First Thoughts on the 87th Oscar Nominations

The 87th Oscar nominations were announced this morning, and I’m excited to finally post about an awards ceremony on All Eyes On Screen. This Washington Post article showed which movies received the most nominations this year:

Birdman/The Grand Budapest Hotel – 9
The Imitation Game – 8
Boyhood – 6
American Sniper – 6
Whiplash – 5
Interstellar – 5
Foxcatcher – 5

Continue reading below to see what got nominated, along with my first thoughts on the nominees.

Best Picture

American Sniper
Birdman
Boyhood
The Grand Budapest Hotel
The Imitation Game
Selma
The Theory of Everything
Whiplash

First Thoughts: None of the entries on this list surprise me. The only movies I haven’t seen on this list are American Sniper and Selma, both of which I’m planning to see in the next couple weeks. What has me super thrilled is Whiplash making its way onto the Best Picture nominee list. It’s a great films that hasn’t gotten the mainstream attention the majority of the films on this list has.

Actor in a Leading Role

Steve Carell, Foxcatcher
Bradley Cooper, American Sniper
Benedict Cumberbatch, The Imitation Game
Michael Keaton, Birdman
Eddie Redmayne, The Theory of Everything

First Thoughts: Pleasantly surprised to see Bradley Cooper nominated once again for Best Actor in a Leading Role. I think American Sniper really picked up steam following the Golden Globes. What is surprising is that David Oyelowo’s name missing, who I’ve heard turned in an award-worthy performance in Selma. And while I can’t say I’m surprised, I am disappointed that Jake Gyllenhaal didn’t make the list for his transformative role in Nightcrawler. Also, how crazy is it that from now on, before Steve Carell’s name is mentioned in movies, it will be preceded by the words “Academy Award Nominee”?!

Actress in a Leading Role

Marion Cotillard, Two Days One Night
Felicity Jones, The Theory of Everything
Julianne Moore, Still Alice
Rosamund Pike, Gone Girl
Reese Witherspoon, Wild

First Thoughts: It seems like I completely missed out on Still Alice, because Julianne Moore won the Golden Globe as Best Actress, and now she’s nominated for an Oscar. So that one has just arrived on my radar. The other movie I’m excited to check out is Two Days, One Night. If Moore doesn’t score this, I think Rosamund Pike will take it.

Actor in a Supporting Role

Robert Duvall, The Judge
Ethan Hawke, Boyhood
Edward Norton, Birdman
Mark Ruffalo, Foxcatcher
J.K. Simmons, Whiplash

First Thoughts: I realize that now I have to check out The Judge. I don’t really want to. However, I’m happy for all the other nominations on this list. J.K. Simmons is probably the favorite to win, and I wouldn’t argue that after witnessing him in Whiplash. Although, Ethan Hawke’s performance in Boyhood makes me sentimental . . .

Actress in a Supporting Role

Patricia Arquette, Boyhood
Laura Dern, Wild
Emma Stone, Birdman
Keira Knightley, The Imitation Game
Meryl Streep, Into the Woods

First Thoughts: I think Patricia Arquette is the shoe-in for this award, but I’m happy Laura Dern is getting some credit for her work in Wild. It’s no surprise that Meryl Streep is nominated, although I think she’s far from winning this. I’m very excited to have two of my favorite young actresses get nominated, Emma Stone and Kiera Knightly, although neither will likely win.

Directing

Alejandro Gonzalez Inarritu, Birdman
Richard Linklater, Boyhood
Bennett Miller, Foxcatcher
Wes Anderson, The Grand Budapest Hotel
Morten Tyldum, The Imitation Game

First Thoughts: I actually expected Ava DuVernay for Selma to get nominated, not only because of how much Selma has been praised as a film, but also because she’s one of the few incredibly talented female directors working today. From what I’ve read, this is Wes Anderson’s first Oscar nomination, and I think it’s well-deserved. At the end of the day, I imagine the real race is between Inarritu and Linklater, the most notable directors on this list.

