that it’s walking about with only a single nom. In my latest post, I mentioned the forgotten Albert Brooks. I feel like Drive is walking away forgotten.
  • Joseph Gordon-Levitt missing the nomination. I know most people are more upset over Fassbender not on the ballot. I haven’t seen Shame, and honestly, have little interest in seeing it. Although I would like to see it since there’s been a great deal made about it. This disappointment, however, is regarding JGL–and I am disheartened to see that he has yet to get past Golden Globe nods and break through that Oscar glass.
  • Speaking of JGL, how about Will Reiser’s script not passing for Best Original Screenplay? I’m a little hesitant to praise Annie Mumolo & Kristen Wiig for their Bridesmaids script, and I haven’t seen Margin Call, but I’m still wondering how 50/50 didn’t get nominated.
  • Harry Potter series walks away with zero acting nominations. As discussed with some on Anomalous Material, this isn’t entirely surprising. Actually, considering some of the biggest film series with huge casts, it’s almost not surprising at all. But for us Potter fans, it still hurts a little inside to see not even Alan Rickman get some much-deserved credit, much less a host of other fantastic supporting roles. Oh, and did I mention Daniel Radcliffe? I know I’m not in the majority thinking this, but I can’t help but admit that he did such incredible work, especially in the last film. Not even a Golden Globe nod? What do I say to all that? Boooo.
  • The snubbed Mr. Ryan Gosling. Between DriveIdes of March, and even Crazy Stupid Love, which strangely earned him a Golden Globe nod, Gosling walked away without a single nomination. So I think it’s sad that he didn’t pull through for Drive  or even Ides. With a year that boasted his name more than any other, it’s disappointing.
  • Extremely Loud and Incredibly Close making the Best Picture cut. Are you serious? Here’s a better question: how does a movie with a 48% rating on Rotten Tomatoes get nominated for Best Picture?

What Confuses Me

  • Why is Viola Davis considered the lead actress in The Help? I have no problem with her being nominated. In fact, I support that. But here’s my beef: I watched The Help, and I was under the impression the entire movie that Emma Stone was the lead character. This is lost on me.
  • Why is Emma Stone completely forgotten from The Help? I realize she plays straight to the characters portrayed by Viola Davis, Octavia Spencer, Jessica Chastain, etc. I even almost get that most would not consider her performance Oscar-worthy. But that leads me to three more questions–Why does she not get credit at any awards ceremonies this season for her work in the film? Why is her performance in Easy A considered Golden Globe worthy, but not her role in The Help? And finally, why does Melissa McCarthy get credit for her role in Bridesmaids at the freaking Oscars, but Emma Stone doesn’t get any credit for The Help . . . AT ALL?! Anyone?
  • Why is Berenice Bejo in the Actress in a Supporting Role category? Perhaps this one is more obvious. Jean Dujardin is clearly the lead. Understood. But wasn’t Bejo the lead actress in The Artist? It was the same way at the Golden Globes. I’m just really confused about this.
  • Why is everyone making such a big deal about Rooney Mara in The Girl with the Dragon Tattoo? I realize it was a very polarizing, intense role to portray. I get it. And I can even understand the Oscar nomination. What I don’t get? Why is there all this crazy fuss about her? What other work has she given to film that makes her stand apart from the rest? OK, so she’s just getting nominated for TGWTDT. Understood there. But isn’t that kind of a slap in the face to Noomi Rapace from the Swedish version? I mean only two years prior, she played the same role–and fantastically, I may add–and didn’t receive any of this accolade that is being poured on Mara. Why is that?
  • Why can’t the dogs from Beginners and The Artist get nominated? After all, the one from The Artist saved Dujardin’s life. And the one from Beginners? Doesn’t get much cuter than that. Academy, how about we add a new category, eh?

What Makes Me Happy

  • Perhaps the nomination that delightfully surprised me most was Nick Nolte in Warrior. The film itself hadn’t gotten much praise–good reviews, but not great ones. I realize everyone mentions issues with the film from cliche type story line, to boring cinematography, to “we’ve already seen this movie a zillion times in other sports films.” Got it. But I’m incredibly happy to see Mr. Nolte get some credit for his role. With great performances all around in Warrior, Nolte stood out to me, even considering Edgerton and Hardy. What a well-deserved nomination.
  • The Help and Midnight in Paris showing up on the Best Picture list. Although neither film will be a contender for that category, I’m happy to see both get nominated. The Help received a massive amount of criticism, and I wasn’t sure Midnight in Paris would make the cut, even with its growing popularity.
  • Cars 2 didn’t get an Animated Film nomination. Sorry, Pixar, but 2011 was not your year. Glad to see better animated films get nominated.
  • Gary Oldman nominated. I know this will make a lot of people’s lists of things that made them happy for this year’s Oscars. Although I wasn’t blown away by Tinker Tailor Soldier Spy, I will say that I’m happy to see Oldman receive so much-deserved credit.

Twelve Months of Movies, 2011 Ed.

Instead of picking the best or the most interesting or even my top 12 movies of the year, I decided that with Christmas being this month, I would do my own segment of the “Twelve Months of Movies” — and choose my favorite film, a runner-up, my pick for worst movie, and if applicable, movies I still want to see for each month of this year.

