Top 10 Favorite Movies of 2012

Categorizing my favorite moves in 2012 was so much more difficult for me than it was in 2011. I had obvious, definite picks to close out 2011, and I have found myself nitpicking over which movies ought to make my top 1o favorites list this year. If you remember from last year, I picked up a movie for the tenth spot that performed horribly for critics and audiences alike, but I stuck to it, just as easily as it was for me to say that The Artist and 50/50 were the obvious stand-out movies of 2011 for me.

I haven’t finished seeing all the movies I want to see yet, including Flight and Beasts of the Southern Wild, which I can imagine will most likely alter this list. My assurance comes from being a big fan of Robert Zemeckis films, and I keep hearing great things for Beasts. So there’s a good chance a couple of these movies may be bumped off to make room! Other movies I think could possibly make it onto this list are Amour and Life of Pi, but my hopes aren’t as high for these as they are for the former two films I mentioned.

And a disclaimer before the list: I really enjoyed both The Impossible and Zero Dark Thirty, but they’re both the kind of movie that won’t get repeated viewings from me because of the subject matter. While both feats of their own, I really don’t care to watch either again with how rough and gritty it was. Another honorable mention that didn’t make my list was Lincoln. I enjoyed it immensely, but it’s running time had me looking at my watch a few times. The performances were incredible under Steven Spielberg’s direction, and I’m rooting for John Williams’s score to win the Oscar.

As of now, here are my top ten favorite films of 2012!

10) Seeking a Friend for the End of the World

As of June last year, Seeking a Friend was my favorite film I had seen so far. It was a very different film and it struck a chord with me that no other end-of-the-world flick ever had. Steve Carell shined in his performance, and Lorene Scafaria’s directorial debut was promising. More than anything, I appreciated the music and tone of this film. Scafaria stuck to her ending and I’m happy to add this movie to my top ten list of 2012.

9) Celeste and Jesse Forever

Another film I haven’t seen on anyone else’s favorites or top lists is Celeste and Jesse Forever, which made its first appearance at Sundance. Rashinda Jones both writes and stars in this film that offers an entirely different take on relationships. It’s complicated, but it’s a well-written, thoughtful screenplay that poses questions that are difficult to answer. Any Samberg shows more range than one would expect. I really enjoyed this movie and hope that it gets more exposed!

8) The Hobbit

After reading The Hobbit in January of last year, I grew more excited for the first film of three to be released in December. While there were disappointments, such as extended scenes and added parts that I believe took away from the film, I still really enjoyed it. Where The Hobbit didn’t lack was in the acting. It was great getting to see Sherlock‘s Martin Freeman star as Bilbo, and one of the strongest and best scenes of the film was the riddle scene with Bilbo and Andy Serkis’s Gollum.

7) Skyfall

For not being a huge James Bond fan, I really enjoyed Skyfall. I was hoping for something great after enjoying Casino Royale, and Skyfall does not disappoint at all. Daniel Craig does some of his best work here, and Javier Bardem makes for a great villain. The pacing and script are great and it gives a very satisfying end to the film.

6) Django Unchained

I wasn’t sure whether I’d love or hate Django going in, but it ended up being the former. For clocking in close to three hours, Django didn’t feel nearly as long as films like Lincoln or Zero Dark Thirty, for me. It’s chocked full of Quentin Tarantino humor, and both Christoph Waltz and Leonardo DiCaprio offer great supporting performances.

5) The Avengers

Earlier in 2012, I had seen The Avengers four times in theaters. If you had asked me in 2011 what movie I was planning to see the most in 2012, my answer would certainly not be The Avengers. But I’m completely won over, having seen Captain AmericaThor, and both Iron Man films multiple times before seeing The Avengers. It’s a solid film that delivers on multiple fronts, not only entertaining, but also works as an excellent inclusion of multiple characters to make one grand superhero film fit together.

4) Argo

Early in 2012 I had caught wind of a little movie called Argo to be directed by Ben Affleck. It was one of my most anticipated films of the year, and I consider it one of the best films to come out in 2012. It’s unfortunate that the Academy did not nomimate Affleck for Best Director as he brought to film one of the most interesting and thrilling political stories. I’m rooting for Argo to perform well at the awards!