Animated Feature Film

Big Hero 6
The Boxtrolls
How to Train Your Dragon 2
Song of the Sea
The Tale of the Princess Kaguya

First Thoughts: I’m legitimately shocked and disappointed that The LEGO Movie wasn’t nominated. Has anyone else heard of Song of the Sea?

Cinematography

Emmanuel Lubezki, Birdman
Robert D. Yeoman, The Grand Budapest Hotel
Lukasz Zal and Ryszard Lynzewski, Ida
Dick Pope, Mr. Turner
Roger Deakins, Unbroken

First Thoughts: I’m now entering unchartered territory, where I have less I can say because of my limited knowledge. Considering that Interstellar does indeed get a few nominations this year, I’m a little surprised cinematographer Hoyte van Hoytema doesn’t make this list. Emmanuel Lubezki has become the “household” name of cinematographers in recent years. Now I have a legitimate excuse to check out Mr. Turner . . .

Costume Design

Milena Canonero, The Grand Budapest Hotel
Mark Bridges, Inherent Vice
Colleen Atwood, Into the Woods
Anna B. Sheppard, Maleficent
Jacqueline Durran, Mr. Turner

First Thoughts: I imagine this is the win for Into the Woods, if there is one. The Grand Budapest Hotel‘s costumes were memorable as well. I almost thought Guardians of the Galaxy would pop up in this category.

Documentary Feature

Citizenfour
Last Days in Vietnam
Virunga
The Salt of the Earth
Finding Vivian Maier

First Thoughts: Am I the only one who was hoping for Life Itself to make this list?

Documentary Short Subject

Crisis Hotline: Veterans Press 1
Joanna
Our Curse
The Reaper
White Earth

First Thoughts: N/A

Film Editing

Joel Cox and Gary Roach, American Sniper
Sandra Adair, Boyhood
Barney Pilling, The Grand Budapest Hotel
William Goldenberg, The Imitation Game
Tom Cross, Whiplash

First ThoughtsBirdman seems to be the one missing from the nominations, but perhaps it will make it up by winning Best Cinematography? I will be rooting for Tom Cross for Whiplash given that Miles Teller appears to do all the drumming in this movie, thanks to Cross’s incredible editing. I could see Sandra Adair winning for piecing together twelve years of filming for Boyhood in a fluid and coherent way.

Foreign Language Film

Ida
Leviathan
Tangerines
Wild Tales
Timbuktu

First Thoughts: Although I haven’t seen any of these, I’m surprised to not see the popular Force Majeure I have read about. Oh, and hey, there’s Ida again!

Makeup and Hairstyling

Bill Corso and Dennis Liddiard, Foxcatcher
Frances Hannon and Mark Coulier, The Grand Budapest Hotel
Elizabeth Yianni-Georgiou and David White, Guardians of the Galaxy

First Thoughts: Steve Carell’s prosthetic nose in Foxcatcher might be most memorable, but I’m rooting for Guardians of the Galaxy. Those characters really did look other-worldly.

Music – Original Score

Alexandre Desplat, The Grand Budapest Hotel
Alexandre Desplat, The Imitation Game
Hans Zimmer, Interstellar
Gary Yershon, Mr. Turner
Johann Johannsson, The Theory of Everything

First Thoughts: Double nomination for Alexandre Desplat meeans he has a 40% chance of winning in this category. Hans Zimmer’s score for Interstellar was my favorite. Go, Mr. Zimmer! I wasn’t rooting for it, but I’m shocked to not see Trent Reznor and Atticus Ross’s score for Gone Girl make this list.

