The Iron Lady – New Trailer

The Iron Lady, a film I’ve mentioned in anticipation in at least 2 or 3 posts, finally released a full-length trailer recently, giving us more to look at and think about after watching. It looks like Meryl Streep is about to knock it out of the park again with a great performance. It’ll be interesting to see Streep work her magic again portraying a real person in a historical narrative, especially after her on-the-mark, Oscar-nominated performance of Julia Child in Julie and Julia. This time around, Streep is playing Margaret Thatcher, the first and only female prime minister of the U.K.

Looks like my recent posts have really spotlighted women in film. What better way to end the week then with a trailer starring Meryl Streep. Watch for her performance to spark the Academy in a couple months. Even coming out on the last day of the year, it looks like we might have spotted another likely Oscar nomination.

What do you think of the new trailer? Is Streep’s accent spot-on? Will her portrayal be convincing enough? I think so.

Women in the Director’s Chair

The latest issue of The Hollywood Reporter, due to come out December 16, is titled “The (Female) Directors,” with Angelina Jolie and Jennifer Yuh Nelson (Kung Fu Panda 2) gracing the cover.

Originally, when I saw the cover, I was really confused as to why Angelina Jolie, of all people, would be on the cover. I couldn’t think of a single film she has directed or was slated to direct. According to this article in that THR issue, Jolie’s directorial debut, In the Land of Blood and Honey, is set to hit theaters in limited release on December 23. Given her international political resume, I can’t say it’s a surprise that Jolie’s debut is a Bosnian war film. It’s neat to see the female directors together again since Nelson directed Jolie in Kung Fu Panda 2, which is only the second animated film to ever be directed by a woman (first was The Tigger Movie).

Last year marked history for female directors with Kathryn Bigelow being the first female director to ever win the Oscar for Best Director for her movie The Hurt Locker. Also mentioned in the another THR article from the same issue, “The Femmes to Watch,” include the only other three female directors to ever get nominated for Best Director:

“Only three other women before had been nominated in the category: Lisa Wertmuller for Seven Beauties in 1976, Jane Campion for The Piano in 1993 and Sofia Coppola for Lost in Translation in 2003.”

It’s interesting to watch the rise of women in the film industry. Shakespeare in Love includes a great example of when women weren’t allowed on stage, and men portrayed women. Later, the Bechdel test was invented to show the type of role women are represented in movies. Perhaps you’ve even read a post about a certain type of character some female actresses constantly fall into, like the Manic Pixie Dream Girl.

Women no longer take the backseat to men in film anymore. They’re in front of the camera, and more are starting to get behind it as well.

Kathyrn Bigelow’s Acceptance Speech:

(upon winning the Oscar for Best Director for The Hurt Locker)

“This really is when … there is no other way to describe this. It’s the moment of a lifetime. First of all — this is so extraordinary to be in the company of such powerful — my fellow nominees — such powerful film makers who have inspired me and I have admired for — some of whom — for decades. Thank you to every member of the Academy. This is again the moment of a lifetime.

I would not be standing here if it wasn’t for Mark Bohl who risked his life for the words on the page and wrote such a courageous screenplay that I was fortunate enough to have a great cast bring that screenplay to life. Jeremy Renner. Anthony Mackey and Brian Garrity.

And I think the secret to directing is collaborating and I had truly an extraordinary group of collaborators in my crew: Barry Akroyd and Kelly Juliason, and Bob Murawski, Chris Innis, Ray Beckett, Richard Stutzman. And if I could also just thank my producing partners, Greg Shapiro and my wonderful agent Brian Suberal, and the people of Jordan who were so hospitable to us when we were shooting.

And I’d like to dedicate this to the women and men in the military who risk their lives on a daily basis in Iraq and Afghanistan and around the world and may they come home safe.

Thank you.”