3) The Dark Knight Rises

I wasn’t expecting to place DKR so high on my list, but in conjuction with everything I’ve seen in 2012, I can’t not put it so high. Even with its many critiques by fanboys and critics alike, Christopher Nolan’s epic end to his Batman trilogy is so good that people really have to fight a bit to be critical about it. While Batman Begins is still probably my favorite of the trilogy, it’s a great problem to have to be able to pick the “worst” of the three when all were solid films. Nolan set a foundation for character films to follow by placing the bar high enough for critics to like and modest enough for audiences to really enjoy.

2) The Perks of Being a Wallflower

When I first saw the trailer for Perks, I was convinced that it would be one of my favorite movies of the year. And while I’m usually wrong and set my expectations too high going in, Stephen Chbosky’s book and now film (which he also directed and wrote the screenplay for) won me over. It’s a coming of age story, but it’s written and acted out so beautifully, that I had a difficult time pinpointing what exactly it was about Perks that made it so likeable for me. The actors actually looked more of the ages they were playing rather than mid- to late-twenties adults playing high schoolers, as they do in most teen-based movies.

1) Silver Linings Playbook

And my top favorite film of the year is Silver Linings Playbook. It’s my favorite film of 2012 because it has the two qualities that attract me most to any film: strong writing and interesting characters. Based off the novel by Matthew Quick, Silver Linings tells the story of a man who is blissfully unaware he has issues. Bradley Cooper gives a stunning and turning performance which will hopefully afford him better roles in the future. Again, Jennifer Lawrence gets nominated for an Oscar, and rightfully so. It’s an interesting and different film, directed by David O. Russell, who’s known to like telling stories of dysfunctional families, his latest film being The Fighter. Even De Niro gives an unforgettable and entertaining performance in this movie. Moving, endearing, and performance strong, Silver Linings Playbook was my favorite movie of the year.

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Women in the Director’s Chair

The latest issue of The Hollywood Reporter, due to come out December 16, is titled “The (Female) Directors,” with Angelina Jolie and Jennifer Yuh Nelson (Kung Fu Panda 2) gracing the cover.

Originally, when I saw the cover, I was really confused as to why Angelina Jolie, of all people, would be on the cover. I couldn’t think of a single film she has directed or was slated to direct. According to this article in that THR issue, Jolie’s directorial debut, In the Land of Blood and Honey, is set to hit theaters in limited release on December 23. Given her international political resume, I can’t say it’s a surprise that Jolie’s debut is a Bosnian war film. It’s neat to see the female directors together again since Nelson directed Jolie in Kung Fu Panda 2, which is only the second animated film to ever be directed by a woman (first was The Tigger Movie).

Last year marked history for female directors with Kathryn Bigelow being the first female director to ever win the Oscar for Best Director for her movie The Hurt Locker. Also mentioned in the another THR article from the same issue, “The Femmes to Watch,” include the only other three female directors to ever get nominated for Best Director:

“Only three other women before had been nominated in the category: Lisa Wertmuller for Seven Beauties in 1976, Jane Campion for The Piano in 1993 and Sofia Coppola for Lost in Translation in 2003.”

It’s interesting to watch the rise of women in the film industry. Shakespeare in Love includes a great example of when women weren’t allowed on stage, and men portrayed women. Later, the Bechdel test was invented to show the type of role women are represented in movies. Perhaps you’ve even read a post about a certain type of character some female actresses constantly fall into, like the Manic Pixie Dream Girl.

Women no longer take the backseat to men in film anymore. They’re in front of the camera, and more are starting to get behind it as well.

Kathyrn Bigelow’s Acceptance Speech:

(upon winning the Oscar for Best Director for The Hurt Locker)

“This really is when … there is no other way to describe this. It’s the moment of a lifetime. First of all — this is so extraordinary to be in the company of such powerful — my fellow nominees — such powerful film makers who have inspired me and I have admired for — some of whom — for decades. Thank you to every member of the Academy. This is again the moment of a lifetime.

I would not be standing here if it wasn’t for Mark Bohl who risked his life for the words on the page and wrote such a courageous screenplay that I was fortunate enough to have a great cast bring that screenplay to life. Jeremy Renner. Anthony Mackey and Brian Garrity.

And I think the secret to directing is collaborating and I had truly an extraordinary group of collaborators in my crew: Barry Akroyd and Kelly Juliason, and Bob Murawski, Chris Innis, Ray Beckett, Richard Stutzman. And if I could also just thank my producing partners, Greg Shapiro and my wonderful agent Brian Suberal, and the people of Jordan who were so hospitable to us when we were shooting.

And I’d like to dedicate this to the women and men in the military who risk their lives on a daily basis in Iraq and Afghanistan and around the world and may they come home safe.

Thank you.”