Music – Original Song

“Everything Is Awesome” by Shawn Patterson, The LEGO Movie
“Glory” by Common and John Legend, Selma
“Grateful,” by Diana Warren, Beyond the Lights
“I’m Not Gonna Miss You,” by Glen Campbell and Julian Raymond, Glenn Campbell: I’ll Be Me
“Lost Stars” by Gregg Alexander and Danielle Brisebois, Begin Again

First Thoughts: “Lost Stars” in Begin Again might be my favorite original song of the year, and it’s certainly the song I’ll be rooting for. Another pleasant surprise is seeing a song from Beyond the Lights make the list. I also love “Everything is Awesome,” and I feel like it would be a step in the right direction if The LEGO Movie won after being left out of the Best Animated Film category. My only disappointment is not seeing “The Last Goodbye” in The Hobbit: The Battle of the Five Armies make the list. Question: What is Glenn Campbell: I’ll Be Me?

Production Design

The Grand Budapest Hotel, Production design: Adam Stockhausen, Set Decoration: Anna Pinnock
The Imitation Game, Production design: Maria Djurkovic, Set Decoration: Tatiana Macdonald
Interstellar, Production design: Nathan Crowley, Set Decoration: Gary Fettis
Into the Woods, Production design: Dennis Gassner, Set Decoration: Anna Pinnock
Mr. Turner, Production design: Suzie Davies, Set Decoration: Charlotte Watts

First Thoughts: Both Into the Woods and The Grand Budapest Hotel had memorable sets and design, so I could see either of these movies taking the prize. But dude, apparently I need to see Mr. Turner, which keeps showing up in the nominations . . .

Short Film – Animated

The Bigger Picture, Daisy Jacobs and Christopher Hees
The Dam Keeper, Robert Kondo and Dice Tsutsumi
Feast, Patrick Osbirne and Kristina Reed
Me and My Moulton, Torill Kove
A Single Life, Joris Oprins

First Thoughts: N/A

Short Film – Live Action

Aya, Oded Binnun and Mihal Brezis
Boogaloo and Graham, Michael Lennox and Ronan Blaney
Butterlamp, Hu Wei and Julien Feret
Parvenah, Talkhon Hamzavi and Stefan Eichenberger
The Phone Call, Mat Kirkby and James Lucas

First Thoughts: N/A

Sound Editing

American Sniper, Alan Robert Murray and Bub Asman
Birdman, Martin Hermandez and Aaron Glascock
The Hobbit: The Battle of the Five Armies, Brent Burge and Jason Canovas
Interstellar, Richard King
Unbroken, Becky Sullivan and Andrew Decristofaro

First Thoughts: A lot of people complained about the soundtrack drowning out the actors in Interstellar, yet it’s still getting nominated in this department. I actually had a bigger issue with Trent Reznor’s and Atticus Ross’s score drowning out the actors in Gone Girl. And hey, look, The Hobbit and Unbroken decided to show up to the Oscars.

Sound Mixing

American Sniper, John Reitz, Gregg Rudloff and Walt Martin
Birdman, Jon Taylor, Frank A Montano and Thomas Varga
Interstellar, Garry A. Rizzo, Gregg Landaker and Mark Weingarten
Unbroken, Jon Taylor, Frank A Montano and David Lee
Whiplash, Craig Mann, Ben Wilkins and Thomas Curley

First Thoughts: N/A

Visual Effects

Captain America: Winter Soldier, Dan DeLeeuw, Russell Earl, Bryan Grill and Dan Sudick
Dawn of the Planet of the Apes, Joe Letteri, Dan Lemmon, Daniel Barrett and Erik Winquist
Guardians of the Galaxy, Stephanie Ceretti, Nicolas Aithadi, Jonathan Fawkner and Paul Corbould
Interstellar, Paul Franklin, Andrew Lockley, Ian Hunter and Scott Fisher
X-Men: Days of Future Past, Richard Stammers, Lou Pecora, Tim Crosbie and Cameron Waldbauer

First Thoughts: Hello there, every superhero movie from 2014. Either Dawn of the Planet of the Apes for Andy Serkis’s work or X-Men: Days of Future Past  for that scene with Quicksilver should win this category.

