AEOS Double Review: Chef and Birdman (2014)

Having just caught Chef (2014), I decided that it would work well to write a double review of it with Birdman (2014), considering both films deal with artists and critics and their relationship to one another. Here are my reviews for two of the best movies I’ve seen so far in 2014.


 AEOS Review: Chef (2014)

I missed out on all of the Chef hype this past summer, so I recently rented it when I had a free night. Many of your reviews I read echoed that there was no major twist to the story, but that it was just a good story told. So I rented it with the expectation that I would get to watch a simple, but good story unfold.

Chef is Jon Favreau’s movie through and through. He produced, wrote, directed, and starred in it. Favreau has worn all of those hats before, but not usually all at once, and not for a film as successful as Chef has become. So it must have been a pretty important story he wanted to tell in order for him to put that much effort into it. And it really does show in his character, Carl Casper.

Casper’s priority in life is to constantly push boundaries in the kitchen. When food critic Ramsey Michel (Oliver Platt) arrives at the restaurant, Casper argues with the restaurant’s owner about the menu, decidedly bowing to the owner’s demands to keep the menu simple and the same, which pleases the general crowd of hungry customers. The next day, Casper reads Michel’s words that ultimately rips both his work as well as the restaurant apart.

But the heart of the story of Chef is Carl’s relationship with his estranged family, particularly his son Percy (Emjay Anthony). With his family taking a backseat to his career, this minor setback in receiving a bad review somewhat unites Carl and Percy. When news of the bad review travels online, Percy teaches Carl how to set up a Twitter account, thus sparking a somewhat accidental fight between both Carl and critic Michel. Ultimately, Carl loses his job after a YouTube video of him yelling at Michel goes viral. So he decides to open up his own food truck.

Chef is a movie that has a lot of unexpected funny moments, and I think it would entertain both movie critics and families alike. Chef centers around a relationship between a father and his son, and it shows the repercussions from both when Carl is involved in Percy’s life, and when he’s not present. There are touching moments that remind us viewers that we don’t always need a dramatic tale told in order to be entertained. Failure is an inevitable part of life, and the greatest lessons are often learned in how we react when we experience failure. Carl Caspers is a simple character, but he represents a lot of ordinary people who are talented, yet jobless. But more so than that, Carl Casper is a great representation of an artist who wants to be his own boss, but struggles between working the safe job with a safe paycheck, or taking a risk that could fulfill him or leave him empty-handed.

Social media also plays a significant role in the film, showing both how it can destroy or elevate a person’s reputation. I like that this theme wasn’t constantly repeating itself throughout, but that it acted as a more subtle idea in the background.

All of the acting felt very subdued, which worked well for the tone of Chef. I didn’t really think either Scarlett Johansson’s or Robert Downey Jr.’s roles were that pertinent to the film; most any actor or actress could have filled those roles. It almost seemed to me like they were cashing in favors to Favreau, but I could be reading into it too much.

Overall, I think Chef was a great film for the year, although in a few years will probably be forgotten. That said, I appreciated its simplicity, and I liked the relationship dynamic between Carl and Percy. I give Chef 

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EYES ON SCREEN.

 

What did you think of Chef? Did you think the plot was too simple, or did you think that was the strength of the film?


 AEOS Review: Birdman (2014)

A couple months ago, I read a review on a movie called Birdman (or the Unexpected Virtue of Ignorance). It just looked odd, especially the picture of Emma Stone not looking like Emma Stone. I wasn’t even sure if I was going to see the film, but after all of the high praise for it, I decided I might as well give it a try.

Michael Keaton plays Riggan Thomson, a once hailed and beloved actor who was known best as Birdman, a superhero character he played in not one, but three films. After turning down a fourth Birdman film, Riggan struggles between playing father in his broken family and making himself relevant again in his Broadway debut. Of course, things becomes less simple when theater diva Mike Shiner (Edward Norton) joins his play’s cast.

So many themes are overlapping each other in Birdman, but the primary takeaway is Riggan seeking significance in his career and clarity in his life while trying to come out from under the shadow of his days playing Birdman. Speaking of Birdman, who is he exactly, considering he is the title of the film? I consider Birdman to be Riggan’s alter ego, sitting on his shoulder, shifting between the good and evil sides of Riggan’s conscience.

Usually I would assume a movie with such a multilayered script to gain its strength mostly from its sharp and interesting writing, but Birdman really soars not only because of writer-director Alejandro González Iñárritu, but also because of an essential lead and supporting cast who are able to carry Birdman beyond its script.