January

FavoriteThe Company Men

Runner-UpThe Dilemma

WorstThe Green Hornet

February

FavoriteThe Other Woman

Runner-UpUnknown

WorstDrive Angry

March

FavoriteLimitless

Runner-UpThe Lincoln Lawyer

WorstBeastly

April

FavoriteSource Code

Runner-UpHanna

Wanting to See–Sympathy for Delicious

May

FavoriteMidnight in Paris

Runner-UpSomething Borrowed

WorstHangover, Pt. II

Wanting to SeeThe Beaver, Hesher, Tree of Life

June

FavoriteX-Men: First Class

Runner-UpSuper 8

WorstTransformers: Dark of the MoonBad Teacher

Wanting to SeeBeautiful Boy, Conan O’Brien Can’t Stop

July

FavoriteHarry Potter and the Deathly Hallows, Pt. II

Runner-UpLarry Crowne

WorstZookeeper

August

FavoriteThe Help

Runner-UpRise of the Planet of the Apes

WorstOne Day

September

Favorite50/50

Runner-UpMoneyball

WorstAbduction

Wanting to SeeWarrior, Puncture, Drive

October

FavoriteAnonymous

Runner-UpThe Ides of March

WorstTrespass

Wanting to SeeThe Three Musketeers, Martha Marcy May Marlene, Like Crazy

November

FavoriteThe Descendants

Runner-UpThe Muppets

WorstTwilight: Breaking Dawn, Pt. I

Wanting to SeeMelancholia, A Dangerous Method, My Week With Marilyn, The Artist, Arthur Christmas

December

Expected FavoriteTinker Tailor Soldier Spy

Wanting to SeeSherlock Holmes 2: Game of ShadowsMission Impossible 4: Ghost Protocol, We Need to Talk about Kevin, The Girl with the Dragon TattooWe Bought a ZooExtremely Loud and Incredibly Close, Iron Lady

Expected WorstAlvin and the Chipmunks: Chipwrecked

December ’11: Entertainment vs. Oscar Hopefuls

While 2011 hasn’t been an altogether disappointing year for film, it hasn’t entirely sparked a whole new generation of moviegoers to enter the film arena, or blown away even the most dedicated cinefile. Now, that isn’t to say there haven’t been some gems found amidst the crap, or some really decent, fun movies that critics have torn apart for this reason or that, but put it on the month of December to impress viewers the most. The November/December season usually holds the majority of the Best Picture noms as well as many of the other nominations for the upcoming Oscars in February.

For Entertainment Purposes:

1) Sherlock Holmes: A Game of Shadows

Although the first SH in this series was pretty good, the only hit for it at the Oscars was its score by Hans Zimmer (which was very new and original). Although I’d love to see a movie like this gather some Oscar chatter, I don’t consider it a possibility given RDJ’s askew British accent and the film’s focus on more comedy/entertainment than story line (see either trailer to get a good look at RDJ dressed as a woman for one of his disguises). Unfortunately (or perhaps fortunate) for RDJ, his sarcasm and sense of humor has taken the lead in marketing for the more recent movies he has been or will be in (see both Iron Mans, trailer(s) for Game of Shadows, trailer for The Avengers). The special effects, however, do look pretty incredible, and the cinematography looks similar to the likes of 300, as well as the previous SH.

2) Mission Impossible 4: Ghost Protocol

While I’m tired of hearing the argument–how can there be one, much less MULTIPLE impossible missions–I do respect the point and have to give it a little credit. This fourth movie in the franchise, however, looks promising as well as ending for the series, at least when it comes to Tom Cruise’s role as Ethan Hunt. The story line looks promising and more complex than past movies, and the stunts look even bigger and crazier. My hope is that the series ends after this film without a new start-up starring Jeremy Renner (geez, he’s already started that with The Bourne Series, let’s not do this with MI too!).

3) The Girl With the Dragon Tattoo

From what I’ve heard, the Swedes have done this series right in every way, and now we’ll see whether America can follow suite with the fictional book series and do it justice. Although there’s possibility for this movie to touch the Academy (past series have done so before–LOTR!), the odds are not in the favor of a fictional book-to-film adaptation unless you’re Peter Jackson. Still, this movie looks entertaining and interesting and different, and it looks like there’s a great cast ready to tell the story.

Oscar Hopefuls:

1) Tinker Tailor Soldier Spy

Now when I call them “Oscar Hopefuls,” I mean that I hope that these films do something at the Oscars. And I think they have a good possibility as well. I wrote more about this movie in this post. I do think its talented British cast and interesting storyline, if well-played out, could possibly touch the Academy. The Brits have been reeling (pun intended) about this movie, and many critics have already awarded high marks to this movie since its earlier release in the UK.

2) The Iron Lady

Of all the movies I have listed, this is the film I have read or heard the least chatter about. For a political film starring Meryl Streep, I’m practically stunned that I’ve heard so little about this film. Streep has phoned in multiple Oscar-nominated (and won) performances, and it’s doubtful that this one will not join her other remarkable and stunning performances. Coupled with coming out during Oscar season and being part of a political thriller genre, it’s setting up all the right moves for gaining it’s own slot in the awards season. Stay tuned and watch out for this movie. I have a good feeling about this one.

3) We Bought a Zoo

I also wrote more about this movie in this post. Although Crowe has yet to get a film talked about at the Academy since Almost Famous, I think We Bought a Zoo has great potential. The Crowe and Damon alliance has happened for the first time, and it could reap great results. Crowe’s real-life, person-centered storytelling honed in, with the right cast, could earn him a spot.

4) Extremely Loud and Incredibly Close

This is surprisingly my first mention of this film. The trailer for this movie kind of came out of nowhere for me, and having people like Tom Hanks and Sandra Bullock head this project makes that especially shocking. A new take and perspective on 9/11, Extremely Loud and Incredibly Close is already making viewers cry during the preview. I really look forward to this movie and could see it moving critics as well.

That’s my take on December! I’ve certainly seen a share of entertaining and critical films that have already been talked about for the next Oscar season. We’ll see what December holds for moviegoers. What are looking forward to watching the most this month? And do you think any of the films listed (or others not listed) have Oscar potential?