Writing – Adapted Screenplay

Jason Hall, American Sniper
Graham Moore, The Imitation Game
Paul Thomas Anderson, Inherent Vice
Anthony McCarten, The Theory of Everything
Damien Chazelle, Whiplash

First Thoughts: There’s a big discussion behind why Damien Chazelle’s screenplay for Whiplash is making the Adapted list rather than the Original list, thanks to the oddball rules of the Academy. Regardless, I think it deserves to be nominated for its writing. Compared to the major change in characters and plot in The Imitation Game, I would rather root for Anthony McCarten’s writing for The Theory of Everything for honoring the people he portrayed. I’ve also heard Paul Thomas Anderson’s work in adapting the novel for Inherent Vice was quite good.

Writing – Original Screenplay

Alejandro González Iñárritu, Nicolás Giacobone, Alexander Dinelaris and Armando Bo, Birdman
Richard Linklater, Boyhood
E. Max Frye and Dan Futterman, Foxcatcher
Wes Anderson and Hugo Guinness, The Grand Budapest Hotel
Dan Gilroy, Nightcrawler

First Thoughts: Well, it’s about time to see Nightcrawler show up. I’m a big fan of Dan Gilroy’s script for the creepy thriller, but it’s likely to lose to literally any of the other nominees. I couldn’t argue with any of the nominations in this category: I like them all.

What are your first thoughts on this year’s Oscar nominations? Which ones are you most excited for? Which snubs are you most disappointed about?

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AEOS Double Review: Chef and Birdman (2014)

Having just caught Chef (2014), I decided that it would work well to write a double review of it with Birdman (2014), considering both films deal with artists and critics and their relationship to one another. Here are my reviews for two of the best movies I’ve seen so far in 2014.


 AEOS Review: Chef (2014)

I missed out on all of the Chef hype this past summer, so I recently rented it when I had a free night. Many of your reviews I read echoed that there was no major twist to the story, but that it was just a good story told. So I rented it with the expectation that I would get to watch a simple, but good story unfold.

Chef is Jon Favreau’s movie through and through. He produced, wrote, directed, and starred in it. Favreau has worn all of those hats before, but not usually all at once, and not for a film as successful as Chef has become. So it must have been a pretty important story he wanted to tell in order for him to put that much effort into it. And it really does show in his character, Carl Casper.

Casper’s priority in life is to constantly push boundaries in the kitchen. When food critic Ramsey Michel (Oliver Platt) arrives at the restaurant, Casper argues with the restaurant’s owner about the menu, decidedly bowing to the owner’s demands to keep the menu simple and the same, which pleases the general crowd of hungry customers. The next day, Casper reads Michel’s words that ultimately rips both his work as well as the restaurant apart.

But the heart of the story of Chef is Carl’s relationship with his estranged family, particularly his son Percy (Emjay Anthony). With his family taking a backseat to his career, this minor setback in receiving a bad review somewhat unites Carl and Percy. When news of the bad review travels online, Percy teaches Carl how to set up a Twitter account, thus sparking a somewhat accidental fight between both Carl and critic Michel. Ultimately, Carl loses his job after a YouTube video of him yelling at Michel goes viral. So he decides to open up his own food truck.

Chef is a movie that has a lot of unexpected funny moments, and I think it would entertain both movie critics and families alike. Chef centers around a relationship between a father and his son, and it shows the repercussions from both when Carl is involved in Percy’s life, and when he’s not present. There are touching moments that remind us viewers that we don’t always need a dramatic tale told in order to be entertained. Failure is an inevitable part of life, and the greatest lessons are often learned in how we react when we experience failure. Carl Caspers is a simple character, but he represents a lot of ordinary people who are talented, yet jobless. But more so than that, Carl Casper is a great representation of an artist who wants to be his own boss, but struggles between working the safe job with a safe paycheck, or taking a risk that could fulfill him or leave him empty-handed.

Social media also plays a significant role in the film, showing both how it can destroy or elevate a person’s reputation. I like that this theme wasn’t constantly repeating itself throughout, but that it acted as a more subtle idea in the background.