Michael Keaton makes an astounding comeback, able to access a full range of emotions, but captures the audience in his most vulnerable moments. His conversations with his daughter, Sam (Emma Stone), are some of the most wrenching parts of the film, but you’re happy to go along this trip with Riggan because Keaton uses some of his real-life experiences to play Riggan so genuinely on screen. It is no surprised he has received multiple award nominations already.

Emma Stone might not play a large role in Birdman, but hers is an essential one that gives viewers probably the best commentary in the film. I wouldn’t have expected to see Stone tackle as dark a role as rehab druggie Sam, but she’s definitely proven that she can play more than just comedic and light-hearted characters. Edward Norton also seems to play an exaggerated (?) version of himself in Birdman, resulting in some of the most unexpected and amusing scenes I wouldn’t have expected from him. I could continue to mention multiple actors who added to Birdman, but I don’t want to forget to mention Zach Galifianakis, who played straight to the funny and weird and eccentric, using Birdman almost as a stage to show off that he can be funny without being the funny man.

The ending of Birdman is most telling, because it leaves viewers wondering why. It gave Riggan the critical review he sought from theater critic Tabitha Dickinson (Lindsay Duncan). It also may or may not reveal what was going on in Riggan’s head, and how he was dealing with everything. I like how it served as the finale of both the play and the film. There was a great build-up, and I was definitely not expecting it.

Complementing the script and acting was a memorable and unique score composed entirely with just a drum set by Antonio Sánchez. Though I wouldn’t listen to it in my free time, I felt like the drumming worked well with the eccentricity of the film, and it set the tone for Keaton’s character and played off his emotions, swelling and diminuendoing as the movie went along.

Emmanuel Lubezki’s camera work is also the big talk of Birdman, and rightfully so. Viewers really felt the experience of working in Broadway, the camera offering the “one, continuous take” of characters walking down the cramped, claustrophobic setting of a theater backstage.

I found relevance in Birdman in watching actors play characters that loosely mirrored their real lives. Beyond that, we get to witness the relationship between the artist (in this case, actors) and the critic. In addition, we get a behind-the-scenes view of a play, a washed-up actor’s life, and the consequences of how fans, viewers, and critics perceive artists in a different light when an actor seeks relevance in a fictional world where relevance is rarely long-lasting or authentic. Did that end scene give Tabitha Dickinson the sincerity she demanded from Riggan? What was Alejandro González Iñárritu trying to tell viewers in Birdman?

Although Birdman doesn’t dispense the same conversation Interstellar left us with this year, it does ask questions about how artists want to be perceived, and it also points the finger at critics to consider how we critique by offering a look behind the curtain. However, not all critics play hard ball like Ms. Dickinson, and not all actors are looking to be authentic like Riggan.

Birdman will likely make its mark on 2014 awards ceremonies, hitting reviewers’ and critics’ nerves. I found the conversation and thought process following the film to be more eye-opening and interesting than the film itself. Perhaps it’s my own fault. It’s not a movie I want to watch over and over again, but it gained my respect in offering up such a multi-dimensional character as Riggan Thomson in such a sharply edited film that only boosted its already strong writing. I give Birdman 

Eye Art1Eye Art1Eye Art1
1/2 EYES ON SCREEN.

 

What did you think of Birdman? What was the ultimate takeaway of the film for you? What are your theories on the ending?

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22 thoughts on “AEOS Double Review: Chef and Birdman (2014)

  1. I agree about Birdman not being a film to watch over and over. It isn’t even in my top 5. However, I had to award it a perfect score for being so well put together. It is truly an excellent piece of film.

    I freaking adored Chef. I even fell sucker to the cute father/son relationship!

    Liked by 1 person

    • Thanks, TCM! I have no idea where it will end up on my top list, much less if it will even end up there. I was SO close to giving it a perfect score. I do agree that it is absolutely excellent, and it’s one of the best films I’ve seen so far this year.

      Aww, I know, right? Such a sweet film. Really touching and very well done! Glad you enjoyed it so much too.

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  2. Nice!!! I have Birdman perched at the tippy-top of my favorites from this year, it’ just blended so perfectly for me, but you’re review of it is also excellent and gave me thought on some things I might have read into a bit too much. I think you’re analysis towards the end — about not all critics want to be harsh and not all actors are necessarily seeking authenticity — is spot-on.