All of the acting felt very subdued, which worked well for the tone of Chef. I didn’t really think either Scarlett Johansson’s or Robert Downey Jr.’s roles were that pertinent to the film; most any actor or actress could have filled those roles. It almost seemed to me like they were cashing in favors to Favreau, but I could be reading into it too much.

Overall, I think Chef was a great film for the year, although in a few years will probably be forgotten. That said, I appreciated its simplicity, and I liked the relationship dynamic between Carl and Percy. I give Chef 

Eye Art1Eye Art1Eye Art1
EYES ON SCREEN.

 

What did you think of Chef? Did you think the plot was too simple, or did you think that was the strength of the film?


 AEOS Review: Birdman (2014)

A couple months ago, I read a review on a movie called Birdman (or the Unexpected Virtue of Ignorance). It just looked odd, especially the picture of Emma Stone not looking like Emma Stone. I wasn’t even sure if I was going to see the film, but after all of the high praise for it, I decided I might as well give it a try.

Michael Keaton plays Riggan Thomson, a once hailed and beloved actor who was known best as Birdman, a superhero character he played in not one, but three films. After turning down a fourth Birdman film, Riggan struggles between playing father in his broken family and making himself relevant again in his Broadway debut. Of course, things becomes less simple when theater diva Mike Shiner (Edward Norton) joins his play’s cast.

So many themes are overlapping each other in Birdman, but the primary takeaway is Riggan seeking significance in his career and clarity in his life while trying to come out from under the shadow of his days playing Birdman. Speaking of Birdman, who is he exactly, considering he is the title of the film? I consider Birdman to be Riggan’s alter ego, sitting on his shoulder, shifting between the good and evil sides of Riggan’s conscience.

Usually I would assume a movie with such a multilayered script to gain its strength mostly from its sharp and interesting writing, but Birdman really soars not only because of writer-director Alejandro González Iñárritu, but also because of an essential lead and supporting cast who are able to carry Birdman beyond its script.

Michael Keaton makes an astounding comeback, able to access a full range of emotions, but captures the audience in his most vulnerable moments. His conversations with his daughter, Sam (Emma Stone), are some of the most wrenching parts of the film, but you’re happy to go along this trip with Riggan because Keaton uses some of his real-life experiences to play Riggan so genuinely on screen. It is no surprised he has received multiple award nominations already.

Emma Stone might not play a large role in Birdman, but hers is an essential one that gives viewers probably the best commentary in the film. I wouldn’t have expected to see Stone tackle as dark a role as rehab druggie Sam, but she’s definitely proven that she can play more than just comedic and light-hearted characters. Edward Norton also seems to play an exaggerated (?) version of himself in Birdman, resulting in some of the most unexpected and amusing scenes I wouldn’t have expected from him. I could continue to mention multiple actors who added to Birdman, but I don’t want to forget to mention Zach Galifianakis, who played straight to the funny and weird and eccentric, using Birdman almost as a stage to show off that he can be funny without being the funny man.

The ending of Birdman is most telling, because it leaves viewers wondering why. It gave Riggan the critical review he sought from theater critic Tabitha Dickinson (Lindsay Duncan). It also may or may not reveal what was going on in Riggan’s head, and how he was dealing with everything. I like how it served as the finale of both the play and the film. There was a great build-up, and I was definitely not expecting it.

Complementing the script and acting was a memorable and unique score composed entirely with just a drum set by Antonio Sánchez. Though I wouldn’t listen to it in my free time, I felt like the drumming worked well with the eccentricity of the film, and it set the tone for Keaton’s character and played off his emotions, swelling and diminuendoing as the movie went along.

Emmanuel Lubezki’s camera work is also the big talk of Birdman, and rightfully so. Viewers really felt the experience of working in Broadway, the camera offering the “one, continuous take” of characters walking down the cramped, claustrophobic setting of a theater backstage.

I found relevance in Birdman in watching actors play characters that loosely mirrored their real lives. Beyond that, we get to witness the relationship between the artist (in this case, actors) and the critic. In addition, we get a behind-the-scenes view of a play, a washed-up actor’s life, and the consequences of how fans, viewers, and critics perceive artists in a different light when an actor seeks relevance in a fictional world where relevance is rarely long-lasting or authentic. Did that end scene give Tabitha Dickinson the sincerity she demanded from Riggan? What was Alejandro González Iñárritu trying to tell viewers in Birdman?

Although Birdman doesn’t dispense the same conversation Interstellar left us with this year, it does ask questions about how artists want to be perceived, and it also points the finger at critics to consider how we critique by offering a look behind the curtain. However, not all critics play hard ball like Ms. Dickinson, and not all actors are looking to be authentic like Riggan.

Birdman will likely make its mark on 2014 awards ceremonies, hitting reviewers’ and critics’ nerves. I found the conversation and thought process following the film to be more eye-opening and interesting than the film itself. Perhaps it’s my own fault. It’s not a movie I want to watch over and over again, but it gained my respect in offering up such a multi-dimensional character as Riggan Thomson in such a sharply edited film that only boosted its already strong writing. I give Birdman 

Eye Art1Eye Art1Eye Art1
1/2 EYES ON SCREEN.

 

What did you think of Birdman? What was the ultimate takeaway of the film for you? What are your theories on the ending?

AEOS Review: The Bourne Legacy

I haven’t reviewed a film in quite a while, but I have some free time right now, so I’m back to posting. Thanks for everyone’s patience! (I know all of you just missed me so much, ha!)

There haven’t been that many great films to review this month (see: last post), but The Bourne Legacy was one of those films I was looking forward to for one reason: Jeremy Renner. He arrives on the Hollywood scene in his early 40s, and he seems to be the “back-up plan” for all of these franchises that seem to bumble between furthering the franchise with yet another film, rebooting the franchise entirely, or recasting the series with Renner.

Renner first showed up in The Hurt Locker and did one heck of a job so I’m told, although I have yet to see that film. But I’ve witnessed him play an excellent supporting role in The TownMission Impossible: Ghost Protocol, and The Avengers. Renner knows how to own the screen whether it’s a starring or supporting role, and I look forward to seeing more and more of him in the future!

Unfortunately, I did not dig The Bourne Legacy like I hoped to. I wouldn’t call Renner and Weisz’s performances saving graces since the film wasn’t that terrible, but the truth of the matter is that the film fell flat. It didn’t live up to the previous Bourne films, it lacked a great villain, it completely wasted Edward Norton’s talents, and Aaron Cross’s motivations were consumed solely with finding the “chems.”

Aside from the film’s notable issues, however, I found it to be an enjoyable action film. The lab scene where one of the workers goes on a killing spree was especially terrifying and shot in such a serious and subtle way, that it stood out as the best scene of the film for me.

Nothing about The Bourne Legacy especially grabbed my attention aside from the lab scene–the score lacked the excitement of the previous films, although the film did end with Moby’s Extreme Ways, which I appreciated. I tend to wonder whether there will be a fifth installment with the lackluster response both critics and audiences have given the film.

If you’d like to hear more of my banter on the film, please check out my movie buddy Ryan’s podcast on his site, The Matinee. I had the privilege of getting to guest on episode 66, where we talked not only about The Bourne Legacy, but in light of this interesting recast (Matt Damon to Jeremy Renner), also listed off each of our top 5 recasts in films. And not only to put in a plug for Ryan, but also just to say from my own perspective — Ryan runs a great site and is so up to date. He puts me to shame with how on top of things he is from writing posts, to seeing films, to recording podcasts. Please take the time to check out his site and specifically listen to episode 66 if you can spare the time! You won’t regret it.

What did you think of The Bourne Legacy? Did you like it more than I did? Do you think Jeremy Renner lived up to Matt Damon in the Bourne series? Do you think there will be a fifth Bourne film?