    As for Chef — I would bump that to a 3.5 or maybe a 4. It does nothing special really in terms of storytelling but what an enjoyable slice of indie filmmaking that was! I loved, loved it.

    Liked by 1 person

    • Aww thanks for your sweet words, Tom! You are always so kind both when you agree or disagree. 🙂 I’m glad the review was thought-provoking. I saw the movie weeks ago and I had a lot of ideas occur to me after I saw it!

      I really enjoyed Chef – so much so that I’d like to own it. And at the same time, I feel like for me it did not have enough critically-engaging things about it for me to bump it up higher. But hey, I may need to re-watch it in the future and rethink my score!!

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  3. Haven’t seen Birdman yet. How did you feel about it contentwise? I’ve still got to do more research on that.
    I loved Chef. It was very sweet especially the relationship between father and son. The women were way out of his league but I was ok with that. You might like 100 Foot Journey too.

    Liked by 1 person

    • Hey there! The content does involve some language and a couple of inappropriate scenes brought to us primarily by Edward Norton in the film. Overall, it is rated R, but I would consider it on the tame end of rated R films given the amount of language and sexuality. It’s entirely up to you, and I understand your hesitancy. But those are my thoughts on it! 🙂

      I did too! I know – it’s great to see some positive familial relationships in movies. I’ll have to check that one out at some point – thanks for the recommendation!

      Liked by 1 person

  4. Really looking forward to seeing Birdman.

    Chef – so glad you got to see it and enjoyed it. Completely agree, it will probably be forgotten fairly quickly. But it’s definitely one of those films that is incredibly re-watchable. Love that factor with films and feel like a lot of films these days don’t have that anymore.

    Liked by 1 person

    • Ooo, I hope you enjoy it, Jaina! I liked it a lot.

      I REALLY enjoyed it! What a great movie. Yes, I’m with you in that I think a couple years down the road and most people will have forgotten about it. But it is very re-watchable, and it’s one I’d like to own eventually. I agree that you don’t feel like a lot of movies feel like that anymore.

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  5. Great reviews Kris! I enjoyed Chef but yeah, Scarlett Johansson & Robert Downey Jr. cameos are unnecessary and didn’t add anything to the story. It’s just more for amusements to have Iron Man & Black Widow dropped by, that’s it 🙂

    I LOVE Birdman, as you already know and I think it lingers more than Interstellar did for me. For one, it’s much more relatable and far less plot holes + you connected more w/ the characters. I’ve been a longtime fan of Michael Keaton so I’m thrilled to see him get a comeback role like this. It’s interesting that he too turned down the third Batman movie in real life, I always admire actor who’s not all about the paycheck.

    Liked by 1 person

    • Hey Ruth! Thanks! Haha, I thought the same thing about Iron Man and Black Widow. Funny how that works . . .

      I can see how Birdman definitely stays with you longer than Interstellar. I think overall, it had a better conclusion – and way of getting there. I think things will definitely be changing for Keaton after his performance in Birdman. I hope he does well at upcoming award ceremonies!

      Liked by 1 person

  6. Great reviews, Kris! I liked Chef, thought it pleasant but also completely forgettable, haha. Birdman, on the other hand, I haven’t been able to take off my mind for two months now. My favorite movie of the year so far. Everything (cast, writing, direction, score, cinematography) is on point. LOVED it.

    Liked by 1 person

    • Aww, thanks, Fernando! I’m totally with you on Chef in that I thought it was such a sweet movie, but definitely a forgettable one in the future. That’s awesome that you liked Birdman so much! It definitely is one of my favorite of the year too.

      Liked by 1 person

  7. Very strange how alike these 2 movies are.
    That said, I really did not like Birdman. Keaton’s character is going through some kind of narcissistic mid-life crisis with crypto-suicidal consequences. The unnecessary hocus-pocus and silly directorial tricks were irritating and manipulative.
    Although all characterizations were expertly done, none of these people were very likable or funny, which made empathizing and maintaining interest difficult.
    I loved Chef, and I will remember it far longer than Birdman because it made me feel good. Much of it did not make sense, e.g., cleaning up a filthy old food truck and stocking it with incredibly expensive commercial kitchen supplies, but at least there were no idiotic costumes, voices, and CGI magic.
    Didn’t even see the plot similarities until I was watching Birdman, and Keaton was going through his rant to the theater critic. I said “‘huh?’ didn’t I just see this?”
    In their respective films, Favreau is rewarded, and Keaton, who knows?
    In real life Keaton is awarded and Favreau is forgotten.

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