The Ten Best Actors of All Time: Relay Race

All week, I have been MIA from all things AEOS and blogging due to unexpected circumstances, mostly just being incredibly busy. I was planning to really get back into the groove of things this week, having several posts planned for, but this week didn’t turn out how I expected. I promise that starting next week, I will be back. I have major catch-up to play on visiting everyone else’s sites! Apologies for being gone all week.

Today is Good Friday, but it is also my deadline to post for the best actors relay race that Ruth over at Flixchatter handed the baton to me almost a week ago!

Taking a page out of Ruth’s book, here is where the race originated and has moved since it started:

Nostra at My Filmviews started the race.

Nostra handed the baton to Terrence at The Focused Filmographer.

Terrence handed the baton over to Scott at Front Room Cinema.

Scott handed the baton over to my buddy Pete at I Love That Film.

Pete handed the baton over to my friend Ruth at Flixchatter,

Who handed the baton over to me!

Now, for the rules of the race, according to the race’s originator, Nostra:

“So what’s the idea behind the relay? I’ve created a list of what I think are the best actors. At the end of the post I, just like in a real relay race, hand over the baton to another blogger who will write his own post. This blogger will have to remove one actor (that is an obligation) and add his own choice and describe why he/she did this. At the end the blogger chooses another blogger to do the same. The idea is to make this a long race, so that enough bloggers get a chance to remove and add an actor. We will end up with a list (not ranked in order) which represents a common agreement of the best actors”

I will be forthcoming and admit that due to my limited film viewing, that I haven’t seen many of the films which have made so many of these wonderful, celebrated actors the household names they are today. I have seen some here and there, but I’m definitely a little bit limited. So instead of repeating what those in the race have done before me, I will not be mentioning all of the films that made each actor famous.

This is an incredible list, and I’ve been beating my head against the wall trying to decide who to add and who to take away. It wasn’t an easy decision on my end, but I still feel satisfied with my selection. Check out the photos below to see who is currently on the list.

Robert De Niro

Daniel Day-Lewis

Charlie Chaplan

Gary Oldman

Philip Seymour Hoffman

Marlon Brando

Robert Duvall

Christian Bale

Gregory Peck

My Choice: Tom Hanks

Those who have seen one of my more recent posts listing off my top five favorite actors will not be surprised to see that I’m adding Tom Hanks to this list. Choosing Hanks was an easy thing–he’s won two Oscars for his roles in Philadelphia and Forrest Gump. Aside from Spencer Tracy, Hanks is the only actor to have ever won two consecutive Oscars for Best Actor. He’s been nominated three other times for his roles in BigSaving Private Ryan, and Cast Away. And if you take all his critical acclaim away, you still get this versatile actor who, in my opinion, has always had that star quality that enabled him to take on roles from Jim Lovell in Apollo 13 to the animated character Woody in the Toy Story series. Hanks is known as much for his roles in Road to Perdition and The Green Mile as he is for his light roles in classic rom coms such as You’ve Got Mail and Sleepless in Seattle. Hanks is full of charm and charisma, and it’s apparent wherever he goes or in whatever role he plays. Although Hanks hasn’t filled the shoes of any titular character in more recent years, he’s still earned the right to be considered an acting legend in my book.

Who I Replaced: Edward Norton

This was such a difficult decision! Right now, I can imagine my sister, a big fan of Norton, shaking me and telling me I made the wrong choice. However, given the list, it was far more difficult to shed an actor than add one. I absolutely love Norton and think he was especially mind-blowing in Fight Club. I also appreciate that Norton so effortlessly crosses the line between villain and hero roles in films. He plays both sides so well. The main reason Norton is the one I replaced is that what many of the other actors on the list have that Norton doesn’t have is opportunity. At age 42, he was actually the youngest actor on the list with the exception of Christian Bale. With a few more lead roles under his belt, I think Norton has all the potential in the world to be one of the greatest actors of our time.

Following suite with Ruth, I will also be passing the baton onto another girl: Jaina at Time Well Spent. Excited to see who you add (and take away), Jaina!